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Articles 1 - 30 of 47
Full-Text Articles in Arts and Humanities
Ua1c11/55 Gordon Wilson Photo Collection, Wku Archives
Ua1c11/55 Gordon Wilson Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs taken by and of Gordon Wilson.
Mdocs Newsletter-2014-12-09, 1.6, Jordana Dym, Lisa Fierstein, Jennifer Hoffer
Mdocs Newsletter-2014-12-09, 1.6, Jordana Dym, Lisa Fierstein, Jennifer Hoffer
MDOCS Publications
No abstract provided.
[Re]Connect: Postmodern Documentary Photography Symposium And Traveling Exhibition, Min Kim Park, Oh Soon-Hwa
[Re]Connect: Postmodern Documentary Photography Symposium And Traveling Exhibition, Min Kim Park, Oh Soon-Hwa
The Patti and Rusty Rueff Galleries Presentations and Exhibitions
The Postmodern Documentary Photography Exhibition features selected works from leading artists in the field of contemporary documentary photography. Their research focuses on finding new ways to portray 'truth' through photography, exploring new subject matter in unique locations, confronting societal expectations and social norms, and discovering new ways of enhancing documentary photography in the digital age. Min Kim Park, director of Postmodern Documentary Photography Exhibition, discusses conceptual aspects of show and symposium. Shown is the reception at Purdue University with comments by the artists on their work, including: Julia Cybularz, Oh Soon-Hwa, Joe Johnson, Nate Larson and Marni Shindelman, Dong Jun …
Mdocs Newsletter-2014-11-17, 1.5, Jordana Dym, Billie Kanfer, Jennifer Hoffer
Mdocs Newsletter-2014-11-17, 1.5, Jordana Dym, Billie Kanfer, Jennifer Hoffer
MDOCS Publications
No abstract provided.
Mdocs Poster-2014-11-06, Screening Of Fatal Assistance With Director Raoul Peck, Jordana Dym, Sarah Dean
Mdocs Poster-2014-11-06, Screening Of Fatal Assistance With Director Raoul Peck, Jordana Dym, Sarah Dean
MDOCS Publications
Poster designed by Shane Boissière, '15, and Sarah Dean, '15, for the fall 2014, November 6, visit of Raoul Peck, Haitian film director and head of France's film academy (La FEMIS).
Mdocs Newsletter-2014-11-03, 1.4, Jordana Dym
Mdocs Newsletter-2014-11-03, 1.4, Jordana Dym
MDOCS Publications
No abstract provided.
Mdocs Newsletter-2014-10-21, 1.3, Jordana Dym, Lisa Fierstein
Mdocs Newsletter-2014-10-21, 1.3, Jordana Dym, Lisa Fierstein
MDOCS Publications
No abstract provided.
Mdocs Flyer-2014-10-17, Getting The Story: A Workshop In Digital Audio Recording With Eileen Mcadam, Jordana Dym
Mdocs Flyer-2014-10-17, Getting The Story: A Workshop In Digital Audio Recording With Eileen Mcadam, Jordana Dym
MDOCS Publications
Flyer advertising an October 17/November two-part workshop for up to 12 faculty, staff and students. Eileen McAdam offered an introduction to the work of audio storytelling: the collecting, processing, and preserving of cherished stories using the latest digital equipment. In this workshop you will work with portable digital audio recorders and learn basic recording and interviewing techniques. On October 17, participants will learn and practice basic techniques. On November 7, participants will present an interview undertaken independently, and we will talk through lessons learned and next steps. Whether you want to record family stories, use interviews in your research project …
Mdocs Newsletter-2014-10-07, 1.2, Jordana Dym
Mdocs Newsletter-2014-10-07, 1.2, Jordana Dym
MDOCS Publications
No abstract provided.
Picturing “Doing Gender”, Danielle Lutz
Picturing “Doing Gender”, Danielle Lutz
Photography Senior Thesis Projects
This project explores the idea of “Doing Gender,” a term coined by sociologists Candace West and Don Zimmerman. The photographic series is comprised of diptychs in which I photographed people performing a feminine gender performance, as well as a masculine one. By exploring gender in this way and capturing it on camera, I have illustrated ways in which gender is a learned performance. This paper details the methods used to create this project, as well as its intentions as an analysis of gender performance.
Mdocs Flyer-2014-09-01, Invitation To Participate In Oral History Interview (Fall 2014), Jordana Dym, Jordana Dym
Mdocs Flyer-2014-09-01, Invitation To Participate In Oral History Interview (Fall 2014), Jordana Dym, Jordana Dym
MDOCS Publications
Flyer inviting Skidmore College retirees and Saratoga Springs community members to participate in the Skidmore Saratoga Memory Project (SSMP) by giving an oral history interview as part of Celebration Weekend, 2014, on October 18. Eileen McAdam, of Sound and Story Project of the Hudson Valley, conducted the interview
Mdocs Newsletter-2014-09-23, 1.1, Jordana Dym
Mdocs Newsletter-2014-09-23, 1.1, Jordana Dym
MDOCS Publications
No abstract provided.
Mdocs Tri-Fold-2014-09-01, Program, Mary Parliman
Mdocs Tri-Fold-2014-09-01, Program, Mary Parliman
MDOCS Publications
The first pamphlet for MDOCS introduced the slogan "evidence-based storytelling" as well as key program components: Storytellers' institute, Skidmore-Saratoga Memory Project, academic year programming and coursework.
Mdocs Flyer-2014-09-01, Project Vis And Mdocs Fall 2014 Events, Jordana Dym
Mdocs Flyer-2014-09-01, Project Vis And Mdocs Fall 2014 Events, Jordana Dym
MDOCS Publications
No abstract provided.
Preservation Or Conservation: Landscape Photography’S Role In Idealizing And Destroying The American Wilderness, Sarah Messenger
Preservation Or Conservation: Landscape Photography’S Role In Idealizing And Destroying The American Wilderness, Sarah Messenger
The First-Year Papers (2010 - present)
No abstract provided.
Shtetl, Franklin I. Lieberman
Shtetl, Franklin I. Lieberman
Lawrence University Honors Projects
Shtetl looks at the Jewish community as a whole by focusing on the individuals within it. Jews are an incredibly diverse people. They come from all walks of life and racial backgrounds. Contrary to popular belief, there is no stereotypical Jewish person. Not all Jews are rich, nor do they all have curly dark hair and big noses. By being forced to look at the individuals within the community together, it becomes clear that while all of these individuals are Jewish, and therefore bound to each other because of it, they are all different and break this stereotypical mold.
Mdocs Tri-Fold-2014-06-01, Storytellers' Institute Skidmore Fellows Application Tri-Fold, Jordana Dym
Mdocs Tri-Fold-2014-06-01, Storytellers' Institute Skidmore Fellows Application Tri-Fold, Jordana Dym
MDOCS Publications
Tri-fold pamphlet inviting Skidmore students and faculty to apply for the inaugural (June 2015) Storytellers' institute.
Mdocs Publication-2014-04-22, Skidmore Gets $750k Grant, Anonymous Anonymous
Mdocs Publication-2014-04-22, Skidmore Gets $750k Grant, Anonymous Anonymous
MDOCS Publications
"Skidmore gets a $750K Grant"
The Saratogian
April 22, 2014
Author:
Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin
Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin
Librarian Research
Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.
Métissage Culturelle: Identity, Aesthetics, And The Social Roles Of Portraiture In Saint Louis Du Sénégal, Shailee Wilson
Métissage Culturelle: Identity, Aesthetics, And The Social Roles Of Portraiture In Saint Louis Du Sénégal, Shailee Wilson
Independent Study Project (ISP) Collection
With so clear a history, geography, and memory located in the colonial area, this study explores how contemporary St.Louis, du Sénégal expresses a synthesis of two identities. Métissage culturelle, defined as Franco-African mixed cultural heritage, is rooted in both the public and imaginative identities of St.Louisans creative, artistic, and political force, was heavily influenced by social upheaval and transformation post Independence. This essay argues that nineteenth century portrait photography was an outlet for Sénégalais to create their alternative, self-defined identities in response to changes within their social and cultural environment. Portrait photography is discussed through two frameworks, the social role …
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
The Gettysburg Compiler: On the Front Lines of History
Photography: the ability to capture a moment in time exactly as it appeared, to then preserve it for posterity, even mass produce it for a wide viewership. A relatively new concept by the beginning of the American Civil War, photography quickly came into its own in the hands of such legends as Matthew Bray and Alexander Gardner as they sought to document the furious storm which had swept over the land. Photographs of the Civil War are prolific, and for many the memory of the conflict is intertwined with black-and-white photographs of unsmiling men and corpses bloating in the sun. …
Pipo Nguyen-Duy Interview, Emily Flanagan
Pipo Nguyen-Duy Interview, Emily Flanagan
Asian American Art Oral History Project
Artist Bio:
Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.
Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …
Lorna Simpson, By Joan Simon Et Al., Prestel: Munich, 2013 (Book Review), Vittorio Colaizzi
Lorna Simpson, By Joan Simon Et Al., Prestel: Munich, 2013 (Book Review), Vittorio Colaizzi
Art Faculty Publications
[First paragraph] The images and essays in this catalogue, which documents Lorna Simpson's (b. 1960) first museum exhibition in Europe,1 trace an increasing emphasis on the enigmatically personal at the expense of the linguistic, although her work remains concerned with the discursive behavior of images as they reveal assumptions about race and gender. Simpson, as the author and contributors show, activates looking by short-circuiting the possessive aspects of the gaze.
The End(S) Of Art: Faith-Learning Integration Statement, Lex Thompson
The End(S) Of Art: Faith-Learning Integration Statement, Lex Thompson
Faith Learning Integration Papers
This essay demands something that is a little bit theology and a little bit art, and can only address a little bit of each. The material that follows does not presume to speak universally or systematically for either. Not only would such a thing be folly, but it would also be impossible. Systematic theology and systematic aesthetics are always a mess. Multiple volumes are written trying to sort out impossible situations gotten into by trying to systematize God, humanity, the world, the imagination, images and the complex of relationships that exist between them. We need to hold onto some of …
Think / Make / Think (Exhibition Catalogue), Sam Yates, Dorothy Metzger Habel, Joshua Bienko, Jered Sprecher, Emily Ward Bivens, Sally Brogden, Jason Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichii Yamamoto, Mary Campbell, Timothy W. Hiles, Amy Neff, Suzanne Wright
Think / Make / Think (Exhibition Catalogue), Sam Yates, Dorothy Metzger Habel, Joshua Bienko, Jered Sprecher, Emily Ward Bivens, Sally Brogden, Jason Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichii Yamamoto, Mary Campbell, Timothy W. Hiles, Amy Neff, Suzanne Wright
Ewing Gallery of Art & Architecture
This exhibition featured the work of current professors in the University of Tennessee School of Art.
Exhibiting faculty were: Joshua Bienko, Emily Bivens, Sally Brogden, Jason S. Brown, Paul Harrill, Paul Lee, Sarah Lowe, Beauvais Lyons, Frank Martin, Althea Murphy-Price, John Powers, Deborah Shmerler, Jered Sprecher, Cary Staples, Claire Stigliani, David Wilson, Karla Wozniak, Koichi Yamamoto, and Sam Yates.
Constellating Technology: Heidegger’S Die Gefahr/The Danger, Babette Babich
Constellating Technology: Heidegger’S Die Gefahr/The Danger, Babette Babich
Research Resources
Heidegger’s question concerning technology was originally posed in lectures to the Club of Bremen. This essay considers the totalizing role of technology in Heidegger’s day and our own, including a discussion of radio and calling for a greater integration of Heidegger’s thinking and critical theory. Today’s media context and the increasing ecological pressures of our time may provide a way to think, once again, the related notions of event [ Ereignis] and ownedness [ Eigentlichkeit ].
Technology No Substitute For Video Shooting Skill, Aldemaro Romero Jr.
Technology No Substitute For Video Shooting Skill, Aldemaro Romero Jr.
Publications and Research
No abstract provided.
Thinking Through The Photographic Encounter: Engaging With The Camera As Nomadic Weapon, Cala Coats
Thinking Through The Photographic Encounter: Engaging With The Camera As Nomadic Weapon, Cala Coats
Faculty Publications
This paper considers the photographic act as an affective and affirmative encounter--a reflexive, embodied, and relational community engagement that may produce a rupture in our habitual modes of thinking. The author uses the Deleuzo-Guattarian concept of the nomadic weapon to consider how the camera may become an affective trigger for self-reflexivity, catalyzing the potential of nomadic thinking in a participatory frame. By transposing uses of photography as visual research method across cultural geography, visual anthropology, sociology, and arts-based educational research, the author discusses shifts in the function of photography from a practice emphasizing image production to an embodied and performative …
The Public Library: A Photographic Essay, Robert Dawson
The Public Library: A Photographic Essay, Robert Dawson
Faculty Publications
Over the last eighteen years, photographer Robert Dawson documented hundreds of public libraries throughout the United States. The Public Library presents an inspiring selection of his work—libraries grand and modest, from the reading room at the New York Public Library to Allensworth, California’s one-room Tulare County Free Library, built by former slaves. Essays, letters, and poetry by distinguished writers and librarians complete this impassioned tribute to a vibrant but threatened American institution. With a foreword by Bill Moyers and an afterword by Ann Patchett. Additional contributors include Isaac Asimov, Walker Dawson, Luis Herrera, Barbara Kingsolver, Anne Lamott, Dorothy Lazard, Philip …
Ua1c11/15 W.H. Lowe Photo Collection, Wku Archives
Ua1c11/15 W.H. Lowe Photo Collection, Wku Archives
WKU Archives Collection Inventories
Collection of slides photographs and negatives taken by W.H. Lowe of WKU campus, family and friends.