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Articles 1 - 11 of 11
Full-Text Articles in Arts and Humanities
Mixed Speak: Towards A Re-Poetics Of Race And Self, Celina Mizuki Ohga Samuelson
Mixed Speak: Towards A Re-Poetics Of Race And Self, Celina Mizuki Ohga Samuelson
Media and Cultural Studies Honors Projects
This paper tells the stories of mixed-race Japanese people. I engage in a re-poetics, positing storytelling as an essential tool into complicating our understandings of race and self. I examine the relationship between language and race, exploring how subjects existing within a space of mixedness navigate identity-formation and racial belonging. Operating under a socio-constructivist lens, I begin with a brief re-telling of the history of race in Japan, re-framing mythologies of race throughout literature, legislation, and into national and colonial projects. While popular discourse alleges Japan was and is a country of racial homogeneity, I argue that this falsifies colonial …
Pachuquismo E Identidad Nacional Imaginada En Los Estados Unidos Y México En La Década De 1940, Isabel Saavedra-Weis
Pachuquismo E Identidad Nacional Imaginada En Los Estados Unidos Y México En La Década De 1940, Isabel Saavedra-Weis
Hispanic Studies Honors Projects
Pachuquismo was a counterculture born in the barrios of East L.A. in the 1940s. Mexican-American youth created their own social group defined by specific clothing (zoot suits), music fusions (mambo and swing), and linguistic dialects (caló). However, on both sides of the U.S. and Mexican border, pachucos had a poor reputation. In the U.S., mainstream media portrayed pachucos as juvenile delinquents and domestic threats. In Mexico, pachucos were mimicked and heavily criticized for their Americanization. In this essay, I identify how U.S. and Mexican mainstream media reacted to pachucos, and what those portrayals can tell us about the imagined national …
Ginanaandawi'idizomin: Anishinaabe Intergenerational Healing Models Of Resistance, Zoe V. Allen
Ginanaandawi'idizomin: Anishinaabe Intergenerational Healing Models Of Resistance, Zoe V. Allen
American Studies Honors Projects
Since the early 2000s, the opioid epidemic has had a devastating sweep across Indian Country. The White Earth nation declared the epidemic as a public health emergency back in 2011. Since then White Earth has developed community-based harm reduction and culturally grounded models of intervention for substance use disorder that continue to influence Native Nations across the U.S. This project centers on Anishinaabe approaches to the ongoing opioid public health crisis but also elaborates on Anishinaabe forms of healing and resistance. My primary method was conducting oral histories with White Earth community youth workers and advocates. My research project asks: …
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
International Studies Honors Projects
Filipino National Artist Lucrecia “King” Kasilag sought to preserve folk cultures and melded these with her Western training to produce works—scholarly, pedagogical, and compositional—that shaped national music and culture. This thesis is a critical biography that combines perspectives from postcolonial studies, political economy, and musicology to highlight forces that shaped Kasilag’s life while illustrating her successes and shortcomings on national culture. Through this biography, I argue, Filipino national culture must originate from intersectional struggles and negotiation among elites and masses; that this culture is about both resistance and acceptance—a national culture that is syncretic and quintessentially dynamic.
How To Be The Perfect Asian Wife!, Sophia Hill
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
Chop-Suey: Asian Bodies Consumed In The Harlem Renaissance, Cole Chang
Chop-Suey: Asian Bodies Consumed In The Harlem Renaissance, Cole Chang
Gateway Prize for Excellent Writing
No abstract provided.
Ways We Remember: Rethinking Symbols Of Italian American History And Imagining Alternative Narratives, Kathryn N. Anastasi
Ways We Remember: Rethinking Symbols Of Italian American History And Imagining Alternative Narratives, Kathryn N. Anastasi
American Studies Honors Projects
My project re-examines dominant historical narratives of Christopher Columbus and assimilation of southern Italian immigrants to the United States. Arguing that such narratives partly result from historic anxiety surrounding southern Italians’ unstable whiteness, I challenge masculinist, white-washed histories by centering and contextualizing a history of Italian immigrant garment worker and labor leader Angela Bambace (1898-1975). By weaving my own exploration of my Italian immigrant ancestors’ pasts throughout, I ultimately encourage other white descendants of European immigrants to explore their histories in a critical and loving way that "resurrects" histories without sanctifying historical figures or their white descendants to racial innocence.
Toward A Transnational Queer Futurity: The Photography Of Catherine Opie, Zanele Muholi, And Jean Brundrit, Camille Erickson
Toward A Transnational Queer Futurity: The Photography Of Catherine Opie, Zanele Muholi, And Jean Brundrit, Camille Erickson
Art and Art History Honors Projects
North American photographer Catherine Opie and South African photographers Zanele Muholi and Jean Brundrit create art that documents the lived experiences of queer and LGBTI-identified individuals and communities. Although their varying geographic and cultural specificities contribute to diverse representations, this research applies a queer transnational methodology to analyze how each artist uses the body as a site for re-visualizing queer identities. Employing cultural theorist, José Esteban Muñoz’s conception of a queer futurity reveals how these artistic projects resist the majoritarian politics of the present and envision potential utopian spaces of transformation. By embracing collectivity, belonging, and difference, the photographs enact …
The Apartment, Jeesun Choi
The Apartment, Jeesun Choi
English Honors Projects
Lenn never considered herself one of the foreigners in Bangkok. She believed that she was different from her privileged peers at international schools, the posse of multinational corporation workers and the unwitting tourists with a colonial mindset. But when she meets Jon Hayes Wichasak, a wandering luk khrueng, her conviction starts to crumble. She begins to question her motives behind returning to Bangkok and her desire for intimacy. Set on the road that stretches from the Thai-Cambodian border to the Chao Praya River, the novella explores expatriation in the twenty-first century.
Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick
Can We Laugh? Jewish American Comedy's Expression Of Anxiety In A Time Of Change, 1965-1973, Emily Schorr Lesnick
American Studies Honors Projects
This Honors project is a site of intersection of my academic and activist interests in interrogating Whiteness, my social identity as a cultural Jewish American, and my creative passions in comedy performance. The tragicomic films The Graduate, Goodbye, Columbus, and Annie Hall of the 1960s and 1970s articulate the painful process of Jewish self- and group-definition in relation to dominant culture amidst fractures amongst Jews and external hostility and invitation. The collision of Jews’ long history of humor as a cultural practice and the turbulence and ambivalence of the post-World War II moment facilitated a space for Jewish …
To Die A Noble Death: Blood Sacrifice And The Legacy Of The Easter Rising And The Battle Of The Somme In Northern Ireland History, Anne L. Reeder
To Die A Noble Death: Blood Sacrifice And The Legacy Of The Easter Rising And The Battle Of The Somme In Northern Ireland History, Anne L. Reeder
History Honors Projects
In 1916, under the pressurized conditions of the Great War, two violent events transpired that altered the state of Anglo-Irish relations: the Easter Rising and the Battle of the Somme. These events were immediately transformed into examples of blood sacrifice for the two fundamentally opposed communities in Northern Ireland: Nationalists and Unionists. In 1969, Northern Ireland became embroiled in a civil war that lasted thirty years. The events of 1916 have been used to legitimize modern instances of violence. This paper argues, through the use of cultural texts, that such legitimization is the result of the creation of mythic histories.