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Symposium Explores Widespread Tree Of Life Motif Oct 2022

Symposium Explores Widespread Tree Of Life Motif

Insights: The Newsletter of the Neal A. Maxwell Institute for Religious Scholarship

Scholars from various disciplines and institutions gathered in Brigham Young University’s Varsity Theater on 28 and 29 September 2006 to explore the pervasive and powerful tree of life motif as found in civilizations spanning the Far and Middle East to Mesoamerica and as expressed in Latter-day Saint scripture and art. The following report highlights the two presentations by visiting non–Latter-day Saint scholars and briefly summarizes the others.


Skinner Concludes Museum Of Art Lecture Series Sep 2022

Skinner Concludes Museum Of Art Lecture Series

Insights: The Newsletter of the Neal A. Maxwell Institute for Religious Scholarship

On March 21 Andrew C. Skinner, executive director of the Maxwell Institute and professor of ancient scripture at Brigham Young University, addressed the topic of “Crucifixion and Resurrection” in the Museum of Art lecture series on the life of Christ. Skinner began by saying that “the crucifixion and resurrection of Jesus of Nazareth are the lynchpin of everything we believe and everything we do in the Church of Jesus Christ of Latter-day Saints.”


Mary And Elisabeth Topic Of Museum Of Art Lecture Sep 2022

Mary And Elisabeth Topic Of Museum Of Art Lecture

Insights: The Newsletter of the Neal A. Maxwell Institute for Religious Scholarship

As part of the ongoing Museum of Art lecture series on the life of Christ, S. Kent Brown, director of FARMS, addressed the topic “The Birth of the Savior” on January 17. Drawing from Luke 1 and 2 and studies on life among ancient Jews, he focused on Mary and Elisabeth, whose lives are only faintly sketched in the scriptures.


New Book Features Scholarship On Tree Of Life May 2022

New Book Features Scholarship On Tree Of Life

Insights: The Newsletter of the Neal A. Maxwell Institute for Religious Scholarship

The tree of life, an ancient and richly evocative symbol found in sacred art, architecture, and literature throughout the world, is the intriguing subject of a new book published by the Maxwell Institute and Deseret Book: The Tree of Life: From Eden to Eternity, edited by BYU professors John W. Welch and Donald W. Parry.


A Novel Idea, Chris Crowe Jan 2021

A Novel Idea, Chris Crowe

BYU Studies Quarterly

The following is a transcript of a forum address presented by Chris Crowe, recipient of the 2020 Karl G. Maeser Distinguished Faculty Lecturer Award. Crowe is a professor of English at Brigham Young University and an author who writes books for the young-adult market. This forum assembly took place on May 25, 2021.


Latter-Day Saints And Images Of Christ’S Crucifixion, John Hilton Iii, Anthony Sweat, Josh Stratford Jan 2021

Latter-Day Saints And Images Of Christ’S Crucifixion, John Hilton Iii, Anthony Sweat, Josh Stratford

BYU Studies Quarterly

In his classic 1897 work The Ministry of Art, Frank Bristol proclaimed, “Art has glorified Christianity. It has set forth her doctrines, portrayed her saints, and even her very God and Savior. Limited only by the necessary restrictions of her powers, art has been a teacher of things divine.”1 The Church of Jesus Christ of Latter-day Saints (herein referred to as “the Church”) also employs the power of visual art to portray its central doctrines and perpetuate its sacred history. Religious paintings adorn hallways and classrooms of Latter-day Saint meetinghouses, fill the walls of sacred temples, and accompany …


My Life In Art, Richard Lyman Bushman Jul 2020

My Life In Art, Richard Lyman Bushman

BYU Studies Quarterly

My father, Ted Bushman, was an artist. He worked his way through BYU in the 1920s painting signs and drawing cartoons. Before he graduated, he worked as a fashion artist in Los Angeles for a short time. After he married my mother, he made his living as a freelance artist for Salt Lake department stores, especially Auerbach’s. When work dried up during the Depression, he took a position at Meier & Frank in Portland, Oregon, as a fashion artist for the store’s multipage newspaper ads. Gradually, he migrated to the management side and eventually took a position with an ad …


Visualizing The Vision, Anthony Sweat Jul 2020

Visualizing The Vision, Anthony Sweat

BYU Studies Quarterly

When a teenage Joseph Smith entered the woods on his family farm to pray over his soul and inquire which church he should join, the vision that burst forth from heaven changed his life and laid a pathway for the restoration of the gospel of Jesus Christ. The First Vision is among the scenes of the Restoration most often depicted by artists. Portrayals of the First Vision were published by The Church of Jesus Christ of Latter-day Saints in the Ensign magazine 167 times between 1971 and 2019, nearly double the representations of any Restoration theme other than depictions of …


The Christus In Context: A Photo Essay, John W. Welch Jan 2015

The Christus In Context: A Photo Essay, John W. Welch

BYU Studies Quarterly

Among the many good reasons to go to Copenhagen, Denmark, is to experience firsthand the famous Christus statue by Bertel Thorvaldsen (1770–1844) in the Vor Frue Kirke (The Church of Our Lady), the Lutheran Cathedral of Copenhagen. While this classic sculpture of Christ, in stunning white Carrara marble, would be impressive in any setting, it is especially meaningful and emotive in its original architectural setting.


Seeking After The Good In Art, Drama, Film, And Literature, Travis T. Anderson Apr 2007

Seeking After The Good In Art, Drama, Film, And Literature, Travis T. Anderson

BYU Studies Quarterly

Not long ago, kids in tow, I burst in unannounced on my parents and found them absorbed in some ubiquitous TV sitcom. While we peeled off our coats and the kids started chasing each other around the house, I jokingly chided my mom for wasting her time on such mindless drivel. In reply, she playfully denounced my elitist taste and defended her show as “good, wholesome entertainment.” Well, it may indeed have been entertaining. And being a show that originally aired back in the early eighties and even then was aimed at an older demographic, it was relatively free of …


John B. Fairbanks: The Man Behind The Canvas, Rachel Cope Aug 2003

John B. Fairbanks: The Man Behind The Canvas, Rachel Cope

Theses and Dissertations

A biographical sketch of artist John B. Fairbanks, this thesis primarily probes Fairbanks' evolution as an artist. From amateur, to art missionary, to professional artist, Fairbanks influenced his cultural surroundings in Utah and in The Church of Jesus Christ of Latter-day Saints. His commitment to his career and his impact on others significantly affected Utah and Mormon art. Thus it is important to understand and recognize the full portrait of John B. Fairbanks.

John B. Fairbanks, born on 27 December 1855, developed an interest in art while still young. Until reaching the age of thirty-four, he often worked as an …


A Study Of Early Utah Water Color Painting, James Harvey Taylor Jan 1974

A Study Of Early Utah Water Color Painting, James Harvey Taylor

Theses and Dissertations

The intent of this study was to investigate those artists in early Utah art history who played an important part in the development of water color painting.


Kitsch In The Visual Arts And Advertisement Of The Church Of Jesus Christ Of Latter-Day Saints, Lori Schlinker Jan 1971

Kitsch In The Visual Arts And Advertisement Of The Church Of Jesus Christ Of Latter-Day Saints, Lori Schlinker

Theses and Dissertations

The writer's reason for making this study is a felt lack of taste and a general misunderstanding and misuse of the visual arts in the Church of Jesus Christ of Latter-Day Saints. She is convinced that art, generally considered as a matter of personal taste, is actually a matter of professional judgement. A characteristic of our time is the "do-it-yourself" trend and to make up ones own mind about everything without any consultation of authorities and also a loss of feeling for integrity in productions of the human mind and hand which broke down the fences against kitsch and opened …


A Visual Interpretation Of Events And Personalities From The Book Of Mormon, Larry Berg Prestwich Jan 1966

A Visual Interpretation Of Events And Personalities From The Book Of Mormon, Larry Berg Prestwich

Theses and Dissertations

The purpose of this thesis was to create two paintings and ten drawings pertaining to events and personalities from the Book of Mormon. The art works were done with the special intent of expressing the artist's personal and animated feelings about several men whose writings comprise the book, and certain events pertaining to their particular circumstances.


The Real Thing In James's “The Real Thing”, Kenneth Bernard Nov 1962

The Real Thing In James's “The Real Thing”, Kenneth Bernard

BYU Studies Quarterly

This article examines a popular interpretation of Henry James's short story "The Real Thing" and explains that what matters most in a truly artistic work is the artist's compassion.


Four Oil Paintings Illustrating Book Of Mormon Events, Ernel Leroy Anderson Jan 1962

Four Oil Paintings Illustrating Book Of Mormon Events, Ernel Leroy Anderson

Theses and Dissertations

The problem was to create four oil paintings which illustrate Book of Mormon events.

The Book of Mormon seems to hold forth great promise to the painter of religious subjects, but to the present only a limited number of artists have made use of this rich source. There is a need for good illustrations to help these scriptures come to life for the Book of Mormon reader.


Mural Of The Ground Breaking Ceremony For The St. George Latter-Day Saint Temple, J. Roman Andrus Jan 1943

Mural Of The Ground Breaking Ceremony For The St. George Latter-Day Saint Temple, J. Roman Andrus

Theses and Dissertations

The purpose of this work was to plan and execute a mural for the Latter Day Saint Temple at St. George, Utah, depicting the ground breaking ceremony for the building of the Temple. The picturization of the event should be historically true, so far as possible, without sacrificing quality of design. Value, pattern, color, and idea should conform to the character and design of the building, and to the ceremonies performed therein.