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Full-Text Articles in Arts and Humanities
“The Grand Old Man Of Cotton”: Colonel Henry G. Hester, Economic Innovation, And The New Orleans Cotton Exchange, 1871-1932, Joshua E. Lincecum
“The Grand Old Man Of Cotton”: Colonel Henry G. Hester, Economic Innovation, And The New Orleans Cotton Exchange, 1871-1932, Joshua E. Lincecum
University of New Orleans Theses and Dissertations
After the American Civil War, and the collapse of the market in slave-produced cotton in the South, cotton merchants in New Orleans faced challenges in re-establishing the city as a central port for Southern cotton. As commodities exchanges emerged as centralized spaces for business in the 1870s, a new class of experts emerged, upon whose reports traders bought and sold newly developed securities derivatives. Henry G. Hester (1846- 1934), Secretary of the New Orleans Cotton Exchange, was an integral player in the development of the methods that governed sophisticated commodities trading around the world. His career at the New Orleans …
The “True American”: William H. Christy And The Rise Of The Louisiana Nativist Movement, 1835-1855, Brett R. Todd
The “True American”: William H. Christy And The Rise Of The Louisiana Nativist Movement, 1835-1855, Brett R. Todd
University of New Orleans Theses and Dissertations
In New Orleans during the 1830s, Irish immigration became a source of tension between newly settled Anglo-American elites and the long-established Creole hegemony. Out of this tension, in 1835 Anglo-American elites established the Louisiana Native American Association (LNAA) to block Irish immigrants from gaining citizenship and, ultimately, the right to vote. The Whig Party, whom most Louisiana Anglo-Americans supported, promoted nativism to prevent naturalized Irish from voting Democrat, the preferred party of the Creoles. This study will argue that the LNAA, under the leadership of William H. Christy, was not merely a reaction to increased Irish immigration, but was also …
“Art Had Almost Left Them:” Les Cenelles Society Of Arts And Letters, The Dillard Project, And The Legacy Of Afro-Creole Arts In New Orleans, Derek Wood
University of New Orleans Theses and Dissertations
In 1942, in New Orleans a group of intellectual and artistic African-Americans, led by Marcus B. Christian, formed an art club named Les Cenelles Society of Arts and Letters. Les Cenelles members both looked to New Orleans’s Afro-Creole population as the pinnacle of African American artistic achievements and used their example as a model for artists who sought to effect social change. Many of the members of Les Cenelles wrote for the Louisiana Federal Writers’ Program (FWP). A key strategy the members of Les Cenelles used to accomplish their goals was gaining the support of white civic leaders, in particular …