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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney
A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney
Michele Gibney
This paper will do three things, the first of which will be to describe Jaqueline Rose’s argument within her essay, “Hamlet—The Mona Lisa of Literature.” The second task of this paper will be to explain what is at stake within Rose’s essay as it relates to previous criticism such as that of Irigaray, Freud, Woolf, and Derrida. Finally, by drawing upon the idea (in Rose’s paper) of femininity as a fetishisized concept that equals the opposite of “good” a correlation in opposition will be drawn between what she is trying to accomplish and what Freud argues in “The Theme of …
Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney
Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney
Michele Gibney
In the essay “The Theme of the Three Caskets,” Freud discusses man’s altering of a representation of death into one of love. This course of action is reminiscent of Nietzsche’s claim in Truth and Falsity in an Ultramoral Sense, where he claims that man invents truth to suit himself. Freud psychoanalyzes that man is altering reality out of a fear of his own mortality, while Nietzsche makes a similar claim by saying man does it out of a desire to live peacefully with others in a manner which preserves life.
Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney
Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney
Michele Gibney
Plato proposes that there are ultimate, pure forms created by God behind every object in the world. Nietzsche, in response to this, argues that not only is there a multitude of differences between each object that have been disregarded to keep the illusion of the ideal, but that man himself creates the ideals and not an omnipotent deity. For Plato, art imitates the imitations of the pure form: thus confusing mankind, hindering their path to finding the pure, and tying them to a reality that is an appearance only. But for Nietzsche, art can save man from reality by producing …
George Campbell And The Rhetoric Of Art: Persuasion Through Music, Jon Radwan
George Campbell And The Rhetoric Of Art: Persuasion Through Music, Jon Radwan
CHDCM Publications
No abstract provided.
Wigmore's Chart, Jean Goodwin
Wigmore's Chart, Jean Goodwin
Jean Goodwin
A generation before Beardsley, legal scholar John Henry Wigmore invented a scheme for representing arguments in a tree diagram, aimed to help advocates analyze the proof of facts at trial. In this essay, I describe Wigmore's "Chart Method" and trace its origin and influence. Wigmore, I argue, contributes to contemporary theory in two ways. His rhetorical approach to diagramming provides a novel perspective on problems about the theory of reasoning, premise adequacy, and dialectical obligations. Further, he advances a novel solution to the problem of assessing argument quality by representing the strength of argument in meeting objections.
Jane Eyre's Gricean Conversational Portrait, Heather Christine Castillo
Jane Eyre's Gricean Conversational Portrait, Heather Christine Castillo
Theses Digitization Project
No abstract provided.
Malexandertalet: Ett Tal - Två Situationer, Matilda Arvidsson
Malexandertalet: Ett Tal - Två Situationer, Matilda Arvidsson
Dr Matilda Arvidsson
In this article the court speech delivered by the "Malexander widow", Anneli Ljungberg, is analysed in terms of Lloyd Bitzers "rhetorical situation" and found to work within two different and simultaneous rhetorical situations. Thus, the article shows how a court speech might break with rhetorical conventions of one rhetorical situation because of the conventions governing the other and simultaneously ongoing rhetorical situation.