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Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Thinking Through The Photographic Encounter: Engaging With The Camera As Nomadic Weapon, Cala Coats Jan 2014

Thinking Through The Photographic Encounter: Engaging With The Camera As Nomadic Weapon, Cala Coats

Faculty Publications

This paper considers the photographic act as an affective and affirmative encounter--a reflexive, embodied, and relational community engagement that may produce a rupture in our habitual modes of thinking. The author uses the Deleuzo-Guattarian concept of the nomadic weapon to consider how the camera may become an affective trigger for self-reflexivity, catalyzing the potential of nomadic thinking in a participatory frame. By transposing uses of photography as visual research method across cultural geography, visual anthropology, sociology, and arts-based educational research, the author discusses shifts in the function of photography from a practice emphasizing image production to an embodied and performative …


The Public Library: A Photographic Essay, Robert Dawson Jan 2014

The Public Library: A Photographic Essay, Robert Dawson

Faculty Publications

Over the last eighteen years, photographer Robert Dawson documented hundreds of public libraries throughout the United States. The Public Library presents an inspiring selection of his work—libraries grand and modest, from the reading room at the New York Public Library to Allensworth, California’s one-room Tulare County Free Library, built by former slaves. Essays, letters, and poetry by distinguished writers and librarians complete this impassioned tribute to a vibrant but threatened American institution. With a foreword by Bill Moyers and an afterword by Ann Patchett. Additional contributors include Isaac Asimov, Walker Dawson, Luis Herrera, Barbara Kingsolver, Anne Lamott, Dorothy Lazard, Philip …


Goldfield Studies, Dawn Roe Jul 2013

Goldfield Studies, Dawn Roe

Faculty Publications

The dialogue within this essay serves as a response to the series, Goldfield Studies, a work itself prompted by the history and landscape of this eponymous region of Victoria, Australia. The imagery produced takes the form of paired and multiple still photographs and a digital video sequence, displayed in triple-projection. The discussion is framed by the artist’s introduction, which defines the project as a critical consideration of cultural memory in relation to the opposing perspectives of indigenous and colonial settler narratives, pastoral landscape representations, folklore and myth. A collaborative dialogue between an artist and art historian who share common research …


This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen May 2008

This Bridge Called Imagination: On Reading The Arab Image Foundation And Its Collection, Dore Bowen

Faculty Publications

This essay examines the benefits and disadvantages of using imagination as a method of historical research in the archive. Employing Jean-Paul Sartre's notion of “image-consciousness” in The Psychology of Imagination, imagination is defined and explored as a form of perception based upon temporal absence or suspension. This method is then discussed in relation to the exhibition “Not Given: Talking of and Around Photographs of Arab Women” (2006), curated by the author with artist Isabelle Massu. The installation was assembled with the cooperation of the Arab Image Foundation in Beirut and traveled from Marseille (2005-06) to San Francisco (2007). The author …


This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen Jan 2007

This Bridge Called Imagination: On Reading The Arab Image Foundation, Dore Bowen

Faculty Publications

No abstract provided.


Photography In The Mix: Flora-Fauna-Photo, Dore Bowen Jan 2003

Photography In The Mix: Flora-Fauna-Photo, Dore Bowen

Faculty Publications

The article examines the SF Camerawork exhibition Agitate: Negotiating the Photographic Process, which was co-curated by the author.


Into The Looking Glass, Dore Bowen Jan 2002

Into The Looking Glass, Dore Bowen

Faculty Publications

The article reviews the exhibition Yes Yoko Ono at the San Francisco Museum of Modern Art.