Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
From The Sublime To The Political: Some Historical Notes, Gary Shapiro
From The Sublime To The Political: Some Historical Notes, Gary Shapiro
Philosophy Faculty Publications
Let me document my suggestion that modernist poetics tends to give a privileged position to what has traditionally been known as the sublime by adducing two examples from rather disparate traditions. Martin Heidegger's ontological poetics can reasonably be viewed as a renewal of the aesthetics of the sublime -- although Heidegger never uses the term sublime, so far as I know -- and is explicitly hostile to the limitations of aesthetics, conceived as an autonomous study of a certain kind of experience. Harold Bloom does recur to the Romantic terminology of sublimity in his attempt to construct a poetics which …
Some Genres Of Post-Hegelian Philosophy, Gary Shapiro
Some Genres Of Post-Hegelian Philosophy, Gary Shapiro
Philosophy Faculty Publications
There are a number of important texts, sometimes treated as philosophical and sometimes as literary works, which do not usually find an appropriate audience. Paradigms of what I have in mind are: Kierkegaard's pseudonymous writings, almost all of Nietzsche, Marx's narratives of capital and class-struggle, Sartre's complex series of fictions, plays, treatises, critical performances and autobiography, and Heidegger's hypnotic meditations and textual exegeses. Responses by philosophers, especially Anglo-American ones, seldom take account of the specific literary forms of these works or of their authors’ very self-conscious concern with the problems and strategies of writing. It is true that the texts …
Hegel On The Meanings Of Poetry, Gary Shapiro
Hegel On The Meanings Of Poetry, Gary Shapiro
Philosophy Faculty Publications
Since Socrates' attack on poetry, philosophers and critics have been faced with the problem of reconciling two convictions which seem equally pressing. While poetry (or imaginative literature) is and has been valued as a source of insight and knowledge, it also seems clear that poetic meaning is of a rather different sort than that found in science, ordinary language, or (to introduce the classical contrast) prose. Philosophical theories of poetry, then, take one of two forms: either they deny one of these two beliefs, implying perhaps that poetry has only nonsensical or literal meaning, or they provide a cognitive analysis …