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Full-Text Articles in Arts and Humanities
Shattered Mosaic: David Dinkins, Rudolph Giuliani, And Social And Electoral Polarization In Late-20th Century New York City, Gabriel S. Tennen
Shattered Mosaic: David Dinkins, Rudolph Giuliani, And Social And Electoral Polarization In Late-20th Century New York City, Gabriel S. Tennen
Dissertations, Theses, and Capstone Projects
On Tuesday November 2, 1993, New Yorkers went to the polls to vote in the mayoral election between the incumbent Democratic candidate, David Dinkins, and the Republican-Liberal Party candidate, Rudolph Giuliani. As with most local New York elections, several additional candidates were on the ballot. Jimmy McMillan, known now as the “Rent is Too Damn High” candidate, made his first bid for public office that year. The clear frontrunners, Giuliani and Dinkins, would finish just percentage points apart, with Giuliani garnering 50.9% of the popular vote and Dinkins only 48%. This was a near mirror image of the previous election …
Suburbs In Black And White: Race, Jobs & Poverty In Twentieth-Century Long Island, Tim Keogh
Suburbs In Black And White: Race, Jobs & Poverty In Twentieth-Century Long Island, Tim Keogh
Dissertations, Theses, and Capstone Projects
“Suburbs in Black and White” examines how economic development shaped African American suburbanization on Long Island, New York from 1920 through 1980. After 1940, the fortunes of Long Island’s growing black population shifted from widespread poverty to upward social mobility, though by the 1960s, a divide emerged between the rising black middle class and black working poor, and distinctly ‘black’ suburbs emerged with problems familiar to postwar inner cities. While urban racial inequality is often framed in terms of housing segregation and the city/suburb divide, census and labor market data reveal that structural economic change across the New York metropolitan …
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida
Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida
Dissertations, Theses, and Capstone Projects
Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …