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Full-Text Articles in Arts and Humanities
Haim Guri And Rabbi David Buzaglo: A Theo-Political Meeting Place Of Zionist Sabra Poetry And Jewish Liturgy, Haim O. Rechnitzer
Haim Guri And Rabbi David Buzaglo: A Theo-Political Meeting Place Of Zionist Sabra Poetry And Jewish Liturgy, Haim O. Rechnitzer
Haim O Rechnitzer חיים א. רכניצר
Haim Guri’s poem Bab el Wad is arguably one of the most famous pieces of modern Zionist poetry ever created, and after being set to music, became one of Israel’s most recognizable songs. R. David Buzaglo composed the words to his piyyut “Binu Hamordim” to Shmuel Pershko’s melody to Bab el Wad. The relationship between these two works has been previously examined in the articles by Meir Buzaglo and Shimon Biton. These two scholars argue that in borrowing the melody, R. David Buzaglo was offering a critique of the Israeli ethos of commemoration encouraged by Guri, particularly with respect to …
Toward A Poeticognosis: Re-Reading Plato's The Republic Via Wallace Stevens' "An Ordinary Evening In New Haven", Dan Disney
Contemporary Aesthetics (Journal Archive)
This article is a language-based re-reading of Plato's exile of the poets via Wallace Stevens' poem-manifesto, "An Ordinary Evening in New Haven." I examine how philosophy and poetry use language differently in order to deconstruct an origin of the speech-acts -- wonder -- that I then identify as a phenomenological difference between philosophers and poets. I contend that the thinking-into-language of philosophers is based in theoria, comprehension, and a resulting closure of wonder. I contrast this with the processes of poets, who I show to be moving thought into language via gnosis, apprehension, and a phenomenology opening onto …
Poetic Leadership, A Territory Of Aesthetic Consciousness And Change, R. Amrit Kasten-Daryanani
Poetic Leadership, A Territory Of Aesthetic Consciousness And Change, R. Amrit Kasten-Daryanani
Antioch University Full-Text Dissertations & Theses
Poetic leadership is a new theoretical construct that views leadership as an activity that unites a lyrical intellect with keenly felt emotion for the purpose of producing changes in the consciousness of self and others. This change begins within the interiority of self, moving surely to broader realms of one's surroundings and society, provoking movement that impacts the developing potential of the individual and the cultural milieu in which they exist. Emotion is the primary trace into consciousness used in this dissertation, which serves to unite experiences of the heart with experiences of the mind. The unification of these disparate …