Arts and Humanities Commons^™

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Twenty-Nine Delusions Concerning Love, Jackie Donaldson

Masters Theses

Twenty-Nine Delusions Concerning Love is the story of my relationship. I narrate the relationship's unfolding through the contexts of philosophy and cultural theory, and through artifacts of my own work rendered since the relationship's inception in December of 2020. The purpose of this project was to identify a gap in the autotheory genre, and to fill that gap with my own meaningful contribution -- a book which hybridizes life writing with prose and poetry. This piece is both a narration of my own experience, and an investigation into hookup culture and the way technology has redefined the modern romantic relationship. …

Sing, Woman!, Emma Marie Spencer

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Hear Me Roar, Abigail R. Seethoff

Graduate Student Theses, Dissertations, & Professional Papers

Hear Me Roar, a compilation of personal essays interspersed with short forms, grapples with the nuances of compliance versus autonomy in the context of the male gaze, beauty standards, and pop culture. The collection also explores what it means to treasure something—another person, an object—and how to express and deepen that affection.

Bramble And Knife, Sara Ryan

All NMU Master's Theses

This thesis is a collection of poems that center on the themes of extinction, family, the female body, and the presence of the animal. During my time in the Upper Peninsula, I found a connection with the natural world around me, and this led to my fascination with animals and extinction, both of which manifested in my poetry. As I struggled with the residual effects of toxic relationships, as well as the bleak romantic landscape of the UP, I saw my own body reflected in the bodies of animals. I specifically noticed this reflection while studying the art of taxidermy; …

[There Is So Much Blood In Us], Lindsey C. Whitlock

Scripps Senior Theses

[There is So Much Blood in Us] is an ambiguously alternate universe in which absolutely nothing is true but almost everything could be. In these poems, tension between the absurd and the possible synthesize into one linguistically and psychologically driving force – discomfort. More than anything, I am writing about discomfort.

America’s media representations of women are almost always defined by a singular, and often sexualized experience. Yet, when I talk to the many wonderful / brilliant / badass / etc. women in my life, most of our truly defining experiences are impressively unsexy. Our womanity, if you will, orbits …

Ghetto Birds And Other Things That Lurk, Mary Frances Henn

MSU Graduate Theses

This collection is comprised of poetry critically introduced by a narrative essay. The pieces included explore place, trauma, and the female experience: what modern domestic life looks like, what life looks like in the urban core, how substance abuse impacts familial relations, and especially, what it means to be female in relation to these things. Often, the intersection of these themes becomes central to a poem; the borders of these subjects blur, leading to overlap in the record of personal experiences and observations.

Mermaid Song: The Notebooks Of The Writing Woman, Gianna T. Ward-Vetrano

Dissertations, Theses, and Capstone Projects

This thesis is built on the model of Doris Lessing’s The Golden Notebook, that is, it is a feminist project of holistic integration that does not reject fracturing, ambiguity, or contradiction, but aims to attain a more complex and thus truer portrait of the woman writing. Lessing’s notebooks examine conflicts between communism and capitalism, racial conflict in Africa, conflict between men and women, and the conflict between the protagonist Anna Wulf’s identity as a woman and her identity as a writer, each of which she then attempts to integrate into the singular golden notebook of the title. I propose …

Lesbian Love Sonnets: Adrienne Rich And Carol Ann Duffy, Robin Seiler-Garman

Senior Theses

Our conceptualization of sexuality is rooted in gender. Modern, western society defines sexuality as which genders one is and is not attracted to—often appearing as a binary between homosexuality and heterosexuality. Recently, however, queer theorists have begun to push against the idea of binary sexuality altogether.

The interplay between gender and sexuality additionally manifests in the history of literature. Because the two are so intimately intertwined, writing about sexuality necessitates writing about gender. Twenty-One Love Poems by Adrienne Rich and Rapture by Carol Ann Duffy are two poetry collections where, as lesbian poets, gender and sexuality play an important role. …

The F Word: A Compilation Of Feminist Poetry, Chelsea Adams

Honors Projects

This is an interdisciplinary project between creative writing and women’s studies that attempts to showcase different aspects of feminism from the female perspective through poetry. Throughout my poems, there are multiple different voices raising concern and awareness about a variety of subject matters within feminism, such as basic human rights, violence against women, sexuality, current (and possibly future) political moves and motives for feminism, how feminism is perceived by the public, how women are often times viewed by men and this society, and how feminism and feminists are perceived by anti-feminists. Some of these poems come from my own personal …

Kania, Indrani Sengupta

Boise State University Theses and Dissertations

Kania begins as a poetic revision of fairy tales, an attempt to extract the potential female narratives buried within the source texts, in their stifling archetypes. In the spirit of Angela Carter, it attempts to manipulate the most recognizable fairy tale motifs in order to explore issues of violence, deviant desire, sexuality, and monstrosity. As the text evolves, the archetypal “monster” shifts in location, becoming increasingly internal to the woman/speaker. First “he” is the abuser, then “she” is the errant woman, then finally, “it” is the interior anxiety, the self”s nightmare, ungendered and constantly in flux. The manuscript strives, through …

Petticoat Government: Poems And Essays, Tiffany Ann Noonan

Dissertations

Petticoat Government is a collection of poems and essays that draw upon the varied lexicons of science, mythology, sports, literature, travel, art, fashion, and popular culture in an attempt to understand what deliminates womanhood. Using a mix of traditional and contemporary forms, these texts seek to complicate the myriad—and often conflicting—models of femaleness and the female body.

Ӕmilia Lanyer's Place In The Literary Canon, Mary Beth Barton

Honors Theses

Aemilia Lanyer's poetry has been hidden in obscurity since its first appearance in 1611. Despite the efforts of Renaissance--and, more aggressively, feminist--scholars to bring her Salve Deus Rex Judaeorum to the attention of the literate public, the mention of Lanyer's name still elicits frowns and scratched heads from non-specialist readers. Attempting to canonize such a little-known author almost screams literary affirmative action to conservative readers, especially when the validity of Lanyer scholarship has not been determined. Before such action, affirmative or otherwise, can be taken, we must first define modern criteria for the literary canon, and then examine Lanyer's poetry …

The Female Language Barrier: A Close Reading Of The Poetry Of Emily Dickinson And Adrienne Rich, Annmarie Faiella

Honors Theses

Historically, the First Amendment right to free speech was limited to certain groups. Language, although constitutionally guaranteed since 1776, has not always been a freedom for everyone. Among those at language's mercy are immigrants, slaves, and women. Women's speech was limited not by a lack of knowledge, but by a societal acceptance of women as inferior.

What then do women do to overcome this ever-present chasm? What women did in the nineteenth century, the 1960s, and are still doing today is: write more creatively. The tighter the restraint of language, the more inventive the woman must be to use it …