Arts and Humanities Commons^™

Assessing A Literary Legacy: The Case Of John Mcgahern, Eamon Maher

Articles

Since he passed away in 2006, John McGahern’s status as Ireland’s foremost prose writer in English has been reinforced by the establishment of an International Seminar and Summer School byNUIGalway and a Yearbook that captures the highlights of this event. Enhanced by wonderfully expressive photographic material and the adroit editorial skills of John Kenny, the second volume of the Yearbook has an impressive array of contributors, including Denis Sampson, probably the leading expert on McGahern’s work, David Malcolm, whose Understanding John McGahern was published in 2007, Gearo´id O ´ Tuathaigh, and Christopher Murray.

Mothering Fundamentalism: The Transformation Of Modern Women Into Fundamentalists, Sophia Korb

International Journal of Transpersonal Studies

Despite upbringings influenced by modern feminism, many women choose to identify

with new communities in the modern religious revivalist movement in the United States

who claim to represent and embrace the patriarchal values against which their mothers

and grandmothers fought. Because women’s mothering is determinative to the family, it is

therefore central to transforming larger social structures. This literature review is taken from

a study which employed a qualitative design incorporating thematic analysis of interviews

to explore how women’s attitudes about being a mother and mothering change when they

change religious communities from liberal paradigms to fundamentalist, enclavist belief

systems. …

Why I Am A Buddhist, Stephen Asma

Stephen T Asma

Profound and amusing, this book provides a viable approach to answering the perennial questions: Who am I? Why am I here? How can I live a meaningful life? For Asma, the answers are to be found in Buddhism.

There have been a lot of books that have made the case for Buddhism. What makes this book fresh and exciting is Asma's iconoclasm, irreverence, and hardheaded approach to the subject. He is distressed that much of what passes for Buddhism is really little more than "New Age mush." He loudly asserts that it is time to "take the California out of …

The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath

Scholarship and Professional Work - LAS

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.

Jacob Wrestles The Angel: A Study In Psychoanalytic Midrash, Michael Abramsky

International Journal of Transpersonal Studies

This essay is a study in psychoanalytic Midrash: a literary and psychological meditation on the

Biblical story of Jacob. The Hebrew verbal root from which the term Midrash derives means to

investigate or explore. It is a genre of Biblical scholarship used to interpret the Bible in symbolic

and inspirational terms. This essay examines Jacob as he moves from a character dominated by

self-defeating neurosis through his transformation into a spiritual being and exemplar of principled

leadership. Insights from Freudian and Jungian psychologies, mythology, and literary traditions are

used to describe and explain Jacob’s character metamorphosis.

The Desert Of The Real: Christianity, Buddhism & Baudrillard In The Matrix Films And Popular Culture, James F. Mcgrath

James F. McGrath

The movie The Matrix and its sequels draw explicitly on imagery from a number of sources, including in particular Buddhism, Christianity, and the writings of Jean Baudrillard. A perspective is offered on the perennial philosophical question ‘What is real?’, using language and symbols drawn from three seemingly incompatible world views. In doing so, these movies provide us with an insight into the way popular culture makes eclectic use of various streams of thought to fashion a new reality that is not unrelated to, and yet is nonetheless distinct from, its religious and philosophical undercurrents and underpinnings.