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Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
African-Americans And The Administration Of Justice, E. Yvonne Moss, Roy Austin, Nolan Jones, Barry Krisberg, Hubert Locke, Michael Radelet, Susan Welch
African-Americans And The Administration Of Justice, E. Yvonne Moss, Roy Austin, Nolan Jones, Barry Krisberg, Hubert Locke, Michael Radelet, Susan Welch
Barry A Krisberg
The status of African Americans in relationship to the administration of justice has improved since the 1940s. Significantly, however, researchers continue to find racial discrimination and racial disadvantage operating in various aspects of the criminal justice process in numerous jurisdictions. Such findings are unacceptable in a society that claims to honor equal justice under law.
This article is reprinted from Summary, Volume 1 of the Assessment of the Status of African-Americans series, published in 1990 by the William Monroe Trotter Institute, University of Massachusetts at Boston, and edited by Wornie L. Reed. Materials included in the article were adapted …
De-Colonizar A Platón: Una Relectura De La Alegoría De La Cueva En El Contexto De La Toma, Cauca (De-Colonizing Plato: Reinterpreting The Allegory Of The Cave In The Context Of La Toma, Cauca), Andrés Henao Castro
Andrés Fabián Henao-Castro
En este texto defiendo una interpretación política de la famosa alegoría de la cueva de Platón a partir de las experiencias de lucha de las comunidades negras contra la explotación minera en sus territorios ancestrales en La Toma, Cauca; interpretación que considero más adecuada a la hora de contemporaneizar la obra del filósofo griego para los proyectos emancipadores radicales de hoy, que aquella que defiende la filosofía política radical francesa.
From The “Bio” To The “Necro”: The Human At The Border, Andrés Henao Castro
From The “Bio” To The “Necro”: The Human At The Border, Andrés Henao Castro
Andrés Fabián Henao-Castro
This chapter puts biopolitics in conversation with decolonial theory in order to investigate the disavowed colonial history of necropolitics at the center of modernity’s continuous racialization of “Man.” It further develops Achille Mbembe’s influential notion of necropolitics by tracing its origins to the colonial principle of power: ‘make die let die,’ and by understanding this new technology of power as the de-humanization device by which the human is divided across color lines. Such de-humanization, the chapter concludes, is prominent in the global production of unauthorized immigrants as disposable people through the necropolitical dispositif of the border. This technology of power …
The Confederate Flag, A College Mace And Becoming America Again, Joanne Braxton
The Confederate Flag, A College Mace And Becoming America Again, Joanne Braxton
Joanne Braxton
No abstract provided.
The 'Battle Flag' Finally Comes Down, Joanne Braxton, Michael Sainato
The 'Battle Flag' Finally Comes Down, Joanne Braxton, Michael Sainato
Joanne Braxton
No abstract provided.
Dylann Roof Is The Product Of A System That Has Bred Racist Hatred For Centuries, Joanne Braxton, Michael Sainato
Dylann Roof Is The Product Of A System That Has Bred Racist Hatred For Centuries, Joanne Braxton, Michael Sainato
Joanne Braxton
Carter G. Woodson: The Early Years, 1875 – 1903, Burnis Morris
Carter G. Woodson: The Early Years, 1875 – 1903, Burnis Morris
Burnis R. Morris
When Carter G. Woodson departed West Virginia in 1903 for the Philippines and other distant datelines, few people other than Woodson himself could have imagined his final destination. He would eventually enjoin millions to follow his lead in promoting African Americans’ contributions in history; however, the scholarly people in Washington, where he settled in 1909, laughed at him and predicted failure.
The City Is Full Of Bugs, Michael Stanley
The City Is Full Of Bugs, Michael Stanley
Michael A Stanley
This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of future …
Can The Subaltern Smile? Oedipus Without Oedipus, Andrés Henao Castro
Can The Subaltern Smile? Oedipus Without Oedipus, Andrés Henao Castro
Andrés Fabián Henao-Castro
This article explores the relationship between theory and praxis by contrasting three different models of intellectual endeavor: totalizing, particular and decolonial. Attending to the critique that Gayatri Spivak raised against Michel Foucault and Gilles Deleuze in Can the Subaltern Speak?, this article advocates a dramaturgical reading of texts as a model for political theory to address subaltern agency. It reads such agency in the smile that Pier Paolo Pasolini registers in his 1967 film version of Sophocles’ play, Oedipus Tyrannos. Dramaturgically read, Oedipus reveals another text, the tragic history of a yet insufficiently explored democratic alternative that goes against the …
Racism And Rhetoric From Ferguson To Palestine, C. Heike Schotten
Racism And Rhetoric From Ferguson To Palestine, C. Heike Schotten
C. Heike Schotten
No abstract provided.
A Critical Review Of The Model Minority Myth In Selected Literature On Asian Americans And Pacific Islanders In Higher Education, Oiyan Poon
OiYan Poon
No abstract provided.
Review Of Amber Jamilla Musser's Sensational Flesh: Race, Power, And Masochism, Margot Weiss
Review Of Amber Jamilla Musser's Sensational Flesh: Race, Power, And Masochism, Margot Weiss
Margot Weiss
No abstract provided.
'The Last Honest Film Critic In America': Armond White And The Children Of James Baldwin, Daniel Mcneil
'The Last Honest Film Critic In America': Armond White And The Children Of James Baldwin, Daniel Mcneil
Daniel McNeil