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Commedia Dell’Arte: The Mechanisms Of Othering, Olly Crick
Commedia Dell’Arte: The Mechanisms Of Othering, Olly Crick
Representing Alterity through Puppetry and Performing Objects
This chapter proposes that the dramaturgic flexibility within historical Commedia dell’Arte was predicated on a performance methodology that demanded a changing pattern of othering, depending on the class, economic strength and region of their audiences.