Arts and Humanities Commons^™

“I Guess Someone Forgot To Ask Us If We Wanted To Be America’S Diversity Mascots”: The Identity Journey Of Transracial, Transnational, Korean Adoptees, Molly Jin Ah Rigell

Masters Theses

Korean, transracial, international adoptees (TRIAs) have been given an opportunity to tell their stories in the anthologies Seeds of a Silent Tree, Voices from Another Place, and More Voices. Through an examination of twelve stories from these three anthologies, I pinpoint issues that are faced by TRIAs who were raised in white families, and the significance these issues hold. I also discuss the unique perspectives displayed in each anthology, and the overall view of racial identity that can be observed through the study of a unique community. Through their status as in-between races and cultures, Korean, transracial, international adoptees can …

Religious Tones And Overtones In The Human Sufficiency Arguments Of Marx And Nietzsche, Norman Rudolph Saliba

Masters Theses

It is often assumed that since Marx and Nietzsche were both anti-religious thinkers, religion played no part in the formulation of their philosophical outlooks. With this assumption, the influence of historical religions on rhetoric has received a subordinate role, if at all, in the discourse on 19^th century German critiques of those very religions. Although differing fundamentally in the debate on inclusiveness versus individuality, this essay asserts that Marx and Nietzsche, both from families of religious scholars, broke with previous philosophical tradition and utilized a religious form of rhetoric in their writings to combat doctrines of human deficiency inherent …

From God Terms To Gaga: The Bad Romance Between Motherhood And Female Suffragists In American Film, Mary Ellis Glymph

Masters Theses

Ninety-five years ago, the Nineteenth Amendment was passed by Congress, and women across America were given the right to vote. Nearly a century later, the long-gone figure of the female suffragist continues to subtly permeate American film, a reoccurrence that is not easily justified. Why would viewers in the English-speaking world continue an interest in a historically-contextualized feminist that seems, at first, to have little to do with what a “modern-day feminist” portrays?

Although the woman that history calls the suffragette hasn’t existed in America since 1920, representations of her in film and visual media have reminded viewers that this …