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Novel Epidemics: Contagion And Metaphor In Us Literature, Maxwell Clement Cassity

Dissertations - ALL

Metaphors of epidemic and contagion have played a powerful role in shaping American identity by using disease to symbolically mark out certain raced and classed populations as outsiders to the social body. In the twentieth century, epidemics and epidemiological reading came to dominate not only the fields of science, but also literary and cultural production and its critical lenses. “Novel Epidemics” examines how American novelists William Faulkner, Ishmael Reed, and Helena María Viramontes used epidemic as a fictional framework for examining and critiquing the ways that the US social body was imagined, constructed, and reinforced through an epidemiological lens. Using …

Fictionalizing Error In Edberto Villegas’S Barikada, Laurence Marvin S. Castillo

Akda: The Asian Journal of Literature, Culture, Performance

Barikada (2013), written by the late political scientist, writer, and consultant for the National Democratic Front of the Philippines (NDFP) Edberto Villegas (1940–2020), is a novel that presents a counterfactual portrayal of an urban insurrection, waged by city-based national democratic (NatDem) revolutionaries who deviated from the Maoist rural-oriented protracted guerrilla warfare sanctioned by the Communist Party of the Philippines (CPP). This essay reads this NatDem fiction in relation to the debates about revolutionary strategy that surfaced during the movement’s crises-ridden years, and were taken up during the Second Great Rectification Movement. I undertake a detailed examination of the novel’s reworking …

The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine

Dirassat

Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …

Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç

Critical Inquiries Into Irish Studies

No abstract provided.

“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams

Critical Inquiries Into Irish Studies

No abstract provided.

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

Treading The Winepress; Or, A Mountain Of Misfortune, Clarissa Minnie Thompson Allen, Gabrielle Brown, Eric Willey, Jean Macdonald

Undiscovered Americas

“Every life hath its chapter of sorrow. No matter how rich the gilding or fair the pages of the volume, Trouble will stamp it with his sable signet.”

So begins the novel Treading the Winepress; or, A Mountain of Misfortune by Clarissa Minnie Thompson Allen, which, had it appeared in book form in 1885–1886 instead of serialized in The Boston Advocate, would have been the second novel published by a black woman in the United States. Instead, Allen has been mostly forgotten by literary history. Now, thanks to the painstaking efforts of editors Gabrielle Brown, Eric Willey, and Jean …

Review: Bury What We Cannot Take By Kirstin Chen, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Review Of Taboo, By Kim Scott, Picador-Australia, 2017, Rashida Murphy

Landscapes: the Journal of the International Centre for Landscape and Language

Kim Scott's Taboo is a story about beginnings and endings.This novel reminds the reader of the circularity of stories, and how those stories are shaped by intent and weighed by landscape. Scott speaks of dispossession, abuse, colonialism, addiction and racism in lyrical and melancholy prose. The men and women who walk through these pages are startlingly aware of their failings and equally forgiving of those failings in others. There are no quick fixes and the story vacillates between despair and hope. Yet this is not a grim story. The lucidity of its prose lifts it beyond the despair in its …

The Geometry Of Loss: A Novel, Elidio La Torre La Torre

Open Access Theses & Dissertations

In the year 2025, Orlando Aniello, nicknamed “Or,” a Puerto Rican poet with a broken life, becomes a “consciousness in virtual space.” Tricked by a couple of goons that devote most of their duties to bootleg memories for people who lead dull and meaningless lives, Orlando’s personality splits into fragments. As consequence, his actual experiences blend the host’s own recollections, which accidentally upload to Orlando’s brain. If bootleg mnemonic technologies glitch, Orlando does not know who he is anymore. Indeed, Orlando/ Gogo/ Alejandro suffers anterograde memory loss, and the narrator becomes merely a voice without a body. A geometry of …

Faithlessly Or Faithless Lie?: The Name Symbolism Conundrum In Sedgwick's Hope Leslie, Erin Wade

Honors Theses

This thesis focuses on the symbolic importance of names in Catharine Maria Sedgwick’s Hope Leslie. While, historically, other scholars have examined the title character’s name, I argue that examining the oft-ignored significance of Faith Leslie’s name is extraordinarily important to the thematic content of the novel and could be more interesting than an examination of Hope Leslie’s name. To delve fully into the possible meanings of the dual pronunciations of Faith’s name — as either faithlessly or faithless lie — I look at religious discrimination against Catholics and Natives during the 17th and 19th centuries, as well as literary …

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …

The Psychology Of Uncertainty: (Re)Inscribing Indeterminacy In Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin

English Faculty Publications

No abstract provided.

Chinua Achebe And The Post-Colonial Esthetic: Writing, Identity, And National Formation, Simon Gikandi

Studies in 20th & 21st Century Literature

Chinua Achebe is recognized as one of Africa's most important and influential writers, and his novels have focused on the ways in which the European tradition of the novel and African modes of expression relate to each other in both complementary and contesting ways. Achebe's novels are informed by an important theory of writing which tries to mediate the politics of the novel as a form of commentary on the emergence and transformation of nationalism which constitutes the African writer's epistemological context. Achebe's esthetic has been overdetermined by the changing discourse on representation and national identity in colonial and post-colonial …

Oligarchy And Orature In The Novels Of Nuruddin Farah, Derek Wright

Studies in 20th & 21st Century Literature

In Farah's fiction Somali oral traditions are shown to possess a resilient strength and even a revolutionary vitality. Yet they are not envisaged polemically, as unsullied alternatives and sources of counter-discourse to post-colonial realities: rather, they are shown to be implicated in their evils and corruptions. Faced with a mode of reality built on oral discourse, where the written word is ruthlessly suppressed, written texts either retreat into secret cipher or are themselves infiltrated by the vaporous oral reality of public life and take on selected elements of oral literary conventions: notably, their fluid indeterminacy of meaning and interpretative openness, …

The Political Alienation Of The Intellectual In Recent Zairian Fiction, Janice Spleth

Studies in 20th & 21st Century Literature

A high proportion of recent Zairian fiction features intellectuals—educators, priests, students, and professionals—as major characters who are in some way alienated from society. This study documents the extent of this occurrence in novels by Mbwil a Mpang Ngal, V. Y. Mudimbe, Bolya Baenga, and Pius Ngandu Nkashama and, at the same time, relates the situation of the intellectual as seen in these works to some of the social and political factors peculiar to Zaire's colonial history and post-independence evolution. Analyses of individual novels provide the basis for a discussion of Belgian colonial policies regarding the évolué, the ambiguous role …

Fictional Advertisement, An Illustration From "Tom Clifton...." By Warren Lee Goss, 1892: "Gang Of 25 Sea Island Cotton And Rice Negroes", Warren Lee Goss

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

This item was originally created and disseminated as an illustration in the novel Tom Clifton, or, Western boys in Grant and Sherman's army, '61-'65, by Warren Lee Goss, published in 1892. The advertisement appeared on an unnumbered page in chapter 7.

This is a fictional advertisement for a sale of 25 enslaved people in Charleston, S.C. at Ryan's Mart on Chalmers Street, September 25, 1852.