Arts and Humanities Commons^™

Larson's Musical Forces In Schlenker's Music Semantics, Mick De Neeve

Baltic International Yearbook of Cognition, Logic and Communication

Larson’s musical forces of gravity, magnetism and inertia link music to metaphors of physical motion. Schlenker’s music semantics is based on similar physical world associations. Because Larson’s forces are about note movements towards harmonic stability, his framework implies note groupings at stable boundaries, given common cadential harmony. These groupings with forces assignments can then be viewed as musical events in Schlenker’s approach, and mapped to structure-preserving external (world) events as required for this author’s semantics. To this end, Schlenker’s truth definition, specifying when an event is ‘true of’ a musical expression, will be adapted. The synthesis amounts to what Schlenker …

Okay! (The Asd Band Film), Michele M. Desmarais

Journal of Religion & Film

This is a film review of OKAY! (The ASD Band Film) (2022) directed by Mark Bone.

Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor

Irish Communication Review

Reissues: a rediscovery of the past. This process of rediscovery is nowhere more evident than in the current output of the Dublin record label and shop, All City Records. Recently, its owner Olan O’Brien, has been delving into the unknown with a series of reintroduced gems from Ireland’s musical past with its AllChival imprint. Whether it is Quare Grooves, a compilation of Irish-made Seventies groove and funk or the re-release of Dublin producer Stano’s debut album of experimentalist new wave from 1983, the label has been playing a rival role in the recontextualising lost DIY (Do-it-Yourself), electronic and post …

Early Sound Systems Of The Irish Dance Bands And Showbands, Niall Coghlan

Irish Communication Review

This paper examines the culture and technologies around the sound systems used by the Irish dance and show bands of the 1950s and 1960s. With limited financial and technical resources available to the average musician of the period, many performers were forced to adopt a DIY approach, adapting or building their own instruments and sound equipment to meet changing tastes and needs. Literary sources are augmented by material drawn from interviews with two musicians who played with the showbands. The evolution of the technologies from the post-war period is documented and a self-sufficient, DIY approach is evidenced, prior to the …

Clubbing Criminals: The Hirschfeld Centre And The Emergence Of Queer Club Culture In Dublin, Ann-Marie Hanlon

Irish Communication Review

Ireland in the 1970s and 80s was an extremely hostile place for the LGBT community: male homosexuality remained a criminal offence and social, legal and political oppression was the norm. This article documents the emergence of a nascent queer clubbing scene in Dublin in this period and investigates the historical intersection of partying and politics in a DIY translocal music scene defined by the sexual politics of the time. In particular, this research focuses on exploring the social and political importance of Ireland’s first purpose built queer club, Flikkers, which opened in the Hirschfeld Centre, Temple Bar on St. Patrick’s …

Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan

Irish Communication Review

Alternative music cultures can be found in various Irish cities and towns outside of the capital Dublin. These scenes may retain their own local idiosyncrasies, but those subscribing to do-it-yourself (DIY) ideals in Ireland are clearly influenced by sounds and styles from further afield. As punk mutated into different forms from the 1980s onwards, political and musical cues came from the countries to the East and West of Ireland - hardcore (Fairchild, 1995) from the United States, and anarcho-punk (Dines, 2004) from Britain. The DIY aesthetics of the early punk movements have since translated to numerous music genres and practices …

Local Garage Psychosis Rockabilly Disease: Glocalization And The Athenian Psychobilly, Michael Tsangaris

Journal of Global Awareness

Music is an art that permeates every human society. It is used for such diverse social purposes as ritual, worship, coordination of movement, communication, or entertainment. There are no limits to music as it can move freely in space through sound waves, radio, cinema, television, and the new digital technologies. Music is directly related to subcultures in that cultural identities and lifestyles can be mediated through music. This article aims to use the development of music scenes such as psychobilly to establish a link between music, subcultures, globalization, and the global-local dialectic.

Creative Citizen Peacebuilding: Japanese Artists And Audiences Respond To The Vietnam-American War, Long T. Bui, Ayako Sahara

Peace and Conflict Studies

This article explores two case studies related to South Vietnam and Japan, relating them to the controversial history and legacy of the Second Indochina War. The first is the Japanese adoption and adaptation of South Vietnamese antiwar music. The second is a Japanese film, uncovered decades later after the war, exposing the role of Japan in South Vietnam. Cultural productions, from nations allied with the United States, sought to expose the popular struggle for peace against the rising tide of Cold War military violence and corporate capitalist exploitation. Through interviews, archival research, and textual analysis, the article argues for a …

Is Music The Barometer Of Society? Exploring How Music Mirrored Society From The Ancient World, China To Central Europe In The 21st Century, Bibi Pelić

Comparative Civilizations Review

“If one should desire to know whether a kingdom is well governed, if its morals are good or bad, the quality of its music will furnish the answer.” ― Confucius

“What music do you listen to?” Would this be a valid question to ask a presidential candidate or person looking for a high political office today? If mankind had followed the advice of Confucius, many disastrous episodes in history might have been prevented.

Music is one of the most wonderful achievements of mankind. As far back in history as we know, music has been part of man’s life. Whether it …

The Pre-Fab Fab Four, Thyra L. Chaney

The Downtown Review

This paper describes the formation of The Monkees as a manufactured boy band and pop culture phenomenon, and the social and cultural context that led to the group's dissolution and lasting legacy in the history of television and popular culture.

And The Stars Look Very Different Today, Amy Rogin

The STEAM Journal

A personal reflection about synesthesia

Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey

Yale Journal of Music & Religion

While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …

“Give Me Some Beautiful Holy Images That Are Colorful, Play Music, And Flash!” The Roma Pilgrimage To Csatka, Hungary, István Povedák

Journal of Global Catholicism

This study introduces the Csatka pilgrimage, which is one of the most significant festive events for Roma in Central and Eastern Europe. Csatka, a small and secluded village, became one of the most important pilgrimage sites for Roma since the mid-20th century. Tens of thousands of Roma, entire families from Hungary and the surrounding countries arrive to the feast on Nativity Day at the beginning of September. For them, however, the rite is not only about religious actions, but also about their powerful role in strengthening Roma ethnic identity. Through the analysis of the rite, we can gain a good …

Nature And The Spirit: Tri Hita Karana, Sacred Artistic Practices, And Musical Ecology In Bali, Hao Huang, Joti Rockwell

EnviroLab Asia

Bali is notable for the degree to which music, dance, and visual art permeate everyday life--a result of historically rooted and continuously evolving religious philosophies and rituals. With this context in mind, we wondered what role the arts play, and can play, in addressing environmental concerns.

The Cyclical Influence Of Society And Music, Bailey Gomes

Conspectus Borealis

No abstract provided.

The Mulberry Tree, The Birds And The Divine In The Music Of The Dotār In Khorāssān (Iran), Farrokh Vahabzadeh

Yale Journal of Music & Religion

The relationship between music and environment plays an important role both in musical compositions and in research on music. The paper is about an anthropological study on the relationship between music of the long-necked lute dotār and the environment, in the region of Khorāssān in Iran. By examining the close relationship between the mulberry tree, birds, metaphor and music of dotār, we will try to show how the environmental factors, data or aspects can be directly or indirectly related to the music, particularly through the symbolism of Sufi beliefs in the region. These relationships to the nature are strongly linked …

Voting Booths And Interactive Art Installations: The Diebold Accuvote Ts In Context, Mike Richison

Journal of Network Music and Arts

In 2016, I created an interactive installation called Video Voto Matic. This project was a mashup between the Votomatic voting system and a Roland TR-808 drum machine. To coincide with the 2020 election season, I am currently working on an update of the project that will include a touch screen voting interface and multiple networked stations that also produce audio and video output. The interface will be housed in the same voting booths that once housed the Diebold Accuvote TS. The Diebold Accuvote TS is a screen-based voting machine that does not utilize paper as a backup. Researchers have examined …

Considering Telematic Tools For Conferences, Scott Deal, Rodney Smith, Chuiyuan Meng, Matt Vice

Journal of Network Music and Arts

Participation in conferences is an elemental component of professional life throughout the world. Two problems offset the social synergy gained from attending a far-away gathering of like-minded people. The first is the highly pronounced carbon footprint from air travel, and the second is the expense involved to participate in a conference which may be on another continent. These factors prevent many from participating who could otherwise benefit as well as contribute. As videoconferencing becomes more common and more sophisticated, it will serve as an alternative that not only benefits constituencies, but will expand the reach of a conference to more …

Understanding The Telematic Apparatus, Patrick Muller, Benjamin Burger, Joel De Giovanni, Matthias Ziegler

Journal of Network Music and Arts

Under the conditions of its geographic distribution, the “telematic performance” can be regarded as a remediation of traditional concert, theater or dance formats. Conversely, and as this paper argues, the telematic performance can also be understood as an artistic format of its own right, one which then can serve as a trope for social interaction under the conditions of critical posthumanism. To gain a wider perspective, this paper analyzes Alan Turing’s “Imitation Game” from his seminal article Computing Machinery and Intelligence, 1950, proposing it as an early conceptualization of a telematic performance. This against-the-grain reading of Turing’s text reveals certain …

Sensing Place And Presence In An Intimal Long-Distance Improvisation, Ximena Alarcon Diaz, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, Alexander Refsum Jensenius

Journal of Network Music and Arts

INTIMAL is an interactive system for relational listening, which integrates physical-virtual interfaces for people to sonically improvise between distant locations. The aim is to embrace two key aspects in the context of human migration: the sense of place and the sense of presence. This paper reflects on the use of INTIMAL in a long-distance improvisation between the cities of Oslo, Barcelona and London in May 2019. This improvisation was performed by nine Colombian migrant women, who had been involved in a research process using the Deep Listening® practice developed by Pauline Oliveros. Here we describe the performance setting and the …

Telematic Music Vs. Networked Music: Distinguishing Between Cybernetic Aspirations And Technological Music-Making, Eric C. Lemmon

Journal of Network Music and Arts

No abstract provided.

Editorial, Sarah Weaver

Journal of Network Music and Arts

Welcome to the Journal of Network Music and Arts (JONMA). JONMA is a peer-reviewed open access digital research journal published by Stony Brook University. Network Music and Arts utilize the Internet and related technologies as an artistic medium for works created for this platform. JONMA will publish research by artists, technologists, educators, and related scholars. The journal content will include articles, audio and video documentation, and reviews for books and recordings.

The Effects Of Music Therapy On Individuals Suffering From Psychiatric Disorders: A Literature Review And Look Into Future Prospects, Zachary J. Krauss

Musical Offerings

Music therapy is a field of psychology and psychotherapy that exists under the broad field of study known as expressive arts therapy. This form of therapy is experiential in nature, and it gives participants vehicles through which they can tell their stories and share their emotions while actively exploring their thoughts. Music therapy has proven to be an effective treatment for a myriad of psychological disorders, including anxiety, depression, bipolar disorder, PTSD, and schizophrenia. In order to grant a base level of understanding, research was conducted examining the methods and approaches used in music therapy, along with the psychological and …

Music Generated Narratives: Elaborating The Da Capo Interview Technique, Martin Cortazzi, Nick Pilcher, Lixian Jin

The Qualitative Report

This paper shows how we played researcher-selected extracts of music to participants in “the Da Capo technique,” to elicit narratives of their learning experiences. Previously, we used music alongside other techniques in an interview about learning; here we explore the Da Capo technique as a standalone technique to study its potential for narrative recall. To do this, we played 10 one-minute long extracts of classical music (five “Western” and five “Chinese”) to 20 participants (10 “Western” and 10 “Chinese”). After hearing each piece, participants were asked if the music recalled for them any experiences of learning. When it did so, …

Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou

Présence Francophone: Revue internationale de langue et de littérature

Immigration is a reality which touches primarily the young in most country. This phenomenon must be undressed of its blaming considerations, in view of its incommensurable contribution in the development of many countries. If the United States of America arrived at the legalization of immigration, by instituting a lottery called “lottery visa”, it is that they are conscious of the benefit that this phenomenon can bring to their nation. Moreover, the United States is a nation built on the bases of the immigration to which they owe their power today. They are numerous these young people who set off to …

The Doctrine Of Affections: Where Art Meets Reason, Sharri K. Hall

Musical Offerings

The Doctrine of Affections was a widespread understanding of music and musicality during the Baroque era. The Doctrine was a result of the philosophy of reason and science as it coincides with music. It aimed to reconcile what man knew about science and the human body, and what man thought he knew about music. It was a reconciliation of practical musicianship and theoretical music which had begun to rise in the time. Though it is generally understood as being apart from Enlightenment thinking, the Doctrine is a result of Enlightenment-style philosophy. As the Enlightenment sought to explain why things occurred …

“Windows” Of Time, Part Ii: Documenting Temporal And Embodied Epistemology In Musicians, Lynnsey K. Weissenberger

Proceedings from the Document Academy

As an extension to the earlier paper “Windows” of Time: Memory, Metaphor, and Storytelling as Documents, this paper examines how those documents both inform and are informed by temporal epistemology and embodied knowledge. They serve to document both temporal and embodied epistemology in the ongoing process of musical knowledge building, in music performance, as well as in teaching and transmission contexts. To illustrate in greater depth how these documents are situated between temporal and embodied knowledge, Irish traditional music examples are drawn from five renowned musicians as a kind of case study. A model representing the documents’ situation and …

“Windows” Of Time: Memory, Metaphor, And Storytelling As Documents, Lynnsey K. Weissenberger

Proceedings from the Document Academy

This paper describes how alternative documents – memory, metaphor, and storytelling – negotiate musicians’ ongoing process of knowledge building. Examples are drawn from five music practitioners of different traditions around the world. In the contexts of teaching and learning, these documents provide evidence of changing epistemic perspectives in these music practitioners, and can be used to examine the complex relationships between time, knowledge building, and experience. Recent work in oral information and oral documents by Turner (2007; 2010), in addition to conceptual views of documents and documentation as early as Otlet (1934) and Briet (1951) and revisited by Buckland (1991; …

Modulation Of Behavior In Communicating Emotion, Martin Gardiner

Animal Sentience

King discusses many examples where two animals, as they bond, behave in ways we interpret as expressing love for one another. If one of the bonded animals then dies, signs of loving are replaced by signs we interpret as expressing grief by the animal who remains. I propose a pathway for emotional communication between an animal and an observer that can have a central role in these and other observations by King and in our overall ability to interpret observed behavior in relation to emotion. This pathway provides evidence of emotion in an observed animal by communicating evidence of emotion’s …

Bailamos Juntos: Salsa En Los E.E.U.U. Y El Mundo, Betty Tran

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This composition traces the history of Cuban-American cultural identity formation through the lens of music and dance. As the author explains, Cuban immigrants cultivated a rich music and dance culture in New York City by creating a series of Latin and Afro-Cuban music genres and dances that brought diverse groups of people together. As a Vietnamese-American woman, Tran sees several connections between her family’s Vietnamese heritage and the cultural histories of Cubans who came to the United States as refugees seeking asylum from political oppression. As a first-generation college student, Tran believes it is important to share this composition as …