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Full-Text Articles in Arts and Humanities
Disraeli, Gladstone, And The Reform Act Of 1867, Justin Vossen
Disraeli, Gladstone, And The Reform Act Of 1867, Justin Vossen
Journal of Undergraduate Research at Minnesota State University, Mankato
This research project investigated the rivalry between William Gladstone and Benjamin Disraeli, and how that rivalry resulted in the Reform Act of 1867. The competition between these two over expansion of the franchise led to a more radical reform than expected. Gladstone, a converted Liberal, encouraged moderate changes like a reduction in the householder qualification from ₤ten to ₤seven. Disraeli, a moderate Conservative, embraced more expansive reform for political advancement rather than as an extension of the suffrage. It was Disraeli’s hope that an enlarged electorate would vote Conservative as a reward for their new privilege. Although many historians give …
Popular Agitation And British Parliamentary Reform, 1866-1867, Michael D. Snell-Feikema
Popular Agitation And British Parliamentary Reform, 1866-1867, Michael D. Snell-Feikema
Journal of Undergraduate Research at Minnesota State University, Mankato
This paper demonstrated that the force of public opinion as expressed by pro-reform agitations played a critical role in the attainment of working-class voting rights with the Reform Act of 1867. This Reform Act, which passed after more than a year of political disputes and public demands, gave most of the urban English working class the right to vote. In 1866 a modest reform bill sponsored by William Gladstone’s Liberal government had been defeated by a combination of Conservative and conservative Liberal opposition. After months of popular demonstrations, Benjamin Disraeli’s new Conservative government introduced another reform bill that initially was …
Nineteenth Century Views On Theater And Drama In English, Rebecca Unetic
Nineteenth Century Views On Theater And Drama In English, Rebecca Unetic
Journal of Undergraduate Research at Minnesota State University, Mankato
With the passing of the Licensing Act of 1737 and until its repeal in 1969 the Lord Chamberlain’s office has been legally able to censor any drama to be performed at established theatres in England. However, the 1737 Act left inconsistencies in the definition of censorship and the role of censor. People who were involved in theatre believed the Lord Chamberlain’s office gained too much power from the Act. In the nineteenth century, actors, playwrights and members of Parliament agitated for the reform of the 1737 Licensing Act, which led to the establishment of three special parliamentary committees in 1822-1823, …