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Full-Text Articles in Arts and Humanities

Catcher And The Fry: Ecology, Power, And My Life With Salmon, Olivia Mueller Apr 2021

Catcher And The Fry: Ecology, Power, And My Life With Salmon, Olivia Mueller

WWU Honors College Senior Projects

Pacific salmon serve a unique role in their ecosystem as network connectors. From transferring nutrients from the aquatic environment to terrestrial habitats, to subverting trophic hierarchies by nourishing the roots of trees and the bellies of orcas, salmon manage to fulfill an interesting role in connecting networks of biological communities. This connecting nature of pacific salmon is mirrored in the role they play as human community connectors, as is reflected in their part in food and land justice issues in the Pacific Northwest. I will explore the role of salmon in preserving Indigenous people against the imposed hegemony of settler …


Rape: A Settler-Colonial And Anti-Black Project, Cristy A. Dougherty Jan 2021

Rape: A Settler-Colonial And Anti-Black Project, Cristy A. Dougherty

Electronic Theses and Dissertations

White feminist theorizations of rape privilege patriarchy as the main source of gender violence, ultimately centering white cisgender women. In doing so, white women are treated as subject in anti-rape discourse while the violence inflicted on women of color is rendered as secondary and insignificant. Conversely, Indigenous and Black feminist analytics center Indigenous and Black women’s experiences with sexual violence, ultimately pointing to the ways in which rape has been used as a tool to perpetuate heteropatriarchy, settler-colonialism, and anti- Black racism. For instance, Deer (2015) explains that Indigenous women experience disproportionately high rates of sexual violence that spans generations. …


‘The Environment Is Us’: Settler Cartographies Of Indigeneity And Blackness In Prophecy (1979), Kali Simmons Jan 2021

‘The Environment Is Us’: Settler Cartographies Of Indigeneity And Blackness In Prophecy (1979), Kali Simmons

Indigenous Nations Studies Faculty Publications and Presentations

This article examines the triangulation of whiteness, Blackness, and Indigeneity in the ‘creature feature’ sf-horror film Prophecy (Frankenheimer US 1979), arguing that the film’s renderings of environmental racism ultimately function to justify white supremacist hetero-patriarchal maintenance and surveillance of Black and Indigenous lands and bodies. A close examination of Prophecy’s representational and ideological shortfalls – in particular its renderings of Black and Indigenous maternity – reveals troubling entanglements between settler-colonial logics of geography, ecology, monstrosity, and subjectivity.