Arts and Humanities Commons^™

Black And White Notes: Segregation, Integration, And Urban Renewal Through Pittsburgh's Locals 60 And 471, Nathan Seeley

FIU Electronic Theses and Dissertations

This dissertation explores Pittsburgh’s Locals 60, 471, and 60-471 of the American Federation of Musicians (AFM) from the late nineteenth century to the mid-1960s. Local 60 was founded in 1896 for white musicians and Local 471 in 1908 for black musicians. While other studies of the AFM take a “top-down” approach, this study examines these Locals from the “bottom-up.” In doing so, it re-examines the causal relationship between music/musicians and the social, political, and economic conditions intersecting with them. This dissertation is built upon seventy-two interviews conducted between former Local 471 members in the 1990s, photographs from Teenie Harris Collection …

Commemorative Bodies: (Un)Making Racial Order And Cuban White Supremacy In Little Havana's Heritage District, Corinna Jeanne Moebius

FIU Electronic Theses and Dissertations

This dissertation unearths memory- and place-making practices, processes and “racializing regimes of representation” in Little Havana’s heritage district, now a major tourism destination in Miami, Florida. It draws on extensive ethnographic fieldwork, interviews, and consultations of various archives that span decades back to the 1960s and trace the origins of the district in plans for a “Latin Quarter.”

My analyses borrow from and combine various bodies of scholarly work to examine and deconstruct the use of always multi-vocal “commemorative bodies” for the production of racial narratives that are embedded in--and give shape to--acts of memorialization and commemoration.

By examining the …

Leaving A Little Heaven Behind With Coltrane, Or: The Performance Is The Archive, Ismael Santos

FIU Electronic Theses and Dissertations

This thesis examines what an Audience-Centered Archive could look like, and the advantages of opening up the spaces of archival scholarship in connection with studies focused on Jazz. This thesis will explore how inherently self-limiting are traditional structures of the Archive, with the contradictory nature of Jazz Archives brought to the forefront: to archive a music like Jazz necessarily entails losing what makes it so special, losing the improvisational facet of Jazz. This thesis draws from sound studies and performance studies, along with a focus on the recording technologies that entail differences in interpretation and American history. This focus of …