Arts and Humanities Commons^™

Why I Am A Buddhist, Stephen Asma

Stephen T Asma

Profound and amusing, this book provides a viable approach to answering the perennial questions: Who am I? Why am I here? How can I live a meaningful life? For Asma, the answers are to be found in Buddhism.

There have been a lot of books that have made the case for Buddhism. What makes this book fresh and exciting is Asma's iconoclasm, irreverence, and hardheaded approach to the subject. He is distressed that much of what passes for Buddhism is really little more than "New Age mush." He loudly asserts that it is time to "take the California out of …

Gender Equity And Human Rights, Karma Lekshe Tsomo Phd

Theology and Religious Studies: Faculty Scholarship

The religious traditions that help shape society’s attitudes toward women and also women’s attitudes toward themselves often send mixed messages. The world’s major religions—Buddhism, Hinduism, Christianity, Judaism, and Islam—assert that women and men have equal potential, whether for liberation or in the sight of a higher being, but social realities reveal a stark contradiction between rhetoric and reality. Women continue to lack equal representation in social, political, and religious institutions. For many, the failure of the world’s religions to live up to their professed ideals not only exposes their lack of social responsiveness to the needs of human society but …

The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath

Scholarship and Professional Work - LAS

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.

The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath

James F. McGrath

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.