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Articles 1 - 30 of 31
Full-Text Articles in Arts and Humanities
Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse
Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse
disClosure: A Journal of Social Theory
Derek P. McCormack (2010) argues, "Affect, is like an atmosphere: it might not be visible, but at any given point it might be sensed ... Emotion, in turn, can be understood as the sociocultural expression of this felt intensity" (643). This paper puts McCormack (2010) and Ben Anderson (2009) into conversation to think through the ways in which atmosphere in relation to affective and emotive life has been conceptualized. I center the affective atmospheres that happen with queer bodies that make New York's west side piers queerly affective. I use "queer bodies" to signal the dis-identification with heteronormativity or binaristic …
Mirrored Imbalance, Kate Shannon
Mirrored Imbalance, Kate Shannon
Kaleidoscope
My photographs are almost always self-portraits, which has created a unique bond between me and the machine with which I will eventually make art. The camera becomes not just a tool, but a source to which I show myself completely with no inhibitions. In my work, my main concern is my physical appearance and its relationship to interior emotion (the outward vs. the inward). It is my hope that I communicate emotion through images of my body and, in turn, create a dialogue between me and my audience. It is my goal to create photographs that can communicate feeling without …
Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova
Tapestry Of Space: Domestic Architecture And Underground Communities In Margaret Morton’S Photography Of A Forgotten New York, Irina Nersessova
disClosure: A Journal of Social Theory
This article addresses the impact urban space has on individuals through the use of Situationist International theory and psychogeography. Representations of homelessness in New York in Margaret Morton's photography are used to demonstrate the interconnectedness among space, people, and social issues. Social issues manifest themselves in urban decay, and the inhabitants react to this phenomenon emotionally and artistically. Some inhabitants demonstrate their relationship with space by responding with material production of housing and art, which they accomplish by building without exploiting the environment the way the manufacturing of commodities often does.
Two Photographs, Andrea Angeli
Two Photographs, Andrea Angeli
disClosure: A Journal of Social Theory
No abstract provided.
Seven Photographs, Andrea Angeli
Seven Photographs, Andrea Angeli
disClosure: A Journal of Social Theory
No abstract provided.
Clelia / Garrett Enters / Elisabeth / Elisabeth On The Roof, Louis Cancelmi
Clelia / Garrett Enters / Elisabeth / Elisabeth On The Roof, Louis Cancelmi
disClosure: A Journal of Social Theory
No abstract provided.
Downtime, Brian Connors-Manke
Downtime, Brian Connors-Manke
disClosure: A Journal of Social Theory
No abstract provided.
Religious Sex / Crosses, Brian Connors-Manke
Religious Sex / Crosses, Brian Connors-Manke
disClosure: A Journal of Social Theory
No abstract provided.
Mohammad's Mountain, Barry Massoni
Mohammad's Mountain, Barry Massoni
disClosure: A Journal of Social Theory
No abstract provided.
Colonialism Game, Nicole Margaretten
Colonialism Game, Nicole Margaretten
disClosure: A Journal of Social Theory
No abstract provided.
Guided Tour: Villa 31. Buenos Aires, Argentina, Gabrielle Bendiner-Viani
Guided Tour: Villa 31. Buenos Aires, Argentina, Gabrielle Bendiner-Viani
disClosure: A Journal of Social Theory
No abstract provided.
Passengers, Frank Miller
Untitled: From The Series Tierratories, 2000, Patrick Hebert
Untitled: From The Series Tierratories, 2000, Patrick Hebert
disClosure: A Journal of Social Theory
No abstract provided.
Untitled, Steve Giovinco
Sculpture Student Waits To Pour A Bucket Of Red Hot Iron, Reynolds Building, University Of Kentucky, Lexington, Andrew Feight
Sculpture Student Waits To Pour A Bucket Of Red Hot Iron, Reynolds Building, University Of Kentucky, Lexington, Andrew Feight
disClosure: A Journal of Social Theory
No abstract provided.
Elijah, Nomadic Prophet, Andrew Feight
Elijah, Nomadic Prophet, Andrew Feight
disClosure: A Journal of Social Theory
No abstract provided.
Book Review: Melnick, Mimi. Manhole Covers. Photographs By Robert Melnick. Cambridge: The Mit Press, 1994., Paul Kingsbury
Book Review: Melnick, Mimi. Manhole Covers. Photographs By Robert Melnick. Cambridge: The Mit Press, 1994., Paul Kingsbury
disClosure: A Journal of Social Theory
No abstract provided.
Flower, Pamela Mullins
The Green Dress Project, Amanda Lewis
The Green Dress Project, Amanda Lewis
disClosure: A Journal of Social Theory
No abstract provided.
P-Focus, Pamela Mullins
Amtrak Porter Has A Smoke Near The Entrance Of Penn Station, New York City, Andrew Feight
Amtrak Porter Has A Smoke Near The Entrance Of Penn Station, New York City, Andrew Feight
disClosure: A Journal of Social Theory
No abstract provided.
Boy And His Rat, Malgorzata Goshka Grabowska
Boy And His Rat, Malgorzata Goshka Grabowska
disClosure: A Journal of Social Theory
No abstract provided.
Haloe Girl, Christina Godsey
Haloe Girl, Christina Godsey
disClosure: A Journal of Social Theory
No abstract provided.
No Room To Grow, Susan Zavoina
No Room To Grow, Susan Zavoina
disClosure: A Journal of Social Theory
No abstract provided.
The Decentralization Of Subject In African American Feminist Photography: Constructing Identity Based On Representation And Race In The Work Of Lorna Simpson, Carrie Mae Weems And Clarissa Sligh, Kathleen D. Adrian
disClosure: A Journal of Social Theory
No abstract provided.
Untitled, Paula Aguilera
Untitled, Paula Aguilera
Untitled, Paula Aguilera
The Lexington Camera Club, 1936-1972, Robert C. May
The Lexington Camera Club, 1936-1972, Robert C. May
The Kentucky Review
No abstract provided.
Merton's "Zen Camera" And Contemplative Photography, Christopher Meatyard
Merton's "Zen Camera" And Contemplative Photography, Christopher Meatyard
The Kentucky Review
No abstract provided.