Arts and Humanities Commons^™

Morgan, Joan, Bronx African American History Project

Oral Histories

Joan Morgan is the author of “When Chickenheads Come Home to Roost’, activist, and doctoral student. She is of Jamaican descent. Her parents came to the United States and settled in the Bronx near Crotona Park. Her father was one of the founding members of the Jamaican Labor party; she calls the Bustamante's her “godparents.” He was also a member of the Jamaica Freedom League while in the Bronx.

While living on Fulton Avenue, Joan used to frequently go to Crotona Park because of the community center right by it, the Clermont Center. Her mother was an active member of …

Hayes, Christopher, Bronx African American History Project

Oral Histories

Christopher Hayes was born in February of 1789. He is a journalist whose work deals with those living in the Bronx and the economic challenges that face them. Hayes grew up in the Bronx to a Jesuit father and a first generation Italian mother. His father traveled and worked in Peru and at the University of Detroit before settling down at Fordham. His father was also a community organizer. His mother grew up in the Bronx, near the Fordham rose hill campus. She attended Lehman College. It is here where his mother and father met one another, sparked a friendship …

Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.

Cover, Editors And Editorial Board, Sponsors, Table Of Contents

Journal of Hip Hop Studies

No abstract provided.

Song For A Passbook Torch, Truth Thomas

Journal of Hip Hop Studies

Poem.

Journal Of Hip Hop Studies

Journal of Hip Hop Studies

No abstract provided.

From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler

Journal of Hip Hop Studies

This article examines the linguistic and cultural tensions in global Hip Hop culture through an analysis of the performance of Gsann, an emcee from the Tanzanian Hip Hop crew X Plastaz, at the 2009 Black Entertainment Television (BET) Hip Hop Awards in Atlanta. Gsann's rhymes in Swahili, his emphasis on religion, and his global travels distinguished him from his African American colleagues in the cipha. At the same time, the decision by the BET producers to translate Gsann's Swahili rhymes into English has to be seen within the longer history of cultural and linguistic politics in Tanzania and the United …

Curricular Goals, Music And Pacing: The Case Study For Hip Hop Music In Children's Educational Television, Creshema R. Murray, Cynthia Nichols

Journal of Hip Hop Studies

As an answer to the McCollum and Bryant (2003) charge for scholars to use the pacing index that they created to measure the pace of current children's programs, this paper examines the use of Hip Hop music in a children's television show, Hip Hop Harry, and the relationship that this show has with the eighty-five shows that were analyzed in McCollum and Bryant's initial study. Hip Hop Harry is an Emmy award nominated show on The Learning Channel, which prides itself on using Hip Hop culture and music as a medium to educate preschoolers from diverse backgrounds. Through content analysis, …

The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams

Journal of Hip Hop Studies

Book review of The End of Prisons: Reflections from the Decarceration Movement, edited by Mechtild E. Nagel and Anthony J. Nocella (2013).

Hip Hop Culture In A Small Moroccan City, Brian Seilstad

Journal of Hip Hop Studies

This paper explores Hip Hop culture by tracing its development from the global level through the Arab world to finally its manifestation in Morocco. Hip Hop culture is defined broadly as a wide range of artistic expressions-rap, graffiti, breakdancing, DJing, etc.-and also a mind-set or way of life. The focus on the Moroccan context starts at the national level, pointing out some of the key artists, issues Moroccan Hip Hop faces, and how this has been explored by scholars of Hip Hop. The paper focuses on an ethnographic exploration of Hip Hop culture in Ifrane, a small Moroccan city. An …

Policing The Campus: Academic Repression, Surveillance, And The Occupy Movement, Sandra L. Combs

Journal of Hip Hop Studies

Book review of Policing the Campus: Academic Repression, Surveillance, and the Occupy Movement, edited by Anthony J. Nocella II and David Gabbard (2013).

Out Of Time, Truth Thomas

Journal of Hip Hop Studies

Poem.

Song For A Passbook Torch, Truth Thomas

Journal of Hip Hop Studies

Poem.

Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown

Journal of Hip Hop Studies

A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as …

Hip Hop Culture In A Small Moroccan City, Brian Seilstad

Journal of Hip Hop Studies

This paper explores Hip Hop culture by tracing its development from the global level through the Arab world to finally its manifestation in Morocco. Hip Hop culture is defined broadly as a wide range of artistic expressions-rap, graffiti, breakdancing, DJing, etc.-and also a mind-set or way of life. The focus on the Moroccan context starts at the national level, pointing out some of the key artists, issues Moroccan Hip Hop faces, and how this has been explored by scholars of Hip Hop. The paper focuses on an ethnographic exploration of Hip Hop culture in Ifrane, a small Moroccan city. An …

Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo

Journal of Hip Hop Studies

Book review of Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s, by Kimberly Monteyne (2013).

Policing The Campus: Academic Repression, Surveillance, And The Occupy Movement, Sandra L. Combs

Journal of Hip Hop Studies

Book review of Policing the Campus: Academic Repression, Surveillance, and the Occupy Movement, edited by Anthony J. Nocella II and David Gabbard (2013).

From A-Town To Atl: The Politics Of Translation In Global Hip Hop Culture, Holger Droessler

Journal of Hip Hop Studies

This article examines the linguistic and cultural tensions in global Hip Hop culture through an analysis of the performance of Gsann, an emcee from the Tanzanian Hip Hop crew X Plastaz, at the 2009 Black Entertainment Television (BET) Hip Hop Awards in Atlanta. Gsann's rhymes in Swahili, his emphasis on religion, and his global travels distinguished him from his African American colleagues in the cipha. At the same time, the decision by the BET producers to translate Gsann's Swahili rhymes into English has to be seen within the longer history of cultural and linguistic politics in Tanzania and the United …

Is Black Motherhood A Marker Of Oppression Or Empowerment? Hip-Hop And R&B Lessons About "Mama", Cassandra Chaney, Arielle Brown

Journal of Hip Hop Studies

A qualitative content analysis was conducted on the lyrics of 59 songs (40 Hip Hop songs; 17 R&B songs; 2 songs that represented the Hip Hop and R&B genre) from 1961-2013 to identify the ways that Black male and Black female artists described motherhood. The songs were determined by Billboard Chart Research Services, and Black Feminist Theory provided the theoretical foundation on which the themes were identified. Qualitative analysis of the lyrics revealed Black motherhood in R&B and Hip Hop to be based on the following four typologies: (1) Motherhood as Source of Emotional Comfort and Support; (2) Motherhood as …

Out Of Time, Truth Thomas

Journal of Hip Hop Studies

Poem.

Hip Hop On Film: Performance Culture, Urban Space, And Genre Transformation In The 1980s, Renette Smith Mccargo

Journal of Hip Hop Studies

Book review of Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s, by Kimberly Monteyne (2013).

Cover, Editors And Editorial Board, Sponsors, Table Of Contents

Journal of Hip Hop Studies

No abstract provided.

Curricular Goals, Music And Pacing: The Case Study For Hip Hop Music In Children's Educational Television, Creshema R. Murray, Cynthia Nichols

Journal of Hip Hop Studies

As an answer to the McCollum and Bryant (2003) charge for scholars to use the pacing index that they created to measure the pace of current children's programs, this paper examines the use of Hip Hop music in a children's television show, Hip Hop Harry, and the relationship that this show has with the eighty-five shows that were analyzed in McCollum and Bryant's initial study. Hip Hop Harry is an Emmy award nominated show on The Learning Channel, which prides itself on using Hip Hop culture and music as a medium to educate preschoolers from diverse backgrounds. Through content analysis, …

The End Of Prisons: Reflections From The Decarceration Movement, Carmen Lanos Williams

Journal of Hip Hop Studies

Book review of The End of Prisons: Reflections from the Decarceration Movement, edited by Mechtild E. Nagel and Anthony J. Nocella (2013).