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Full-Text Articles in Arts and Humanities
Book Review Of: Sound Technology And The American Cinema, Brian M. Yecies
Book Review Of: Sound Technology And The American Cinema, Brian M. Yecies
Dr Brian Yecies
Sound technology and the American cinema makes an exciting contribution to the fields of film history, film theory, and cultural studies. It offers an in-depth, multi-sourced study of the development of representational technologies, including photography, phonography, and the cinema; each had a convergent role in the permanent adoption of sound into the Hollywood film industry. James Lastra intrigues the reader by constructing a technological genealogy, which connects the ideas and sensibilities of an American culture on the brink of modernity. In doing so, he brings to life a material history of this century's "most influential audiovisual form-the classical Hollywood sound …
Film Policy And The Coming Of Sound To Cinema In Colonial Korea, Brian M. Yecies
Film Policy And The Coming Of Sound To Cinema In Colonial Korea, Brian M. Yecies
Dr Brian Yecies
During the transition between silent and sound cinema in Korea (1929-1939), Japanese colonial film policies established stringent market barriers for local Hollywood distribution exchanges and simultaneously increased opportunities for domestic Korean and Japanese film productions. The Government-General of Korea enacted regulatory initiatives, including film censorship, as part of Japan's larger imperial agenda aimed at strengthening and expanding its Empire. In turn, the domestic film industry in Korea was invigorated and modernized by a number of Korean film people (younghwa-in) who gained valuable experience and training while travelling back and forth between Korea and Japan. Korean film pioneers innovated local solutions …
Talking Salvation For The Silent Majority: Projecting New Possibilities Of Modernity In The Australian Cinema, 1929-1933, Brian M. Yecies
Talking Salvation For The Silent Majority: Projecting New Possibilities Of Modernity In The Australian Cinema, 1929-1933, Brian M. Yecies
Dr Brian Yecies
This chapter analyses the distinctiveness of the coming of permanent sound (the talkies) to the Australian cinema in the late 1920s and early 1930s. The coming of sound resulted in fundamental, but not uniform, change in all countries and in all languages. During this global transformation, substantial capital was spent on developing and adopting modern technology. Hundreds of new cinemas were built; tens of thousands were wired with sound equipmentthat is, two film projectors with sound attachments, amplifiers, speakers and electrical motorsand some closed in financial ruin during the Great Depression. The silent period ended and sound became projected as …
Post-Burden Or New Burden Korean Cinema?: Outside Looking In At The Latest Golden Age, 1996-?, Brian M. Yecies
Post-Burden Or New Burden Korean Cinema?: Outside Looking In At The Latest Golden Age, 1996-?, Brian M. Yecies
Dr Brian Yecies
This work-in-progress examines the paradoxical nature of what I call Koreas post-burden cinema a present-day film industry that has survived Japanese colonialism, American occupation, civil war, prolonged dictatorship, rapid industrialization, economic crisis and severe censorship. For nearly a century filmmakers have learned and practised their trade under these challenging social, political, cultural, economic and industrial constraints, and outlived them. This paper uses a case study of The President's Last Bang to illustrate the divergent freedoms that have enabled representative commercial, art-house, independent and animation filmmakers to transcend national and cultural borders by telling previouslyforbidden stories and breathing a universal but …
“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.
“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.
Seán Crosson
(Co-written with Dónal McAnallen) From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass movement for the expression of independent Irish identity. Yet paradoxically, given the popular association of Gaelic games with Irish independence, nearly all footage of these games from …
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.
Seán Crosson
This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …