Arts and Humanities Commons^™

The Logical Fallacies In Political Discourse, Zilin Cidre Zhou

Summer Research Program

I examined the use of logical fallacies in political discourse. Logical fallacies are fraudulent tricks people use in their argument to make it sound more credible while what they really do is to fool the audience. Out of more than 300 kinds of fallacies, I focused on 18 common ones by analyzing their use in debates about political issues. During conducting my research, I noted that being aware of my mental state is very important if I want to accurately detect the fallacies. Furthermore, while watching two sides debating, being impartial is as significant as staying calm. I also need …

Something In Nothing: A Discussion Of Madness And Wisdom In King Lear, Leela Mennillo

The Criterion

This essay argues against Shakespeare critic David Kastan’s nihilistic reading of King Lear. While I agree that nothingness lies at the heart of the tragedy, I maintain that the recurring theme of nothing does not depict a world devoid of meaning. Rather, Shakespeare suggests that the recognition of the abyss is necessary in the quest for higher meaning. I approach this debate through various philosophical lenses, presenting a reading that equates wisdom and nothingness. Cordelia’s recognition of the limitations of human knowledge first introduces this idea. I detect elements of the divine nature of nothingness in the seemingly nonsensical speeches …

Forgotten Fairies: Traditional English Folklore In "A Midsummer Night's Dream", Alexandra Larkin

The Criterion

While the fairies shown in the play would have been known by Shakespeare’s audience, there was a clear difference between the fairies of traditional folklore and the fairies that Shakespeare describes in A Midsummer Night’s Dream. In traditional English folklore, fairies were “made” for, and by, the middle and lower classes; their stories were most believed and the most encounters were experienced by these people. Fairies in folklore were alternatingly deadly and wildly helpful, giving humans who stumbled upon them presents or death. In the play, Shakespeare departs from more traditional depictions of fairies and instead characterizes these magical creatures …

Good Rhetoric From The Classical To The Jesuits; Or On Αγαθός Λόγος, Andrew J. Wells

The Criterion

Labeling rhetoric as ἀγαθός (good) or κακός (bad) might appear subjective. The Jesuit rhetorical tradition suggests otherwise. Once I place the pursuit of eloquentia perfecta within the context of ancient rhetoricians: Socrates, Gorgias, the author of Dissoi Logoi, and Quintillian, I attempt to find a definition for ἀγαθός λόγος (good speech/rhetoric).

Of Ivory And Eros: How Kurtz Was Corrupted By The Congo, Alexander T. Grey

The Criterion

While much ink has been spilled about the savagery and rawness of Conrad's magnum opus, Heart of Darkness, few scholars have sought to look at the softer side of Kurtz, Marlow, and the cast of characters. This essay attempts to view the work through the lens of love and the Grecian concepts of eros, philia and agape as they apply to Kurtz's tryst and what can be learned about this tormented man in the jungle when love enters the equation.

Humanity's Unlikely Heroine: Examining Eve In John Milton's 'Paradise Lost' And "Paradise Regained", Alyssa V. White

The Criterion

This essay explores the biblical world of John Milton’s poetry through the eyes of the only woman given dialogue in his most famous works, Paradise Lost and Paradise Regained. Eve has often been read with scrutiny and judgment, with many readers and scholars dismissing her character as weak and uninteresting. The paper draws on sources from several scholars, but it works primarily with the actual text of Milton’s epics themselves. The argument of this paper seeks to counter those beliefs and provide a thorough analysis of Eve’s character and development throughout Paradise Lost, as well as her impact on the …

Coverings Of White In Plath's 'The Bell Jar" And "Ariel" Poems, Emma M. Kuper

The Criterion

No abstract provided.

Coming Of Age In The Disciplinary Structures Of The Catholic Church: Power And Discipline In A Portrait Of The Artist As A Young Man And The Land Of Spices, Rebecca Beaulieu

The Criterion

Coming of age in Ireland carries with it cultural and religious expectations drawn out from the history of Nationalism and the Catholic Church in Ireland. Using Michel Foucault’s theories on punishment and discipline, this essay looks at the way the Irish Catholic Church forms identity and conflict in characters from two different stories. A Portrait of the Artist as a Young Man by James Joyce and The Land of Spices by Kate O’Brien depict the coming-of-age of two main characters struggling to create their own identity in a strict Irish Catholic Culture. Though each of the characters grow and change …

Engaging The Traumatic Past In An Apocalyptic Present, Timothy J. Jerome

The Criterion

This essay explores the necessity of confronting the underlying issues of one's history in order to heal historic wounds, despite the difficulty and immediacy of one's current struggles. I examine how Pentecostalism functions as a touchstone to the past for John Grimes and his family in James Baldwin's Go Tell It on the Mountain, and eventually allows protagonist John to transcend the traditional forms of self-identification in order to create a new informed model of identity within the religion.

Petticoats And Spurs: Female Armor In Spenser's "Faerie Queene" And Pope's "The Rape Of The Lock", Patrick D. Wilks

The Criterion

Both Britomart in Spenser’s Book 3, Canto 1 of Faerie Queene and Belinda in Pope’s The Rape of The Lock wear their clothes and (in Belinda’s case) makeup as their armor, both literally and figuratively. Both suffer unwanted advances, their image publicly besmirched as a result. Even though Belinda dresses to show off her beauty and Britomart dresses to conceal it, both women use their array as protection from cruel male world around them. Both feel safe, and both women have this safety violated and attack to defend their honor.

For Spenser, Chastity is a virtue to be held in …

"Song Is The Simple Rhythmic Liberation Of An Emotion": Stephen Dedalus' Musical Martyrdom, Colleen E. Mulhern

The Criterion

A Portrait of the Artist as a Young Man, published in 1916, is Joyce’s semi-autobiographical bildungsroman centered on Stephen Dedalus’ struggle to reconcile Catholic teachings with his own artistic ambitions. In Portrait, music aids Stephen’s epiphanies. Stephen uses music to express emotions unable to be conceived of in – what Joyce calls –“cut-and-dry language.” He appreciates the ability of songs to arouse emotion and induce thought; the songs that Stephen encounters help to form his identity, first as a martyr and, later, as a creator.

Awarded The Leonard J. McCarthy, S.J., Memorial Prize for 2018