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Full-Text Articles in Arts and Humanities
Death Lilly : Performing The 'Flower Girl' Role In The Age Of Consumption, Catherine Gomersall
Death Lilly : Performing The 'Flower Girl' Role In The Age Of Consumption, Catherine Gomersall
Theses : Honours
This self-reflexive photomedia project interrogates the 'flower girl' role as a cultural fetishism of 'innocent' white-girl femininity, which I claim is perpetuated in the bridal fantasy. In my photomedia work the theme of 'death' and the uncanny is explored as well as the themes of 'wildness' and 'violence' in order to subvert the dominant discourse of ideal white femininity which is defined in popular culture by a sanitised bourgeois aesthetic. I attack the bourgeois surface of the bridal magazine in my artwork as I perform the 'flower girl' role in the context of popular culture and capitalism. The flower girl …
The Influence Of Genetics And The Environment On Human Personalities, Relationships And Experiences, Patrice Smith
The Influence Of Genetics And The Environment On Human Personalities, Relationships And Experiences, Patrice Smith
Theses : Honours
It's no mystery that our genetic make-up plays an integral part in the outcome of our lives, but to what extent exactly are our personalities, relationships and experiences pre-determined by this genetic code? There are two forces that contribute to the outcome of these aspects of our lives. Genetics and Environment. The significance of the environment, i.e., our upbringing, lifestyle and the world around us is often emphasized by psychologists as the more dominant force, however our genes are just as, if not more, influential on our lives. My choreographic process is directly in relation to the group of artists …
Finding The Watermark: A Filmic Response To Domestic Abuse Within Australian Film From 1970 - 2006, Erin Nichols
Finding The Watermark: A Filmic Response To Domestic Abuse Within Australian Film From 1970 - 2006, Erin Nichols
Theses : Honours
Due to various social, international and economic encumbrances, Australian film has made a limited foray into the representation of domestic abuse. A limited number of films have been made on this topic since the early 1970's, and even then, the depiction of this social issue has been watered down and sanitised for mainstream consumption. It is the author's belief that the filmmaker has an important and highly influential opportunity to present a social commentary on issues and must not shirk that responsibility. The film project supported by this exegesis responds to the above concerns and the priority has been to …