Arts and Humanities Commons^™

Complicating The Narrative: Using Jim's Story To Interpret Enslavement, Leasing, And Resistance At Duke Homestead, Jennifer Melton

Theses and Dissertations

In the antebellum South, an enslaved person was more likely to be leased out than to be sold during his or her lifetime. Despite its ubiquity, leasing of enslaved people is rarely interpreted at historic sites and is not widely understood by the general public. In this project, I examine leasing and resistance to slavery in North Carolina through the lens of Jim, an enslaved man leased by Washington Duke at the property that is now Duke Homestead State Historic Site. While Duke is famous in North Carolina as founder of the American Tobacco Company, he was a yeoman tobacco …

Clothing The Black Body In Slavery: What They Wore And How It Was Made, Wanett I. Clyde

Dissertations, Theses, and Capstone Projects

After suffering the traumas of capture, enslavement and the ship's journey from their homeland, newly arrived Black people, along with struggling to understand and cope with their reduced circumstances, were often pulled in multiple directions with regard to their appearance. Stripped of garments that represented their native culture and forbidden to practice their personal grooming habits, slaves were now reliant on their owners for care. Once a slave was purchased, it was in the best interest of the master and mistress to protect their investment by providing them with the essentials. Chief among those necessities were clothing.

This thesis will …

Dissonances Of Dispossession: Narrating Colonialism And Slavery In The Expansion Of Capitalism, W. Oliver Baker

English Language and Literature ETDs

This project studies how ethnic American literature of the long nineteenth century represents the relationship between the dispossession of lands and lives—the histories of settler colonialism and slavery—and the making of democracy and capitalism in the United States. We often think of this relationship in terms of temporally distinct stages in which the formal equality of democracy and the marketplace overcome and thus leave behind the direct domination of colonization and enslavement. However, I focus on how the early novels of Indigenous, African, and Mexican American writers from the period of manifest destiny to the New Deal era represent the …

“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch

Theses and Dissertations--English

My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …

“Voodoo” In The Black Atlantic: Haiti And New Orleans Compared, 1791-1915, Susan L. Kwosek

Graduate Research Theses & Dissertations

This dissertation is a comparative study of religious development, resilience, and sustainability in Haiti and New Orleans between 1804 and 1915. In each location, a new religion developed from the spiritual practices of enslaved Africans: Haitian Vodou and New Orleanian Voodoo. This study asks key questions about religious development, resilience, and overall sustainability in the Black Atlantic. How did Haitian Vodou mature into a national religion and resist challenges to its legitimacy from Haitian elites and Euro-Americans throughout the Atlantic World? How were whites in the U.S. able to usurp the identity of New Orleanian ceremonial Voodoo and transform it …