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Full-Text Articles in Arts and Humanities
Superior Instants: Religious Concerns In The Poetry Of Emily Dickinson, Elisabeth Buckner
Superior Instants: Religious Concerns In The Poetry Of Emily Dickinson, Elisabeth Buckner
Masters Theses & Specialist Projects
When I decided to write a thesis on Emily Dickinson's poetry, my intention was to show that she did, indeed, implement a concrete philosophy into her poetry. However, after several months of research, I realized that this poet's philosophy was ongoing and sometimes inconsistent. Emily Dickinson never discovered the answers to all of her religious and spiritual questions although she devoted her entire life to that pursuit. What Dickinson did discover was that orthodox religion had no place in her heart or mind and she must make her own choices where God was concerned. Immortality was an intense fascination to …
Gawain's "Anti-Feminism" Reconsidered, S. L. Clark, Julian N. Wasserman
Gawain's "Anti-Feminism" Reconsidered, S. L. Clark, Julian N. Wasserman
Quidditas
In Sir Gawain and the Green Knight, the protagonist survives the return blow for which he had contracted with the Green Knight but finds to his dismay that he has unwittingly failed a more significant test. As the awareness comes to Gawain that the Green Knight and his Yuletide host share one identity, that it was upon Bercilak's instructions that his wife attempted to seduce him, and that Morgan la Fée had, in effect, master-minded the whole plan, Gawain reacts with bursts of anger which, wen analyzed, speak not only to the Pearl-Poet's skill at characterization but also …
From The Sublime To The Political: Some Historical Notes, Gary Shapiro
From The Sublime To The Political: Some Historical Notes, Gary Shapiro
Philosophy Faculty Publications
Let me document my suggestion that modernist poetics tends to give a privileged position to what has traditionally been known as the sublime by adducing two examples from rather disparate traditions. Martin Heidegger's ontological poetics can reasonably be viewed as a renewal of the aesthetics of the sublime -- although Heidegger never uses the term sublime, so far as I know -- and is explicitly hostile to the limitations of aesthetics, conceived as an autonomous study of a certain kind of experience. Harold Bloom does recur to the Romantic terminology of sublimity in his attempt to construct a poetics which …