Arts and Humanities Commons^™

How Some Risk Frameworks Disenfranchise The Public, Kristin Shrader-Frechette

RISK: Health, Safety & Environment (1990-2002)

The author responds to recent characterizations of her work.

Till We Have Faces: A Restoration Of Perspective On The Condition Of Man, Joan Alexander

Inklings Forever: Published Colloquium Proceedings 1997-2016

Man’s relationship to a Divine Being is one of the persisting concerns of literature, with modern leanings contending that God does not exist or does not involve himself with man. C.S. Lewis’s Till We Have Faces concerns itself with this approach to God, proposing that it might not be God who is the problem but man’s perception of him.

Presented at the 1997 Frances White Ewbank Colloquium.

The Abolition Of Man: First Principles And Pre-Evangelism (Or "What C.S. Lewis Taught My Brother"), Ted Dorman

Inklings Forever: Published Colloquium Proceedings 1997-2016

In his work, The Abolition of Man, C.S. Lewis expresses a powerful analysis of the modern philosophies of the day. By defending what was deemed subjective and revealing the end point of modern thought, he communicates the Gospel in a way that resonates with unbelievers.

Presented at the 1997 Frances White Ewbank Colloquium.

Wordsmiths As Warriors: The Intellectual Honesty Of G.K. Chesterton And C.S. Lewis, Daryl Charles

Inklings Forever: Published Colloquium Proceedings 1997-2016

The writings of G.K. Chesterton and C.S. Lewis are rich with creativity and intellect, and maintain a strong defense for Christianity. They are models for the Christian apologist through their direct engagement with the world while loving it as Christ did.

Presented at the 1997 Frances White Ewbank Colloquium.

Unto The End Of The World: Omega Point Eschatology In C.S. Lewis And Pierre Teilhard De Chardin, Chris Smith

Inklings Forever: Published Colloquium Proceedings 1997-2016

There are many diverse understandings of the futuristic passages of scriptures and how to interpret their terms and symbols. Two eschatological perspectives on the “Omega Point” (the end of time when God would re-unite the church with himself) can be found in the writings of French Jesuit anthropologist Pierre Teilhard de Chardin and British Scholar C.S. Lewis.

Presented at the 1997 Frances White Ewbank Colloquium.

Full Issue 1997 (Volume 1)

Inklings Forever: Published Colloquium Proceedings 1997-2016

The collected papers presented at the 1997 Frances White Ewbank Colloquium.

The Apologetics Of Chesterton And Lewis In A World Marked By Disbelief, Michael R. Smith

Inklings Forever: Published Colloquium Proceedings 1997-2016

In an age characterized by meaninglessness and relativeness, arguments once thought to be timeless are challenged by a postmodernism world view that evaluates all ideas as equal and flawed just the same. G.K Chesterton and C.S. Lewis are two sources of authority regularly referenced by current apologists, and provide a variety of logically sound arguments for Christianity.

Presented at the 1997 Frances White Ewbank Colloquium.

George Macdonald's Answer To The Victorian Crises Of Faith, Pamela Jordan

Inklings Forever: Published Colloquium Proceedings 1997-2016

Due to the advances in science and new philosophies, the people of the Victorian era faced a crisis of faith and its place in a new scientific era. Like other religious novelists, George MacDonald used his stories to address the theological questions and doubt of the time. This approach is particularly evident in his novel Thomas Wingfold, Curate.

Presented at the 1997 Frances White Ewbank Colloquium.

Classicism And Christianity In Hélisenne De Crenne's Les Angoysses Doulouoreuses Qui Procedent D'Amours, Megan Conway

Quidditas

Although Renaissance philosophers and theologians like Marsilio Ficino strove mightily to show Plato and Plotinus compatible with Saint Paul, writers of popular prose and poetry suffered no such qualms. While it appears curious and often shocking to modern readers to find reference to the apostles and Apollo in successive paragraphs, many Renaissance writer followed Dante's example in The Divine Comedy and saw nothing incongruous in embracing classical mythology while espousing Christian doctrine. A fascinating example of this combination of traditions is the popular French work of a female author of the early Renaissance—Hélisenne de Crenne's Les Angoysses douloureuses qui procedent …