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Race, Ethnicity and Post-Colonial Studies

University of Richmond

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Distorsión Y Silencio En El Lienzo De Tlaxcala (1892) De Alfredo Chavero: Notas Metodológicas, Jannette Amaral-Rodríguez Jan 2020

Distorsión Y Silencio En El Lienzo De Tlaxcala (1892) De Alfredo Chavero: Notas Metodológicas, Jannette Amaral-Rodríguez

Latin American, Latino and Iberian Studies Faculty Publications

Descripción de la ciudad y provincia de Tlaxcala (1581–1585), a Tlaxcalan manuscript that contains homologous images to the ones in Lienzo de Tlaxcala (of which there are only modern copies in existence), was found in 1976 and published in three modern editions since 1981. Even though this sixteenth-century manuscript offers authentic images on the history of colonial Tlaxcala, literary critics and historians continue to use the Lienzo de Tlaxcala copied by the painter Genaro López and edited by Alfredo Chavero in 1892. To develop a critique of these methodological practices through the consideration of the historical and ideological context of …


Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware Jan 2018

Break Beats In The Bronx: Rediscovering Hip-Hop’S Early Years (Book Review), Matthew Oware

Sociology and Anthropology Faculty Publications

Review of the book, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, by Joseph C. Ewoodzie, University of North Carolina Press, 2017, https://www.uncpress.org/book/9781469632759/break-beats-in-the-bronx/.


Pocahontas Looks Back And Then Looks Elsewhere: The Entangled Gaze In Contemporary Indigenous Art, Monika Siebert Jan 2018

Pocahontas Looks Back And Then Looks Elsewhere: The Entangled Gaze In Contemporary Indigenous Art, Monika Siebert

English Faculty Publications

In the late twentieth and early twenty-first centuries, various genres of visual art in North America feature Indigenous subjects looking from the canvas or the screen at the viewers to interpellate them as implicated in the gaze framing the artwork. In this article, I provide an historical genealogy of this returned gaze, starting with Simon van de Passe’s 1616 engraving, Matoaka als Lady Rebecca. I show how subsequent depictions of Pocahontas depart from the reciprocal gaze of de Passe’s portrait and how contemporary art returns to this theme of the returned gaze, using Shelley Niro’s video work The Shirt (2003) …


From Scientific Racism To Neoliberal Biopolitics, Ladelle Mcwhorter Jan 2017

From Scientific Racism To Neoliberal Biopolitics, Ladelle Mcwhorter

Women, Gender and Sexuality Studies Faculty Publications

Genealogy does not pose as political motivation, let alone moral imperative. It is a tool for those already engaged in resistance-not to dictate action but to enrich ongoing processes of analyzing and strategizing. With that understanding of genealogy's role, as I have argued (McWhorter 2009) and will argue here, Foucault's method can be extremely useful for confronting racism. In particular, his concepts of normalization and biopower are crucial for understanding how racism survived the demise of the nineteenth-century science that supported it and how it persisted throughout the twentieth century despite social, political, and economic change.


Empire, LáZaro Lima Jan 2017

Empire, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

"Empire" is the keyword that frames both the field of Latina/o studies and what Latina/o studies projects interrogate in order to make visible how empire's scattered remains throughout the Americas cross national borders as well a affective states of being. In so doing, Latina/o studies' methodological recourse to and critique of empire seeks to apprehend empire's legacies beyond the singular historical actor model of the exceptional nation-state in order to engage how empire saturates and conditions affects across space, time, and bodies.


Malestar En El Eje Horizontal: Iconografía De Ruptura En Neuva Corónica Y Buen Gobierno (1615), De Felipe Guaman Poma De Ayala, Karina Elizabeth Vázquez Feb 2016

Malestar En El Eje Horizontal: Iconografía De Ruptura En Neuva Corónica Y Buen Gobierno (1615), De Felipe Guaman Poma De Ayala, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

Durante la última década, los estudios coloniales producidos en el contexto de la academia norteamericana han abogado por llevar adelante una agenda descolonizadora. Este cambio de perspectiva ha propiciado la incorporación de textos marginales al canon literario colonial, así como la revisión de los presupuestos ideológicos y culturales que subyacen en los análisis críticos. Este nuevo rumbo tiene coma propósito abordar la experiencia de la conquista y la colonia considerando sus secuelas en las políticas culturales y territoriales que los Estados-Nación posteriores aplicaron sobre las comunidades indígenas. El texto de Guaman Poma ingresa al campo de los estudios coloniales en …


The Body And Invisible Man: Ralph Ellison’S Novel In Twenty-First Century Performance And Public Spaces, Patrice Rankine Jan 2016

The Body And Invisible Man: Ralph Ellison’S Novel In Twenty-First Century Performance And Public Spaces, Patrice Rankine

Classical Studies Faculty Publications

Patrice Rankine’s “The Body and Invisible Man: Ralph Ellison’s Novel in Twenty-First-Century Performance and Public Spaces,” contrasts the artistic uses of physicality in Invisible Man the novel with its 2012 play adaptation. Rankine argues that the stage version’s “focus on the corporeal reality of race” complements what the novel can do to facilitate social or political progress: in short, “there is therapeutic value in ‘staging’ or reliving such experiences.” Staging Invisible Man extends Ellison’s relevance in an age where, though the United States had a black president, the very novelty of the black body illustrates how infrequently that body …


Black And White, Suzanne W. Jones Jan 2016

Black And White, Suzanne W. Jones

English Faculty Publications

Continued popular perception and past scholarly analysis of the South as a region to be mapped in black and white is not surprising, given that African slaves were brought to Virginia in 1619, a Civil War was fought over the enslavement of black people, a bloody civil rights movement was needed to end the de jure racial segregation and racial violence that followed, and much ink continues to be spilled over the de facto social segregation that lingers outside the workplace. But since the turn of the twenty-first century, many scholars have come to view this biracial rendering as a …


Voting Blocks, Julian Maxwell Hayter Jul 2013

Voting Blocks, Julian Maxwell Hayter

Jepson School of Leadership Studies articles, book chapters and other publications

In 1971, Creighton Court resident Curtis Holt filed a monumental lawsuit against the city. His suit attacked an increasingly problematic, yet subtle form of institutionalized racism — the dilution of African-Americans’ growing voting power. Richmond had annexed 23 square miles of Chesterfield County a year earlier to head off the city’s growing black electorate and keep City Council predominantly white. Holt’s suit charged that blacks would have won a council majority in 1970 had Richmond not added 47,000 suburbanites, only 3 percent of whom were black.


Racial Justice, Hegemony, And Bias Incidents In U.S. Higher Education, Glyn Hughes Jan 2013

Racial Justice, Hegemony, And Bias Incidents In U.S. Higher Education, Glyn Hughes

Sociology and Anthropology Faculty Publications

Formal administrative protocols for responding to bias incidents are now the norm in higher education. This article considers these developments by posing critical questions about racial justice work on campus, identifying key features of an under-acknowledged institutional racism, and contributing to discussions about ways that diversity and social justice efforts often reproduce rather than challenge systemic inequities.


Louis Armstrong, Gene H. Anderson Jan 2013

Louis Armstrong, Gene H. Anderson

Music Faculty Publications

Despite his lifelong claim of 4 July 1900 as his birthday, Armstrong was actually born on 4 August 1901 as recorded on a baptismal certificate discovered after his death. Although calling himself “Louis Daniel Armstrong” in his 1954 autobiography, he denied knowledge of his middle name or its origin. Nevertheless, evidence of “Daniel” being a family name is strong: Armstrong's paternal great-great-grandfather, a third generation slave brought from Tidewater Virginia for sale in New Orleans in 1818, was named Daniel Walker, as was his son, Armstrong's great-grandfather. The latter's wife, Catherine Walker, sponsored her great-grandson's baptism at the family's home …


The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones Jan 2012

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …


The Curious Case Of Asa Carter And The Education Of Little Tree, Laura Browder Jan 2012

The Curious Case Of Asa Carter And The Education Of Little Tree, Laura Browder

English Faculty Publications

Little Tree was number one on the New York Times nonfiction bestseller list on October 4, 1991, when historian Dan T. Carter published an op-ed piece in the New York Times that demolished the image of the book’s author, explaining that Forrest Carter was in reality Asa Carter, and he was no Indian. Rather, Dan Carter (no relation) wrote, “Between 1946 and 1973, the Alabama native [Asa Carter] carved out a violent career in Southern politics as a Ku Klux Klan terrorist, right-wing radio announcer, home-grown American fascist and anti-Semite, rabble-rousing demagogue and secret author of the famous 1963 speech …


"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson Mar 2011

"Go In De Wilderness": Evading The "Eyes Of Others" In The Slave Songs, Erik Nielson

School of Professional and Continuing Studies Faculty Publications

This essay explores the trope of the wilderness in the slave spirituals, arguing that it functions to recreate symbolically the natural landscape into which slaves regularly took refuge in order to elude white surveillance. Drawing on a variety of sources, it considers the unique surveillance culture in the antebellum South, its effect on the everyday lives of the slaves, and the ways in which the slaves used their natural surroundings to avoid it. It then uses a close analysis of the song "Go in the Wilderness " as a point of departure for a broader discussion of the way the …


Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert Jan 2011

Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert

English Faculty Publications

Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …


Church Burnings, Eric S. Yellin Jan 2011

Church Burnings, Eric S. Yellin

History Faculty Publications

On 15 September 1963 a bomb exploded in the basement of the 16th Street Baptist Church in Birmingham, Ala. The ensuing fire and death of four little girls placed the violence of white supremacy on the front pages of the nation’s newspapers. It also entered the 16th Street Church into a long history of attacks against houses of worship in the American South. Though churches burn for any number of reasons, including accident and insurance fraud, church arson in southern culture has frequently been associated with a symbolic assault on a community’s core institution.


African American Literature By Writers Of Caribbean Descent, Daryl Cumber Dance Jan 2011

African American Literature By Writers Of Caribbean Descent, Daryl Cumber Dance

English Faculty Publications

They dubbed it the Port of No Return. When their ancestors left that port at Elmira Beach, Ghana – or Goree Island, Senegal, or any of a number of similar African ports – and set out on the perilous journey over the ocean to the Americas, there was no going back for the New World Negroes. That is what for most Africans in the Americas was the beginning of their history. Whether resident in a small island nation or in the American colonies, whether under the domain of a British, Spanish, French, or Dutch colonial power, and whether shuttled back …


Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance Nov 2010

Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance

English Faculty Publications

In 2008 at the age of eighty-nine, Nobel laureate Doris Lessing returned to the mother who has haunted her life and her literature in order to rewrite a fictional account of the life that might have been and a biographical account of the life that she actually lived in Alfred & Emily. Her efforts to finally exorcise the powerful and hated figure that has hounded her for most of her eighty-nine years call to mind similar efforts throughout the canon of fifty-nine-year-old celebrated Antiguan-American novelist Jamaica Kincaid to free herself. Both writers take advantage of and seek to find …


‘Broken Brotherhood: The Rise And Fall Of The National Afro-American Council,’ By Benjamin R. Justesen, Eric S. Yellin Jan 2010

‘Broken Brotherhood: The Rise And Fall Of The National Afro-American Council,’ By Benjamin R. Justesen, Eric S. Yellin

History Faculty Publications

The dominance of Booker T. Washington and the loyalty of most African Americans to the Republican Party are often mistaken as markers of black political unanimity at the turn of the twentieth century. Even worse, they are assumed to stand for the whole of African American political life. Benjamin R. Justesen’s story of the struggles to establish and sustain the National Afro-American Council should serve as an important reminder of the tensions, diversity, and energy within black politics in this period. The reminder is so important, and so potential productive, that one wishes that Broken Brotherhood: The Rise and Fall …


Racism, Eugenics, And Ernst Mayr’S Account Of Species, Ladelle Mcwhorter Jan 2010

Racism, Eugenics, And Ernst Mayr’S Account Of Species, Ladelle Mcwhorter

Philosophy Faculty Publications

At his death at age one hundred in 2005, Ernst Mayr was hailed as the greatest evolutionary biologist of the twentieth century. His definition of species, published in 1942 in Systematics and the Origin of Species and known as the “biological species concept,” is familiar to every tenth grader: “Species are groups of interbreeding natural populations that are reproductively isolated from other such groups.” That definition, together with Mayr’s and Theodosius Dobzhansky’s theory of speciation, enabled the integration of modern genetics and Darwinian evolutionary theory. In this paper I will argue that it imported racism into the heart of modern …


Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe Jan 2010

Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe

English Faculty Publications

This excerpt traces the issues and process surrounding the dreadlocking of an Afri­can-American professor's hair. The personal history leading up to the decision to grow locks is briefly addressed, as is the experience of getting twisted for the first time and some reactions to the new hairstyle. Twisted discusses issues of cultural authenticity and academic nonconformity. It examines dreadlocks as a pathway to explore black identity, but in opposing ways: the act of locking ones hair does dis­play unconventional blackness - but it also participates in a preexisting black style. To what extent, the excerpt asks, can the adoption of …


The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones Jan 2010

The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones

English Faculty Publications

During the 2008 presidential campaign, Joseph Curl reported that the Obama organization "would not answer when asked why the biracial candidate calls himself black," replying only that the question didn't "seem especially topical." Biracial ancestry and racial identity are still sensitive subjects in the United States, not suitable for sound bites. But they are perfect topics for the introspective musings of an autobiography, and Barack Obama must have thought he had answered this question in depth in Dreams from My Father (1995). In his introduction, Obama hesitates to use the term "autobiography" because it connotes, he says, "a certain closure"; …


Saving Savannah: The City And The Civil War (Book Review), Edward L. Ayers Dec 2009

Saving Savannah: The City And The Civil War (Book Review), Edward L. Ayers

History Faculty Publications

Review of the book, Saving Savannah: The City and the Civil War by Jacqueline Jones. New York: Oxford University Press, 2009.


Racing Jesse Jackson: Leadership, Masculinity, And The Black Presidency, Paul Achter Jan 2009

Racing Jesse Jackson: Leadership, Masculinity, And The Black Presidency, Paul Achter

Rhetoric and Communication Studies Faculty Publications

In June of 1983, the New York Times published a survey revealing that nearly one in five white voters would not vote for a black candidate for president, even if that candidate was qualified and was the party nominee.2 For some readers, such a revelation might have induced shock or even outrage; for others the poll would merely reflect an obvious and ugly reality. The survey was prompted by the Rev. Jesse Jackson’s attempt to become the first black, Democratic nominee for president.

A news story exploring the prevalence of white racism in the United States was not uncommon …


Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga Jan 2009

Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga

Languages, Literatures, and Cultures Faculty Publications

Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on "backward" societies. The will to power conjugated with the need for row materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become on object for the colonizer's gaze. …


A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance Jan 2009

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance

English Faculty Publications

I was going to be a grandmother. It had taken all too long. I gave birth to my first child, Warren Dance Jr., when I was only twenty-one, but Warren Jr. was going to be almost thirty-six when his first child was born. As excited as I was, I decided to wait until a week after the July 4, 1995, appearance of my new grand to visit him in Houston, Texas. Other members of the family were going to be there for the birth, and I wanted time to enjoy this baby all by myself, so I planned to arrive …


Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones Jan 2008

Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones

English Faculty Publications

During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …


Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones Jan 2008

Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones

English Faculty Publications

Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …


'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance Jan 2008

'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance

English Faculty Publications

Olive Senior informs us in 'The Poem as Gardening, the Story as Su-Su: Finding a Literary Voice' that Jamaican elders believe the ground is the place where ancestral wisdom is located and they will explain and validate their warning or advice by saying, 'Grung tell me wud' (36). Jamaican linguist/literary critic/poet/and novelist Velma Pollard has put her ear to the ground of Jamaica and shared many important words of ancestral wisdom with us. This was a natural development for the talented girlchild born into an artistic family in Woodside, Jamaica, a rural community rich in folk traditions: her father was …


Jazz On The River By William Howland Kenney (Book Review), Gene H. Anderson Apr 2007

Jazz On The River By William Howland Kenney (Book Review), Gene H. Anderson

Music Faculty Publications

Jazz has not always been "America's classical music." In the first decades of the twentieth century it was regarded by much of the black and white Establishment as unsettling, provocative, even dangerous - attitudes exacerbated by the social upheaval of the Great Migration around the time of World War I. Enter black riverboat jazz bands to negotiate the color line: to help "white Americans approach in an oblique manner underlying social and cultural changes that were too deep and too heavily laden with pain, guilt, and fear for most citizens to discuss openly" (5). Such is the thesis of Jazz …