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Was Jesus Illegitimate? The Evidence Of His Social Interactions, James F. Mcgrath
Was Jesus Illegitimate? The Evidence Of His Social Interactions, James F. Mcgrath
James F. McGrath
This article examines the social status of the historical Jesus in relation to recent studies that place Jesus into the social category of an illegitimate child. After surveying the evidence with respect to the situation of such individuals in first century Mediterranean and Jewish society, we shall proceed to examine whether Jesus' implied social status (as evidenced by accounts of his adult social interactions) coheres with what one would expect in the case of someone who bore the stigma of that status. Our study suggests that the scandal caused by Jesus' association with the marginalized clearly implies that he did …
Was Jesus Illegitimate? The Evidence Of His Social Interactions, James F. Mcgrath
Was Jesus Illegitimate? The Evidence Of His Social Interactions, James F. Mcgrath
James F. McGrath
This article examines the social status of the historical Jesus in relation to recent studies that place Jesus into the social category of an illegitimate child. After surveying the evidence with respect to the situation of such individuals in first century Mediterranean and Jewish society, we shall proceed to examine whether Jesus' implied social status (as evidenced by accounts of his adult social interactions) coheres with what one would expect in the case of someone who bore the stigma of that status. Our study suggests that the scandal caused by Jesus' association with the marginalized clearly implies that he did …
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath
James F. McGrath
The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.