Arts and Humanities Commons^™

Rekonstruksi Sejarah Dalam Kumpulan Puisi Dari Batavia Sampai Jakarta Melalui Pembacaan Jauh Berbasis Korpus, Ananda Bintang Purwaramdhona, Mochamad Irfan Hidayatullah, Lina Meilinawati Rahayu

Paradigma: Jurnal Kajian Budaya

By applying the mixed research methods combining new historicism and digital humanities with AntConc-assisted distant reading techniques, this research aims to explore a reconstruction of Jakarta's history offered in From Batavia to Jakarta (1619–1999), a collection of poems by Zeffry J. Alkatiri. Results show that history can be reconstructed through the physical structure of narrative poetry represented by the dominant usage of pronoun "they" and intra-sentence conjunctions and prepositions such as "and", "in", and "the" instead of licentia poetica which can violate language rules. However, in the structural analysis, AntConc was not able to detect several linguistic aspects such …

Heron’S Lesson: A Fusion Of Autoethnographic Narrative, Poetry, And Theory Questioning The Fixed Notion Of “Self”, Jessica K. Summers

Journal of Contemplative and Holistic Education

This autoethnographic piece is rooted in the belief that “self” is not bound by the physical body. The writing flows from narrative to poetry and then delves into reflexive and theoretical thinking about life. In essence, the narrative highlights the importance I place on Divine guidance in all aspects of my life and illustrates a moment of clarity inspired by the peaceful presence of a heron. The choice to be still and listen from my heart opened space for consciousness to be, even in the midst of the counterintuitive demands of my doctoral program. I question if academia’s notion …

Introduction To Confronting Teacher Preparation Epistemicide: Art, Poetry, And Teacher Resistance, Richard D. Sawyer, Daniel Ness

Northwest Journal of Teacher Education

In this special issue, we present different perspectives from a documentary project on curricular epistemicide. We view curriculum epistemicide —the annihilation of curriculum—as an embodied process. It limits ways of knowing, questioning, and envisioning the world, and it constricts multiplicity and erases identity and culture. Authors within this volume responded to two requests: 1) they examined some form of epistemicide; and 2) they did not reinforce current systems of power and inequity. Throughout the issue, poetry and photography weave through theoretical papers and empirical studies. A range of methodologies are considered within the articles.

Death To Curriculum, M. Francyne Huckaby

Northwest Journal of Teacher Education

No abstract provided.

Two Poem Chimera, M. Francyne Huckaby

Northwest Journal of Teacher Education

No abstract provided.

(Im)Possibilities, M. Francyne Huckaby

Northwest Journal of Teacher Education

No abstract provided.

Paradox, M. Francyne Huckaby

Northwest Journal of Teacher Education

No abstract provided.

The Current, Scott K. Heysell

Journal of Wellness

No abstract provided.

A Covid Calendar, In Twelve Animals, Dana Medoro

Animal Studies Journal

This poem reflects upon the year 2020, the death of an animal-activist in Canada, and the murderous effects of COVID-19 on non-human animals

Habits Of The Heart: Poetry And Democracy, David Hassler

The International Journal of Ethical Leadership

No abstract provided.

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

Owen Barfield: Philosophy, Poetry, And Theology. Michael Vincent Di Fuccia, Tiffany Brooke Martin

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Poetry Of Roe 8, Nandi Chinna

Landscapes: the Journal of the International Centre for Landscape and Language

Poetry of Roe 8

The occasion for the writing of these poems was activism surrounding the controversial highway known as the Roe 8 extension in the areas of Cockburn and Fremantle in Western Australia. Planned in the 1950s, Roe 8 is contentious for a number of reasons, including extraordinary political deals over funding, undue process regarding environmental reporting, lack of a business case, inadequate noise and traffic modelling, erasure of Indigenous heritage sites, and clearing of the sensitive Beeliar wetlands and Coolbellup banksia woodlands which were designated a Threatened Ecological Community in 2016. During the summer of 2016/2017 contractors started …

Milton And The Middle Ages: Poetic Analogues And Visual Representations Of The War In Heaven, Expulsion Of The Rebel Angels, And Michael And The Dragon, Steven Hrdlicka

Quidditas

Milton is not typically connected to the Middle Ages as much as to the later Enlightenment and the Romantic periods. Yet many distinctively medieval ideas can be seen in Paradise Lost, especially in the scenes that are related to the War in Heaven. Milton’s account of the war displays a medieval understanding of history in terms of typology in the drama of salvation. Particular details about the war itself such as St. Michael and Lucifer’s sword fight, Jesus’ eventual ending of the war, and the human characteristics of the fallen angels all have clear parallels in longstanding Christian poetic and …

Books: Suggestions For Further Reading, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Poetry And Consciousness, Diana Raab

International Journal of Transpersonal Studies

Poetry is more than words—it is a state in which internal and external worlds come together in awareness and give birth to something more true than what either can reach alone. The author offers two poems along with their context and reflections on the function of poetry.

Nancy And Neruda: Poetry Thinking Love, Joshua M. Hall

Contemporary Aesthetics (Journal Archive)

My intention in this paper is to respond to Jean-Luc Nancy’s claim that poetry, along with philosophy, is essentially incapable of what Nancy describes as “thinking love.” To do so, I will first try to come to an understanding of Nancy’s thinking regarding love and then of poetry as presented in his essay “Shattered Love.” Having thus prepared the way, I will then respond, via Pablo Neruda’s poem “Oda al Limón,” to Nancy’s understanding of poetry vis-à-vis “Shattered Love.” This response, in acting out Nancy’s thinking regarding love, will suggest a greater plurality within poetry than Nancy acknowledged

The Signifying Power Of Pearl, Jane Beal

Quidditas

The spiritual language, Ovidian love stories, and use of liturgical time in Pearl all invite allegorical interpretations of the poem. While there is clearly a literal, elegiac sense to the poem, there are also allegorical meanings. This makes perfect sense in light of the tradition of four-fold scriptural and literary interpretation in the Middle Ages, which the Pearl-Poet clearly used to understand biblical parables and compose his poetic masterpiece. The poet’s use of metaphoric language, memory of the legends of Orpheus and Eurydice and Pygmalion and Galatea, and astute interweaving of parables from the church liturgy alongside invocations of the …

Toward A Poeticognosis: Re-Reading Plato's The Republic Via Wallace Stevens' "An Ordinary Evening In New Haven", Dan Disney

Contemporary Aesthetics (Journal Archive)

This article is a language-based re-reading of Plato's exile of the poets via Wallace Stevens' poem-manifesto, "An Ordinary Evening in New Haven." I examine how philosophy and poetry use language differently in order to deconstruct an origin of the speech-acts -- wonder -- that I then identify as a phenomenological difference between philosophers and poets. I contend that the thinking-into-language of philosophers is based in theoria, comprehension, and a resulting closure of wonder. I contrast this with the processes of poets, who I show to be moving thought into language via gnosis, apprehension, and a phenomenology opening onto …

Temples Of Caesar: The Politics Of Renaissance Georgics Translations, Kimberly Johnson

Quidditas

Between the last years of Elizabeth I’s reign and the regicide of Charles I, three major English translations of Virgil’s middle poem, the Georgics, were published. Each translation appeared at a moment of religio-political crisis in England, a coincidence made more significant by the ambivalent political stance of Virgil’s text, which simultaneously communicates praise for Octavian and suspicion about an imperial program that disenfranchised the agricultural classes, an oversight which Virgil records in the Georgics as impiety. This paper charts the ways in which seemingly innocent translation decisions manage to perform a critical interrogation of monarchal authority, particularly as it …

Old Icelandic Gaglviðr, Aurelijus Vijūnas

Quidditas

This essay discusses a debated word form gaglviðr occurring in stanza 42 of the Old Icelandic poem VÄluspá 'The Prophesy of the Seeress'. The noun gaglviðr is problematic both from the semantic point of view (Old Icelandic gagl 'gosling', viðr 'tree; forest' 'gosling forest'?), and because it possesses a variant spelling galgviðr ('gallows' tree;’gallows' forest') which occurs in another manuscript containing the same poem. In the present paper, the form gaglviðr is considered to be the correct and the original form of this word, whereas the form galgviðr is interpreted as a scribal error. Various existing semantic analyses of the …

The Heresy Of Paraphrase Revisited, Stefán Snaevarr

Contemporary Aesthetics (Journal Archive)

I try to rejuvenate Cleanth Brooks' old thesis about the 'heresy of paraphrase.' This I do by analysing a couple of well-known poems and by performing thought experiments of the "possible world" kind. They show that paradigmatic examples of poems are not paraphrasable. A prosaic text can be improved with the aid of a paraphrase, but a typical poem cannot. The deeper explanation for the non-rephrasability of poetry is that our understanding of it is basically tacit. In this way I hope to give Brooks' original thesis a more solid foundation.

Pain For Pen: Gaspara Stampa's Stile Novo, Amy R. Insalaco

Quidditas

The Italian critic and scholar, Benedetto Croce (1866–1952) dismisses Gaspara Stampa's Rime (1553) thus:

She was a woman; And usually a woman, when she is not given to ape men, uses poetry and submits it to her affections because she loves her lover or her own children more than poetry. The lazy practice of women is revealed in their scanty theoretical and contemplative power.

For him, Stampa’s poetry is somehow inferior to her male counterpart’s poetry because it lacks “theoretical and contemplative power.” This essay will analyze aspects of Stampa’s poetry which disprove this claim.

Allen D. Breck Award Winner: Nothing’S Paradox In Donne’S “Negative Love” And “A Nocturnal Upon S. Lucy’S Day”, Sean Ford

Quidditas

John Donne's complicated use of paradox is nowhere more inviting than in the grammatical and conceptual use of the word "nothing," especially when Donne chooses to give this noun the quality of substance and presence, rather than using it to denote the absence of anything. Two poems in particular, from the Songs and Sonets, give affirmative existence to a nothing in order to make distinct arguments regard- ing the status of an existing thing. Both “Negative Love” and “A Nocturnal Upon S. Lucy’s Day, being the shortest day” rely on this paradox to give a precise definition of the …

Review Essay: Jeffrey Powers-Beck. Writing The Flesh: The Herbert Family Dialogue, Owen Staley

Quidditas

Jeffrey Powers-Beck. Writing the Flesh: The Herbert Family Dialogue. Pittsburgh: Duquesne University Press, 1998. 290 pp. incl. bibliography, 3 appendices, and index. $54.50 cloth. ISBN 0–8207–0283–5.

“Sad Stories Of The Death Of Kings”: Lyric And Narrative Release From Confining Spaces In Shakespeare’S Richard Ii, Jennifer C. Vaught

Quidditas

The relation of Shakespeare's plays to other literary forms like lyric and narrative is a topic that continues to invite speculation. A number of his plays contain songs and sonnets, reported stories and winter’s tales. In this essay I examine lyrics and narratives in Richard II and their dialogic relation to the surrounding text. In a play about a self-enclosed King these utterances tend to occur in enclosures: Richard delivers lyrics while immured at Flint Castle and the dungeon at Pomfret, whereas his Queen laments in an enclosed garden and promises to tell the King’s story during her exile in …

John Skelton's "Agenst Garnesche": Poetic Territorialism, At The Court Of Henry Viii, Victor I. Scherb

Quidditas

John Skelton's 1514 flyting "Agenst Garnesche" has been subject to little critical scrutiny. This neglect can perhaps be attributed to the fact that Christopher Garnesche's contribution is missing, but it is also characteristic of the relative neglect accorded to the flyting as a genre, a neglect that has also colored the interpretation of many of Skelton's more abusive poems. One critic, for example, has dismissed the poem as being "nothing but personal abuse of a particularly virulent type . . . adorned with a singular collection of epithets and incomprehensible allusions, which serve only to befog and irritate the reader." …

Review Essay: Willbern, David. Poetic Will: Shakespeare And The Play Of Language, Frederick Kiefer

Quidditas

Willbern, David. Poetic Will: Shakespeare and the Play of Language. University of Pennsylvania Press, Philadelphia, 1997. xix + 237 pp. $37.50.

Till Poems Have Faces, Lou Olson

Inklings Forever: Published Colloquium Proceedings 1997-2016

Through his collected poems and his book Till We Have Faces C.S. Lewis explores what it means to be human, and how we can experience fellowship with God.

Presented at the 1997 Frances White Ewbank Colloquium.

Old Poet Remembered: The Case For The Poetry Of C.S. Lewis, David Landrum

Inklings Forever: Published Colloquium Proceedings 1997-2016

Though well known for his fiction and essays, C.S. Lewis also wrote in poetry. Often forgotten or considered less than his prose, his poems are rich with meaning and pleasure. The author offers some perspectives on how those who love Lewis’s prose might learn to love his poetry as well.

Presented at the 1997 Frances White Ewbank Colloquium.