Arts and Humanities Commons^™

Economic Empowerment: An Avenue To Gender Equality In Afghanistan, Heather C. Odell

Global Tides

This paper examines the state of women’s rights in Afghanistan, recommending economic empowerment as the most effective and culturally sensitive tool in achieving gender equality. Women’s rights in Afghanistan came to the forefront of the international community’s attention following the entry of the United States armed forces in 2001. Media outlets highlighted the Taliban’s egregious treatment of women and government agencies and international NGOs poured into the country with aims of liberating women from oppressive circumstances. While significant strides have been made since the Taliban's fall from power, in many ways, women today remain subordinate. Over a decade later, women …

Wajma (An Afghan Love Story), Dereck Daschke

Journal of Religion & Film

This is a film review of Wajma (An Afghan Love Story) (2013) directed by Barmak Akram.

The “Great Game” For The Twenty-First Century: Islamic Extremism And Central Asia, Ian Sethre

Human Rights & Human Welfare

A review of:

Reaping the Whirlwind: The Taliban Movement in Afghanistan by Michael Griffin. London: Pluto Press, 2001. 272pp.

and

Jihad: The Rise of Militant Islam in Central Asia by Ahmed Rashid. New Haven: Yale University Press, 2001. 281pp.

and

Taliban: Militant Islam, Oil and Fundamentalism in Central Asia by Ahmed Rashid. New Haven: Yale University Press, 2000. 274pp.

Trends. Spinning Buddhas, Ibpp Editor

International Bulletin of Political Psychology

This article discusses the March 2001 destruction of the Bamiyan Buddhas in Afghanistan by the Taliban.

Trends. The Idolatry Of Ignorance And Iconoclasm: Notes On The Taliban, Ibpp Editor

International Bulletin of Political Psychology

The New York Times has reported that at least some Taliban authorities have directed that all statues in Afghanistan--including those commonly viewed as priceless exemplars of cultural (largely Buddhist) heritage and as treasures--be destroyed. The Taliban's rationale--that these statues have been used as idols and deities by non-Islamic believers and may be turned into idols in the future--is largely discussed in the context of leading to a global cultural catastrophe, as an unacceptable decision, as gratuitous vandalism, as exemplifying a rigid ignorance deserving unique contempt and disgust.