Arts and Humanities Commons^™

The Reconstruction Era: As Taught In United States History, Tahj Frazier

History - Master of Arts in Teaching

I. Synthesis Essay………………………………..8

II. Primary Documents and Headnotes………..39

III. Textbook Critique……………………………..50

IV. New Textbook Entry………………………….57

V. Bibliography………………………………….....77

Tracing The Dispossession Of The Enslaves Black Woman And A Potential For Resistance., Lila R. O'Conell

Senior Projects Spring 2023

Senior Project submitted to The Division of Social Studies of Bard College.

Bharatanatyam & Tassa And The Tales We've Lived, Shivani Balkaran

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

From Fashion, To Violence, To A Forgotten Era: The Zoot Suit And Mexican-American Youth Culture In 1940’S America, Adelaide Iris Ord Treadwell

Senior Projects Spring 2023

Senior Project submitted to The Division of Social Studies of Bard College

The Black Ancestral Artist Path, Cerina Zuleica Shippey

Senior Projects Spring 2023

The Black Ancestral Artist Path is a project dedicated to uncovering the migratory pattern between Black American Creatives from NY to Paris. Why has this trend continued today from those of the Lost Generation? What about France entices the American? And how does living there change their art and sense of self? This project also compared Black French artists and their understanding of the French colonial empire. When these two groups are brought together, how do they learn from one another? Black Americans are forced to reckon with the both the freedom and the privilege they experience being able to …

Plurality, Precarity, Nos/Otras: Searching For A New Guarantee Of Dignity In The Contemporary World, Antonia Salathe

Senior Projects Spring 2023

One cannot comprehend the topography of our contemporary globe without seeing the chain-link lines that fractalize sand, sea, and soil. Contemporary global politics is marked by a refugee crisis of colossal proportion. At its core, the contemporary refugee crisis is perpetuated by the fact that there is no framework to apprehend the personhood of the refugee, let alone an organized and attentive global process for directing the flow of vulnerable persons toward safety.

I argue that in order to ease the burdens placed on vulnerable people we must return to philosophy and look at the refugee crisis for what it …

From Fashion, To Violence, To A Forgotten Era: The Zoot Suit And Mexican-American Youth Culture In 1940’S America, Adelaide Iris Ord Treadwell

Senior Projects Spring 2023

Senior Project submitted to the Division of Social Studies of Bard College.

Tryna Be A Mountain, Aru Apaza

Senior Projects Fall 2023

Senior Project submitted to The Division of Arts of Bard College.

Where The Fruit Grows, We’Ll Start Over: Rethinking The Great Migration’S Limitless Impact, Luna Flores-Ramirez

History - Master of Arts in Teaching

I. Synthesis Essay……………………………….2

II. Primary Documents and Headnotes……….20

III. Textbook Critique…………………………….33

IV. New Textbook Entry…………………………36

V. Bibliography…………………………………...19

From Marginal To Modern Culture: A Case Study On Hélio Oiticica And His Aesthetic Contributions To Brazilian National Identity, Jamesia R. Griffin

Senior Projects Spring 2023

In this essay, I follow the historical trajectory of Helio Oiticica, a visual artist from Brazil’s 1960s modern art scene, to explore how attitudes towards his artistic interventions during Brazil's most transformative era affected the social view of “the artist” as a political character. I argue that the historical effectiveness of interventionist art relies on the shifting localized and national social and political identities of the artist. In order to help my reader understand how artists gain historical relevance through interventionist arts, I emphasize contextual and relational modes of analysis to better capture the complex and complicated interactions between historical …

The Freedom Handbook, Sydney Oshuna-Williams

Senior Projects Fall 2023

"The Freedom Handbook." This autobiographical exploration is not only a personal endeavor but a response to the critical framework presented by Frank Wilderson in his book, “AfroPessimism”. For those unfamiliar with AfroPessimism as a theory, it ultimately positions Black people as socially dead, prompting me to challenge the conventional understanding of it solely as a critical theory. If we accept the claims that human life hinges on the complete objectification of a distinct people, the implications extend far beyond the realm of theory, urging us to confront the very essence of freedom itself. As you embark on this journey with …