Arts and Humanities Commons^™

What We Talk About When We Talk About The Soul, Stephen Asma

Stephen T Asma

The author discusses the popularity among college students of the concept of the soul, and attempts to place it in its proper context. He dispenses with orthodox theological arguments and New Age arguments as scientifically untenable. He takes a so-called Wittgensteinian approach, noting soul's linguistic significance. He analyzes expressions which use the concept of soul and concludes that they are qualitatively different from testable factual expressions. He notes that soul talk is about hopes and aspirations, inspiration, or feelings deeper than friendship. He assigns it meaning outside of scientific concepts. He likens expressions of soul to creative and ethical acts, …

Solov'Ëv And Schelling's Philosophy Of Revelation, Paul Valliere

Paul Valliere

The connection between Solov'ëv's philosophy of religion and Schelling's has long been recognized but is difficult to clarify for two reasons. The first is Solov'ëv's nonchalance about citing sources. The paucity of direct references to Schelling in the work of a philosopher who has been called 'the last and most outstanding Russian Schellingian' is quite astonishing. The second reason is the ambivalence toward Schelling in Russian religious philosophy.

Why I Am A Buddhist, Stephen Asma

Stephen T Asma

Profound and amusing, this book provides a viable approach to answering the perennial questions: Who am I? Why am I here? How can I live a meaningful life? For Asma, the answers are to be found in Buddhism.

There have been a lot of books that have made the case for Buddhism. What makes this book fresh and exciting is Asma's iconoclasm, irreverence, and hardheaded approach to the subject. He is distressed that much of what passes for Buddhism is really little more than "New Age mush." He loudly asserts that it is time to "take the California out of …

The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath

James F. McGrath

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.