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Articles 1 - 30 of 131
Full-Text Articles in Arts and Humanities
The Seven Spices: Pumpkins, Puritans, And Pathogens In Colonial New England, Michael Sharbaugh
The Seven Spices: Pumpkins, Puritans, And Pathogens In Colonial New England, Michael Sharbaugh
Michael D Sharbaugh
Water sources in the United States' New England region are laden with arsenic. Particularly during North America's colonial period--prior to modern filtration processes--arsenic would make it into the colonists' drinking water. In this article, which evokes the biocultural evolution paradigm, it is argued that colonists offset health risks from the contaminant (arsenic poisoning) by ingesting copious amounts of seven spices--cinnamon, cloves, nutmeg, cardamom, allspice, vanilla, and ginger. The inclusion of these spices in fall and winter recipes that hail from New England would therefore explain why many Americans associate them not only with the region, but with Thanksgiving and Christmas, …
Korea's Occupied Cinemas, 1893-1948, Brian Yecies, Ae-Gyung Shim
Korea's Occupied Cinemas, 1893-1948, Brian Yecies, Ae-Gyung Shim
Brian Yecies
Korea’s Occupied Cinemas, 1893-1948 compares and contrasts the development of cinema in Korea during the Japanese occupation (1910-1945) and US Army Military (1945-1948) periods within the larger context of cinemas in occupied territories. It differs from previous studies by drawing links between the arrival in Korea of modern technology and ideas, and the cultural, political and social environment, as it follows the development of exhibition, film policy, and filmmaking from 1893 to 1948. During this time, Korean filmmakers seized every opportunity to learn production techniques and practice their skills, contributing to the growth of a national cinema despite the conditions …
Book Review Of James, D & Kim, K.H (Eds) Im Kwon-Taek: The Making Of A Korean National Cinema, Brian Yecies
Book Review Of James, D & Kim, K.H (Eds) Im Kwon-Taek: The Making Of A Korean National Cinema, Brian Yecies
Brian Yecies
No abstract provided.
Strategies For Sharing The Remote: Changing The Nature Of Online Collaboration, Brian Yecies, Richard Caladine
Strategies For Sharing The Remote: Changing The Nature Of Online Collaboration, Brian Yecies, Richard Caladine
Brian Yecies
Online learning or e-learning has had an impact on the way many institutions around the world provide opportunities for learning. For the past five years, the University of Wollongong, like many others, has taken a blended approach to online learning. Blended learning combines face-to-face and online learning. In the online component, learners interact with Web pages and online resources under the umbrella of a course management system (CMS). While the CMS has been highly successful, there are some online teaching and learning functions that could not be easily undertaken. These involve group work, and it was believed that an online …
Sejong Park's 'Birthday Boy' And Korean-Australian Encounters, Ben Goldsmith, Brian Yecies
Sejong Park's 'Birthday Boy' And Korean-Australian Encounters, Ben Goldsmith, Brian Yecies
Brian Yecies
This chapter focuses on some of the flows of film work between Australia and South Korea, and some of the roles taken by Australians in the performance (and particularly the sound) of Koreanness in different film contexts. We will explore Korean-Australian collaboration on film, through case studies of Sejong Park's Oscar-nominated short animated film Birthday Boy (2004) and two Korean feature films Musa (2001, Kim Sung-su Kim) and Shadowless Sword (2005, Kim Young-jun Kim) for which Australian firms provided sound post-production services. We are interested in how these films instanciate and expand Korean, Australian, diasporic and transnational filmmaking.
The Coming Of Sound To Cinema In Colonial Korea, 1926-39, Brian Yecies
The Coming Of Sound To Cinema In Colonial Korea, 1926-39, Brian Yecies
Brian Yecies
No abstract provided.
Traces Of Korean Cinema From 1945-1959, Brian Yecies
Traces Of Korean Cinema From 1945-1959, Brian Yecies
Brian Yecies
The first in a planned series of books about Korean film history, published in bilingual editions by the Korean Film Archive (KOFA). This particular edition contains essays on Korean film history focused on the period between Korea's liberation from Japan and the end of the 1950s. Articles within are written by KOFA President Yi Hyo-in and researcher Chung Chong Hwa. A large number of reproductions of period film stills and posters are also included. The original Korean articles as well as translated versions by Shim Ae Gyung are included together in this volume.
Feature Film And Tv Production In Australia: A Look At The Current Industry In 2004, Brian Yecies
Feature Film And Tv Production In Australia: A Look At The Current Industry In 2004, Brian Yecies
Brian Yecies
No abstract provided.
Hommage To The Infinite: Deborah Walker, Diana Wood Conroy
Hommage To The Infinite: Deborah Walker, Diana Wood Conroy
Diana Wood Conroy
A catalogue essay of Deborah Walker, positioning her paintings in the wider art context; 'Hommage to the infinite: Deborah Walker', Stonington Stables Museum of Art, Deakin University, Melbourne, 2004.
The Fabric Of The Ancient Theatre: Excavation Journals From Cyprus And The Eastern Mediterranean, Diana Wood Conroy
The Fabric Of The Ancient Theatre: Excavation Journals From Cyprus And The Eastern Mediterranean, Diana Wood Conroy
Diana Wood Conroy
THE FABRIC OF THE ANCIENT THEATRE: EXCAVATION JOURNALS FROM CYPRUS AND THE EASTERN MEDITERRANEAN MOUFFLON PUBLISHING, NICOSIA, CYPRUS (BOOK, 400 PAGES WITH ILLUSTRATIONS). DISTRIBUTED IN AUSTRALIA THROUGH LANDMARK PRESS, RELEASED OCTOBER 2004. HARDBACK, 400 PAGES. REVIEWED IN ART MONTHLY AUSTRALIA OCTOBER 2005 AND BRYN MAWR CLASSICAL REVIEW, (USA) FEBRUARY 2006.
Catalogue Essay And Curated Exhibition, Diana Wood Conroy
Catalogue Essay And Curated Exhibition, Diana Wood Conroy
Diana Wood Conroy
No abstract provided.
Textile Artefacts And A Fragment Of Cloth From Pafos, Cyprus, Diana Wood Conroy
Textile Artefacts And A Fragment Of Cloth From Pafos, Cyprus, Diana Wood Conroy
Diana Wood Conroy
No abstract provided.
A Brave Decade Of Arts In The Illawarra, Diana Wood Conroy, Glenn Barkley
A Brave Decade Of Arts In The Illawarra, Diana Wood Conroy, Glenn Barkley
Diana Wood Conroy
No abstract provided.
Australian Textile Art: The Material Speaks, Diana Wood Conroy
Australian Textile Art: The Material Speaks, Diana Wood Conroy
Diana Wood Conroy
No abstract provided.
Naming 2000 In Lake Mungo Revisited, Diana Wood Conroy
Naming 2000 In Lake Mungo Revisited, Diana Wood Conroy
Diana Wood Conroy
No abstract provided.
Matthias Exhibited In Unfolding Territories Exhibition As Part Of Fabric(Ation)S Of The Postcolonial Conference, Diana Wood Conroy
Matthias Exhibited In Unfolding Territories Exhibition As Part Of Fabric(Ation)S Of The Postcolonial Conference, Diana Wood Conroy
Diana Wood Conroy
No abstract provided.
Introduction, Wenche Ommundsen, Michael Leach, Andrew Vandenberg
Introduction, Wenche Ommundsen, Michael Leach, Andrew Vandenberg
Wenche Ommundsen
What some have dubbed 'the new world disorder' of the early 21st century has forced the human and social sciences to re-examine a number of their concepts and theories. One such concept is citizenship. The twin challenges of globalisation and cultural diversity have unsettled such seemingly central assumptions as the primacy of the nation-state and the relative cohesion of its citizenry. It has thus become necessary to rethink what it means to be a citizen, at a local, national, or global level, and to ask what civil, political, social, and cultural rights may be gained, or lost, in the rush …
Writing As Cultural Negotiation: Suneeta Peres Da Costa And Alice Pung, Wenche Ommundsen
Writing As Cultural Negotiation: Suneeta Peres Da Costa And Alice Pung, Wenche Ommundsen
Wenche Ommundsen
Mina Pereira, the narrator of Suneeta Peres da Costa's novel Homework, is born with feelers on top of her head:small protuberances, or antennae, which grow bogger at times of emotional stress. 'She might be a little bit sensitive, thats all' (Peres da Costa, 1999:5), her parents explain, defending their daughter against insensitive strangers accusing her of being an alien, and extraterrestrial, a mutant. Mina is sensitive, as is the young protagonist of Alice Pung's autobiographical narrative Unpolished Gem, sensitive to their difference as reflected in the eyes and behaviour of schoolmates and friends, sensitive, in particular, to cultural …
Auslit: Resource For Australian Literature - Australian Multicultural Writers, Wenche Ommundsen
Auslit: Resource For Australian Literature - Australian Multicultural Writers, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Review Of "Ways Of Seeing China: From Yellow Peril To Shangrila" By Timothy Kendall, Wenche Ommundsen
Review Of "Ways Of Seeing China: From Yellow Peril To Shangrila" By Timothy Kendall, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Have Culture, Will Travel: Cultural Citizenship And The Imagined Communities Of Diaspora; A Fiction, Wenche Ommundsen
Have Culture, Will Travel: Cultural Citizenship And The Imagined Communities Of Diaspora; A Fiction, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Sins Of The Fathers, And The Mothers', Review Of Jessica Anderson, Wenche Ommundsen
Sins Of The Fathers, And The Mothers', Review Of Jessica Anderson, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Paris Review Interviews: Writers At Talk, Wenche Ommundsen
Paris Review Interviews: Writers At Talk, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Narrative Navel-Gazing,Or How To Recognize A Metafiction When You See One, Wenche Ommundsen
Narrative Navel-Gazing,Or How To Recognize A Metafiction When You See One, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
In Ren Jia Country: Negotiating Cultural Belonging In Diaspora, Wenche Ommundsen
In Ren Jia Country: Negotiating Cultural Belonging In Diaspora, Wenche Ommundsen
Wenche Ommundsen
This chapter examines some of the complexities of cultural, ethnic, and national belonging that confound the simple equation between culture and citizenship. The main focus is a case study conducted in 2000 and 2001 within the Chinese community in Australia. Without arguing that the findings are equally valid for all times, all diasporic populations, or within all national contexts, the study shows that they exemplary diversity of the Chinese-Australian community makes it an ideal site in which to examine the variables of cultural belonging.
Metafictions? Reflexivity In Contemporary Texts, Wenche Ommundsen
Metafictions? Reflexivity In Contemporary Texts, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Writing As Migration: Brian Castro, Multiculturalism And The Politics Of Identity, Wenche Ommundsen
Writing As Migration: Brian Castro, Multiculturalism And The Politics Of Identity, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Differences Within: Three Australian Women Writers, Wenche Ommundsen
Differences Within: Three Australian Women Writers, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
After Castro, Post Multiculturalism?, Wenche Ommundsen
After Castro, Post Multiculturalism?, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.
Salman Rushdie: The Postcolonial Writer As Global Brand, Wenche Ommundsen
Salman Rushdie: The Postcolonial Writer As Global Brand, Wenche Ommundsen
Wenche Ommundsen
No abstract provided.