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Articles 1 - 18 of 18

Full-Text Articles in Arts and Humanities

Just Right, William L. Blizek, Monica Blizek Feb 2023

Just Right, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a film review of Just Right (2023), directed by Camille Wormser.


Okay! (The Asd Band Film), Michele M. Desmarais Jan 2023

Okay! (The Asd Band Film), Michele M. Desmarais

Journal of Religion & Film

This is a film review of OKAY! (The ASD Band Film) (2022) directed by Mark Bone.


A Still Small Voice, Dereck Daschke Jan 2023

A Still Small Voice, Dereck Daschke

Journal of Religion & Film

This is a film review of A Still Small Voice (2023), directed by Luke Lorentzen.


Good Grief, John C. Lyden Jan 2023

Good Grief, John C. Lyden

Journal of Religion & Film

This is a film review of Good Grief (2023), directed by Rob Sharp.


Don't Worry About It, John C. Lyden Jan 2023

Don't Worry About It, John C. Lyden

Journal of Religion & Film

This is a film review of Don't Worry About It (2023), directed by Melissa Kong.


Interview With Natasha Ofili, Monica Blizek Apr 2022

Interview With Natasha Ofili, Monica Blizek

Journal of Religion & Film

Natasha Ofili, the star and screenwriter of The Multi, was interviewed by Monica Blizek about the process that led to the creation of the film.


Jihad Rehab, John C. Lyden Apr 2022

Jihad Rehab, John C. Lyden

Journal of Religion & Film

This is a film review of Jihad Rehab (2021), directed by Meg Smaker.


The Multi, William L. Blizek, Monica Blizek Apr 2022

The Multi, William L. Blizek, Monica Blizek

Journal of Religion & Film

This is a film review of The Multi (2022), directed by Storm S. Smith and Mikhail Chowdhury.


Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani Oct 2021

Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani

Journal of Religion & Film

America’s legendary documentary filmmaker Frederick Wiseman shot Essene 50 years ago at the height of the commune movement in the United States. Unlike his previous institutional films which showcase an insane asylum, a public high school, an inner city police force, a hospital, and a military training school, Essene's canvas is the far less turbulent terrain of a serene and austere Benedictine monastery devoted to the love and service of God and the divine spirit. This paper undertakes a close textual and hermeneutic analysis of Essene alongside an appraisal of Wiseman’s working methodology, his cinematic portrayals of character and dramaturgy, …


The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar Mar 2020

The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar

Journal of Religion & Film

In his 2005 film The Willow Tree (Bīd-i Majnūn), Majid Majidi offers a complex moral commentary on the faculty of sight. To do so, the filmmaker draws from Sufi theories of gazing, in which desire must be for ultimate meaning (maʿnā), as conveyed through the vehicle of perceivable form (ṣūra), a distinction with both metaphysical and ethical implications. Majidi presents sight, when devoid of contemplation, as a sort of voyeurism, especially in contrast to the privacy and immediacy of speech and especially within the context of the modern city. Moreover, his use of a …


Into The Deep, Jodi Mcdavid Jan 2020

Into The Deep, Jodi Mcdavid

Journal of Religion & Film

This is a film review of Into the Deep (2020) directed by Emma Sullivan.


Won't You Be My Neighbor?, John C. Lyden Jun 2018

Won't You Be My Neighbor?, John C. Lyden

Journal of Religion & Film

This is a film review of Won't You Be My Neighbor? (2018), directed by Morgan Neville.


Dreams, Doubt, And Dread: The Spiritual In Film, Joel Mayward Sep 2017

Dreams, Doubt, And Dread: The Spiritual In Film, Joel Mayward

Journal of Religion & Film

This is a book review of Zachary Settle and Taylor Worley, eds. Dreams, Doubt, and Dread: The Spiritual in Film. Eugene, OR: Wipf and Stock, 2016.


Zen Noir Vis-À-Vis Myers-Briggs Personality Typology: Semiotic Multivalency As Grounds For Dialog, Edward J. Godfrey Oct 2016

Zen Noir Vis-À-Vis Myers-Briggs Personality Typology: Semiotic Multivalency As Grounds For Dialog, Edward J. Godfrey

Journal of Religion & Film

Marc Rosenbush’s film, Zen Noir (2004) is at first glance a Buddhist film wherein a troubled detective finds himself at a Zen temple with a murder to solve. But upon further investigation, it becomes evident that the film can also be understood in terms of Myers-Briggs personality typology, which is an extension of the personology and depth psychology of C.G. Jung. This suggests a multivalency which allows the imagery of the film to be interpreted in two different ways; as both suggesting Zen enlightenment and Jungian individuation. To assist with this comparison, this paper introduces the Ten Ox-Herding Paintings of …


Inception And Ibn 'Arabi, Oludamini Ogunnaike Oct 2013

Inception And Ibn 'Arabi, Oludamini Ogunnaike

Journal of Religion & Film

Many philosophers, playwrights, artists, sages, and scholars throughout the ages have entertained and developed the concept of life being a "but a dream." Few works, however, have explored this topic with as much depth and subtlety as the 13thC Andalusian Muslim mystic, Ibn 'Arabi. Similarly, few works of art explore this theme as thoroughly and engagingly as Chistopher Nolan's 2010 film Inception. This paper presents the writings of Ibn 'Arabi and Nolan's film as a pair of mirrors, in which one can contemplate the other. As such, the present work is equally a commentary on the film based on …


Fall To Grace, John C. Lyden Jan 2013

Fall To Grace, John C. Lyden

Journal of Religion & Film

This is a film review of Fall to Grace (2013) directed by Alexandra Pelosi.


Touchy Feely, William L. Blizek Jan 2013

Touchy Feely, William L. Blizek

Journal of Religion & Film

This is a film review of Touchy Feely (2013) directed by Lynn Shelton.


Irruptions Of The Sacred In A “World Of Shit”: Profanity, Sacred Words, And Cinematic Hierophanies In Stanley Kubrick’S Full Metal Jacket (1987), Joseph E. Bisson May 2012

Irruptions Of The Sacred In A “World Of Shit”: Profanity, Sacred Words, And Cinematic Hierophanies In Stanley Kubrick’S Full Metal Jacket (1987), Joseph E. Bisson

Journal of Religion & Film

Full Metal Jacket remains embedded in the consciousness of the popular culture mainly because of its abundance of profane language, violent imagery, and salacious set pieces. The juxtaposition of profane language and imagery with sacred language and religious symbolism reveals that Kubrick’s Vietnam film has powerful religious overtones that comprise an important element of the film’s critique of homo religiosus and the modern human condition. By continually juxtaposing the sacred and profane, Kubrick created “cinematic hierophanies” that advanced a cultural critique that inventively integrated ideas from some of the mid-20th Century’s greatest interpreters of myths -- Carl Jung, Joseph …