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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Distribution Struggle: Assembling A Media History Of J. Brian’S Enterprises With Court Proceedings And Public Records, Finley Freibert
Distribution Struggle: Assembling A Media History Of J. Brian’S Enterprises With Court Proceedings And Public Records, Finley Freibert
Faculty Scholarship
This article introduces the concept of “distribution struggle”—the panoply of cultural and industrial conflicts that must be traced and accounted for in distribution histories—to sequence a primary-sourced media history of J. Brian’s gay media enterprises. In tracing this history, primary sources are surprisingly accessible, and provide new insights into J. Brian’s industrial operations. By triangulating archival records with secondary accounts, this article provides a more nuanced cultural and industrial portrait of J. Brian. It argues that media industry historiography must frame historical narratives by accounting for the cultural and industrial struggles that culminated in the available archival sources, in this …
Orientation: Seeing And Sensing Rhetorically, Megan Poole
Orientation: Seeing And Sensing Rhetorically, Megan Poole
Faculty Scholarship
Many visual terms exist in Kenneth Burke’s rhetorical schema, yet the optical implications of such terms remain largely unconsidered by rhetorical scholars. This study presents Burke’s orientation as both a method of seeing and a way of uncovering rhetoric’s relationship to sensation. Burkean orientation—deriving from ophthalmology and Gestalt psychology—brings into focus three practices of studying the senses in rhetoric: attending to lived experience, considering sensation as elemental to rhetorical work, and practicing rhetorical criticism attuned to the entrenchments and slips of the senses. Engaging the biology of vision reveals sensation as connective tissue between nonsymbolic motion and symbolic action.
Kenneth Burke At The Moma: A Viewer’S Theory, Debra Hawhee, Megan Poole
Kenneth Burke At The Moma: A Viewer’S Theory, Debra Hawhee, Megan Poole
Faculty Scholarship
When Kenneth Burke visited the Museum of Modern Art exhibition “Road to Victory: A Procession of Photographs of the Nation at War” in the summer of 1942, he most likely did not expect to leave with such intense and intensely contradictory impressions. His visit there offers rhetoric scholars an opportunity to examine the exhibition – important for museum rhetoric because of its propagandistic political message and its innovative visual and material design. Considering the exhibition on its own terms, and the way designers managed problems of circulation and implemented new methods of “extended vision” helps us to present Burke’s then-developing …
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Picturing Efficiency: Precisionism, Scientific Management, And The Effacement Of Labor, Sharon L. Corwin
Faculty Scholarship
In the early decades of the twentieth century, the pursuit of efficiency came to dominate instances of industrial and artistic production: the engineering consultants Frank and Lillian Gilbreth attempted to visualize a language of minimal waste, while Precisionist art achieved its own aesthetic of efficiency. This essay examines the Precisionist project alongside the discourses of the rationalized factory and suggests a relationship between the formal economy of Precisionism and the rhetoric of scientific management. For Precisionist art and the Gilbreths' time-motion studies, the representation of efficiency ultimately entailed the elision of artist and worker as producers of labor.