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Full-Text Articles in Arts and Humanities
Children Of The Grave: The Rise, Fall, And Experience Of Heavy Metal Music During The Latter Cold War From 1969-1991, Shelby Sibert
Children Of The Grave: The Rise, Fall, And Experience Of Heavy Metal Music During The Latter Cold War From 1969-1991, Shelby Sibert
All Theses
The Cold War era saw the emergence of many different pop culture phenomena. Some were political, such as the Punk Rock and Hippie movements. Others were fashionable trends like Disco. However, Heavy Metal music is unique due to its opaque origins, skyrocketing popularity, and final disappearance after the end of the Cold War. Heavy Metal had a direct relationship with reflecting the fears and anxieties of the late Cold War period. It was a direct response to the Hippie activist counterculture rock n' roll of the 1960s, and it charters a new path of rock n' roll in the process. …
Jigs, Reels, And “Realness”: An Investigation Of Ideas Of Authenticity And Tradition In New England French Canadian Music, Lowell Ruck
Honors Projects
Franco-American culture is increasingly recognized as an integral part of the heritage of Maine and New England, and has attracted growing academic attention in recent years. But while many scholars and cultural promoters focus on the French language in their work on this subject, few studies have considered the position of traditional music in Franco-American communities in the 21st century. This thesis examines French Canadian traditional music as it is played in New England and the ways in which musicians think about authenticity and tradition in their art. Using material from ethnographic interviews, it illuminates how musicians draw from …
Music And Communal Division During The French Wars Of Religion, Cameron G. Wade
Music And Communal Division During The French Wars Of Religion, Cameron G. Wade
Honors Theses
This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
Dissertations, Theses, and Capstone Projects
American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …
Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman
Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman
Dissertations, Theses, and Capstone Projects
Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …
Madrid Me Mata: Regional Identity Politics And Community Building Through The Music Of La Movida Madrileña, Winona A. Bechte
Madrid Me Mata: Regional Identity Politics And Community Building Through The Music Of La Movida Madrileña, Winona A. Bechte
Scripps Senior Theses
Chapter 1: Formation and Early Beginnings of music in la Movida
-In the first chapter I am writing about how the early development of la Movida runs very much alongside political initiatives to stimulate cultural development in Madrid. Specifically I am writing about how popular songs and musicians at the time translated these messages of regional pride and identity that was being heavily stimulated by the government into a way that the general public could understand and support. Citing specific song lyrics and early bands of la Movida, I also track the years leading up to 1975 and how music …
Imagining Sri Lanka, Derick Kirishan Ariyam
Imagining Sri Lanka, Derick Kirishan Ariyam
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Analyzes the works of three Sri Lankan expatriates, the writers, Shyam Selvadurai and Michael Ondaatje, and the artist, M.I.A., giving particular attention to Selvadurai's Funny Boy and Ondaatje's Running in the Family, Anil's Ghost, and The Cinnamon Peeler. Though all three have been charged as "inauthentic" due to their dislocated positions, uncovers the various productive and complicated ways Sri Lanka has been configured by those outside its shores.