Arts and Humanities Commons^™

L’Élément Chinois De L’Identité Canadienne : Un Commerce Initial Impliquant Le Thé Et Le Ginseng, Amanda Lee

Undergraduate Student Research Internships Conference

En travaillant à décoloniser le récit sino-canadien et à envisager les différents aspects de la culture chinoise qui ont façonné le développement de l’identité sino-canadienne, on peut trouver des éléments essentiels à ces aspects dans le commerce d’importation de thé chinois par les voies britanniques et dans l’exportation canadienne-française de ginseng canadien vers la Chine.

Le développement du commerce du thé entre la Chine et le Canada (La Grande-Bretagne a servi d’intermédiaire) a reflété l’expérience historique des Canadiens d’origine chinoise à bien des égards. Par exemple, le monopole britannique sur les importations de cette marchandise au Canada suit des politiques …

Participatory Knowledge Of Motion: Ezhianishinaabebimaadiziyaang Mii Sa Ezhianishinaabeaadisokeyaang. The Way In Which We Live, That Is The Way We Write Stories., Erin E. Huner

Electronic Thesis and Dissertation Repository

This is a dissertation based upon the Customary Ways Dataset, which is comprised of 50 interviews given by Elders from Walpole Island First Nation, in 2010. The over-arching, community-designed research question that guided this dissertation was: How do the Elders of Walpole Island describe their relationship to the land? To answer this question, I co-designed a mixed-methods analysis that included traditional methods from the Social Sciences, including Grounded Theory, to establish emergent themes, and some simple statistical analysis using Chi-square and crosstab analysis. I also utilized methods closely related to the Humanities, deploying Story Mapping, Close Reading and a …

Veni, Pati, Scripsi: The Maghrebi Diaspora In Driss Chraïbi’S Les Boucs And Salah Methnani-Mario Fortunato’S Immigrato, Mohamed Baya

Electronic Thesis and Dissertation Repository

The empire knows how to write back even after it shrinks, but the formerly colonized who move to the metropolis write differently. Two Maghrebi diasporic novelists – Driss Chraïbi, a Moroccan living in France and Salah Methnani, a Tunisian who found shelter in Italy --, scan the territories of their adoptive countries, produce maps of tortured inner experience, and amalgamate the autobiographic with the fictional. They write in the respective languages of their adoptive countries: Chraïbi, at the very beginning of the Maghrebi diasporic literature in France, published Les Boucs in 1955 and Methnani (in collaboration with Mario Fortunato), published …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Millennial Representations Of Medieval Religious Schism In Western Media: An Iconographic Analysis Of Dante’S Inferno 28 And The Twenty-First Century Films Dracula Untold And Kingdom Of Heaven, Nafise Shajani

Languages and Cultures Publications

Dante Alighieri’s Inferno 28 is the place of the sowers of discord and scandal who are responsible for causing a split within their own communities; among them in the ninth bolge of the eighth circle is Muhammad whose mutilated body represents the division he brought to Christianity. A historical contextualization of the Inferno, however, confirms that the hostility between Christianity and Islam had emerged earlier with the rise of Islam as a political power in the seventh century. This paper examines Medieval and twenty-first century visual representations of this division within Christianity, which mirror the schism within Inferno 28. …