Arts and Humanities Commons^™

Azimuth, Leslie Fox

Masters Theses & Specialist Projects

This is a book-length, creative nonfiction collection of essays with a critical introduction. These essays are illustrating the conflict of fitting within socially-formed identities. In theme, this collection explores class, gender, and sexuality of the self. Each section is introduced with a brief reflection which links the essays together.

Bramble And Knife, Sara Ryan

All NMU Master's Theses

This thesis is a collection of poems that center on the themes of extinction, family, the female body, and the presence of the animal. During my time in the Upper Peninsula, I found a connection with the natural world around me, and this led to my fascination with animals and extinction, both of which manifested in my poetry. As I struggled with the residual effects of toxic relationships, as well as the bleak romantic landscape of the UP, I saw my own body reflected in the bodies of animals. I specifically noticed this reflection while studying the art of taxidermy; …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

[There Is So Much Blood In Us], Lindsey C. Whitlock

Scripps Senior Theses

[There is So Much Blood in Us] is an ambiguously alternate universe in which absolutely nothing is true but almost everything could be. In these poems, tension between the absurd and the possible synthesize into one linguistically and psychologically driving force – discomfort. More than anything, I am writing about discomfort.

America’s media representations of women are almost always defined by a singular, and often sexualized experience. Yet, when I talk to the many wonderful / brilliant / badass / etc. women in my life, most of our truly defining experiences are impressively unsexy. Our womanity, if you will, orbits …

Ghetto Birds And Other Things That Lurk, Mary Frances Henn

MSU Graduate Theses

This collection is comprised of poetry critically introduced by a narrative essay. The pieces included explore place, trauma, and the female experience: what modern domestic life looks like, what life looks like in the urban core, how substance abuse impacts familial relations, and especially, what it means to be female in relation to these things. Often, the intersection of these themes becomes central to a poem; the borders of these subjects blur, leading to overlap in the record of personal experiences and observations.