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Full-Text Articles in Arts and Humanities
“My Dead Seeing Eye”: Fantasy, Franchise, And The Image Of The Voyeur In Wilson Harris’S Palace Of The Peacock, Delmar Reffett Jr
“My Dead Seeing Eye”: Fantasy, Franchise, And The Image Of The Voyeur In Wilson Harris’S Palace Of The Peacock, Delmar Reffett Jr
Critical Humanities
Wilson Harris’s 1960 novel Palace of the Peacock, the first in his Guyana Quartet that center on the history and society of Harris’s, presents a surreal and disorienting account of a doomed voyage up an unnamed jungle river, which culminates in a mystical, visionary experience of the palace of the title, seemingly a metaphysical space beyond death. Understanding the novel’s bizarre qualities requires grasping the way they relate to the development of the motif of voyeurism central to the novel. Specifically, they can be seen as frequently tied to the novel’s use of the image of the voyeur, the …
Becoming The Imperfect Friend: Sḵwx̱Wú7mesh And Contemplative Pathways To Healing And Reconciliation In Higher Education, Denise Marie Findlay
Becoming The Imperfect Friend: Sḵwx̱Wú7mesh And Contemplative Pathways To Healing And Reconciliation In Higher Education, Denise Marie Findlay
Journal of Contemplative and Holistic Education
Throughout this reflective essay I explore Sḵwx̱wú7mesh Indigenous philosophy and contemplative education as ethical pathways to healing and reconciliation in higher education. I put forth the idea of becoming the imperfect friend in a world ethos of death by a thousand cuts as a response to the violence of colonialism perpetuated in academia. I reflect on the Sḵwx̱wú7mesh values of eslhélha7kwhiws and stélmexw as contemplative dispositions that lend themselves to the process of becoming the imperfect friend. I conclude by describing a Sḵwx̱wú7mesh -led program hosted by Simon Fraser University (SFU) in 2022-2023, named Moving Together In The Ways …
From Extractivism To Adjacency. A Research Manifesto, Margarita Palacios, Anette Baldauf
From Extractivism To Adjacency. A Research Manifesto, Margarita Palacios, Anette Baldauf
Emancipations: A Journal of Critical Social Analysis
This essay concerns with the ways in which extractivism continues to be reproduced in academic frameworks despite innumerous initiatives of decolonization. Engaging with artistic research and embracing a materialist approach that emphasizes embeddedness and embodiment, as well as acknowledging the affective-aesthetic flows that accompany research, the authors locate the heart of the problem at the disjuncture between critical epistemology and research practices. This disavowed space of knowledge production, they argue, is where the logics of extractivism and its racialized epistemic dualism are reproduced. The authors put forward the notion of adjacency, as in their view, dwelling on the power of …