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Full-Text Articles in Arts and Humanities
Literature On The Margins: Russian Fiction In The Nineties, Mark Lipovetsky
Literature On The Margins: Russian Fiction In The Nineties, Mark Lipovetsky
Studies in 20th & 21st Century Literature
Despite shrinkage in print runs and readership, canonical Literature during the 1990s developed along three major lines that connected writers of various generations in both aesthetics and philosophy: realism, exemplified in Georgii Vladimov's prize-winning novel, The General and His Army (1994); postmodernism, richly represented in the fiction of Vladimir Sorokin, Viktor Pelevin, and Vladimir Sharov; and neosentimentalism, as derived from the naturalism of early perestroika, most consistently embraced by Liudmila Petrushevskaia, Liudmila Ulitskaia, and, in his paternal profession de foi, one of Russia's chief theorists of postmodernism, Mikhail Epshtein. All three tendencies aspired to the status of mainstream, which …
Practicing Nostalgia: Time And Memory In Nabokov's Early Russian Fiction , Philip Sicker
Practicing Nostalgia: Time And Memory In Nabokov's Early Russian Fiction , Philip Sicker
Studies in 20th & 21st Century Literature
Nabokov's earliest Russian fiction reveals his lifelong preoccupation with time and his complex strategies for preserving heightened moments of experience. Dissatisfied with the brevity of involuntary (Proustian) recall, his émigré protagonists strive to inhabit their Russian past more fully through a painstaking process of aesthetic re-creation. Beginning with a handful of vivid recollections, the hero of Mary gradually fabricates a past that is more intensely real than the original. Nabokov's most mature characters, however, recognize the solipsistic danger and utility of living in a vanished mental paradise. Turning to the present, they find unexpected beauty in the arrangement of ordinary …
Paul Celan's Linguistic Mysticism, Shira Wolosky
Paul Celan's Linguistic Mysticism, Shira Wolosky
Studies in 20th & 21st Century Literature
Paul Celan's works often seem to grant to language an autonomy that isolates poetic from extra-poetic concerns, including religious ones. The status of language in Celan, however, should be assessed in the context of its status within Judaic mysticism. While the importance of mysticism for Celan has been recognized, the degree to which Judaic mysticism differs from other mystical traditions has been less so. This is especially true with regard to the place given to language in the Kabbalah, and the structures and assumptions that its conception of language implies. Of importance to Celan, for example, is the Kabbalistic notion …