Arts and Humanities Commons^™

Narcissuses, Medusas, Ophelias… Water Imagery And Femininity In The Texts By Two Decadent Women Writers, Viola Parente-Capkova

Wagadu: A Journal of Transnational Women's & Gender Studies

My concern is the way in which women writers whose work can be characterized as Decadent and/or Symbolist used the figures of Narcissus, Medusa and Ophelia, as well as the imagery of femininity and water. When analyzing this aspect of their work, I am looking at the ways in which these writers created and co-created the Decadent imagery, what strategies they adopted in their representations of woman and the construction of female subjectivity.

Symbols Of Water And Woman On Selected Examples Of Modern Bengali Literature In The Context Of Mythological Tradition, Blanka Knotkova-Capkova

Wagadu: A Journal of Transnational Women's & Gender Studies

Woman-water homology appears in modern Bengali literature (namely poetry) in various aspects: as the archetypal symbol of creation and destruction, symbol of the womb as the beginning and end of life and rebirth (connoting both physical womb and eternal womb), and also of the womb as dark mysteriousness; a symbol of the continuation, preservation of life, symbol of transience and elusiveness, traditional male written poetic symbol of charm and beauty. In the demystifying, subversive (not only female) poetic imagination, it may also construct the symbol of eternal unity with the female principle, articulate a specific concept of female identity.

Mining The Meaning Of Collective Memory And Imagination: The Construction Of Identity In The Puerto Rican Diaspora, Courtney Hooper

Cultural Studies Capstone Papers

This project illuminates the relationship between cultural resistance, cultural production, and cultural identity in the poetry of Puerto Ricans in New York (“Nuyoricans”). Through textual analysis, informal interviews, and participant observation conducted in the South Bronx, this project is interested in how the descriptions of the island as “home” are used to mediate a cultural or ethnic identity, particularly amongst a people who do not live there, or perhaps never have. While the construction of an ethnic identity and a conceptual homeland in a diasporic community has been studied in past research, the intention here is to elaborate upon the …

Stanford University's Paul Laurence Dunbar Centennial Conference Program

Joanne Braxton

Stanford University's Paul Laurence Dunbar Centennial Conference Program Pdf

Joanne Braxton