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Full-Text Articles in Arts and Humanities
Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The “Limits Of Fabricated Realism”, Elizabeth Toohey
Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The “Limits Of Fabricated Realism”, Elizabeth Toohey
Journal of Religion & Film
My paper juxtaposes Laurent Cantet’s films The Class (2008) and The Workshop (2017) to explore how they are infused with concerns about radical Islam and the place of Muslim immigrants in the West. Both films center on "angry young men" facing class-based marginalization, who are prone to anti-social behavior. In The Workshop, however, a great effort is made to reveal the intellectual potential and moral complexity of the young white French-born Antoine, whose alienation is defined by his attraction to the xenophobic and Islamophobic rhetoric of the Far Right, whereas viewers of The Class are kept at arm’s length …
The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011, Ali A. Olomi
The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011, Ali A. Olomi
Journal of Religion & Film
This is a book review of Kerem Bayraktaroglu's The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011 (North Carolina: McFarland and Company, 2018).