Arts and Humanities Commons^™

Humanity Amid Innovation: Exploring Our Relationship To Technology, Sarah Durkee

Senior Theses and Projects

This thesis examines the impacts of technology on fundamental aspects of human nature and experience. Drawing on the works from Kant, Turing, Arendt, Benjamin, and Freud, it explores how rapid technological change is redefining human reason, intelligence, and creativity in the digital age. The first chapter analyzes whether modern online communication platforms realize or undermine Kant's vision of an enlightened public sphere fostering free discourse and critique. It argues that prioritizing engagement over substantive debate, these digital realms corrode the depth of interaction essential for cultivating human reason. The second chapter explores the pursuit of artificial intelligence as a reproduction …

Spiritual Cinema: Agel, Merleau-Ponty And The Cinematic Real, Patrick O'Connor Dr

Journal of Religion & Film

This article seeks to retrieve the work of Henri Agel, and his collaborator Amédée Ayfre, for our theoretical understanding of film-philosophy. I explore their distinctive contribution to thinking philosophically about film and assess the relative merits of their work for the phenomenology of film. While exceptionally valuable for religious and theological interpretations of film I proceed to argue that Agel and Ayfre’s work needs to be supplemented with the work of Maurice Merleau-Ponty’s film-phenomenology to adequately express the temporal and motional nature of film. Merleau-Ponty’s work I contend while exceptionally valuable is brief and underdeveloped, and therefore does not fully …

The Gladius And The Katana: Viewing The Seven Samurai Through The Lens Of Roman Stoicism, Joseph White

Honors College Theses

This paper examines the concepts of traditional Bushido and Roman Stoicism as they relate to the unique interpretation of Bushido by Akira Kurosawa in the movie the Seven Samurai. I explain the main concepts of Bushido and Roman Stoicism, focusing upon the virtues of each, and their connection to Kurosawa’s view on how Bushido should be practiced. I then draw similarities between these two ways of life. I examine how the genre of film dealing with samurai deals with this question.

Simulacra And Simulation Hypothesis: How Real Is Our Reality?, Annika Larson

CMC Senior Theses

Metaphysical quandaries have plagued humans for centuries, beginning with Plato, who in his Allegory of the Cave, illustrated a world where people misinterpreted shadows on the wall as reality. This paper examines the notion that our reality is a simulation, either created by us or by external forces. The ontological theories presented in this paper are mainly derived from the work of media theorist Jean Baudrillard and his concept of hyperreality as well as Nick Bostrom’s argument for the simulation hypothesis. I also analyze Slavoj Zizek’s comments on media depictions of simulations in mainstream movies like The Matrix and The …

..., Claire Alfonso

Undergraduate Honors Theses

Words are fickle, easily misunderstood, and often put us at a loss... but we all have so much we feel we need to express. This begs the question: Is there any safe way of communication? Can anything ever really be communicated how you mean it? Will you ever see the reflection of what you feel, think, and dream outside of yourself? In response to this existential dilemma, I imagine an alternative language of images, sounds, color, feelings, and non-identification. My thesis is a meditation on the issues with standard language and the idea of alternative language. In my argument I …

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

A Leap Into Communion: Kierkegaard And Spiritual Practices In _To The Wonder_, Madeleine Hall

Honors Theses

The study of metaethics contains the question of where value comes from. Different theories of goodness encourage tracing goodness back to God, saying that goodness is that which is like God (the resemblance thesis) or that which perfects nature (the perfection thesis). Kierkegaard participates in these questions of goodness, and in Fear and Trembling concludes that the moral absolute of the akedah reveals a good, Divine mystery. Fear and Trembling is a work of Christian existentialism that encourages an internal faith that embraces mystery rather than attempting to conquer it. Rather than trying to understand exactly who God is, Kierkegaard …

Essays On Communication, Shawn M. Simpson

Dissertations, Theses, and Capstone Projects

One of the central issues of contemporary philosophy and biology is the nature of communication. Early accounts of communication tended to focus on just one side of the communicative divide – the speaker side or the receiver side – and took as their starting point the case of human language. Animal communication, historically, was largely treated as a special case. Now things are different. Now it appears we might have a model that makes sense of sign use in both the human and animal realms and brings together both sides of the signaling divide. It’s still to be seen, however, …

Ethicizing Art: A Rancièrean Analysis Of 'Feminist' Art And The Notion Of Victimhood, Bora Zaloshnja

Senior Theses and Projects

No abstract provided.

Shifting The Anthropocentric Paradigms Embedded In Film And Classification (Ratings) Systems That Impact Apex Species, Akkadia Ford, Zan Hammerton

Animal Studies Journal

Human interactions with nature reveal contradictions and misunderstandings based upon anthropocentric colonising behaviours. Cultural forms such as film and media have played a key role in creating and perpetuating negative affect towards nonhuman species, particularly apex species, shark, crocodile, bear, and snake. From early Hollywood films through to contemporary online series, these majestic species have been subjected to vilification and denigration onscreen, resulting in speciesism, subjugation and colonisation of animals, whilst simultaneously extending human ‘authority’ over nature and perpetuating fear – particularly of apex species. A range of hybrid genre textual examples from screen and media, from fictional (feature) and …

Superhero Movies And Politics: The Moral Obligations Of Film Makers According To Virtue Ethics, Russell Hendrickson

Senior Theses

The theory of virtue ethics implies that filmmakers have a moral obligation to explore political themes within superhero films. My thesis is comprised of four main sections. I begin by discussing the general theory of virtue ethics and what moral obligations are placed upon someone who subscribes to this moral theory. From there, I establish my argument for why film can be used as a tool of moral education, and I outline a framework for how artists can work to cultivate virtue in themselves through the use of Arnold Berleant’s Artists and Morality: Toward an Ethics of Art as a …

Owu's First Asian Horror Film Festival, Kaitie Welch

Student Symposium

Under an apprenticeship with Dr. Sokolsky, I planned and hosted Ohio Wesleyan University's first "Asian Horror Film Festival." The project began after the realization that among OWU's various film festivals, which celebrate diversity and differing cultures, there were no East Asian or Asian film festivals to speak of. Together, Dr. Sokolsky and I prepared a course of action and settled on the horror genre. I spent my winter break watching many Asian horror films via Kanopy and narrowed down films from four different Asian countries and territories through a rubric of criteria that I created. The films I selected were …

Representasi Sipil-Militer Dan Konstruksi Maskulinitas Pada Film Jenderal Soedirman (2015), Hary Ganjar Budiman, Kunto Sofianto

Paradigma: Jurnal Kajian Budaya

Jenderal Soedirman (2015) is a historical film that reveals the story of General Soedirman during the guerrilla war to maintain the Indonesia’s independence. The film was sponsored directly by the army (Kartika Eka Paksi Foundation and TNI) and involved the army in its making process. Therefore, the historical representation of this film is a history from the army’s point of view. Referring to Gramsci, a film can be seen as a hegemonic apparatus that contributes to the process of negotiating the interests of dominant groups. This study attempted to elaborate such representations of civil-military relationships and masculinity construction contained in …

Looking Past The Images: Art And Film As Propaganda Apparatuses, Alexander Schumm

Theses

This paper aims to show that art and film can operate as propaganda in subtle and unintentional ways. Jacques Ellul called such propaganda “sociological propaganda.” Recent work in philosophy has relied on the notion of intention in defining how propaganda works to affect the beliefs and attitudes of its recipients. This paper argues that intention is not a necessary condition for messages to be propagandistic and works to decouple propaganda from intention. Because our current models rely on intention in defining propaganda, recent work in philosophy cannot account for sociological propaganda. Ellul’s gestures toward defining propaganda explicitly feature intention as …

Conceptions Of Nietzsche In Popular Film And Television, Jeffrey Willicut

Senior Theses

There are few faces or names in the field of philosophy more recognizable than Friedrich Nietzsche’s. His cartoonish, bushy mustache and stern, unwelcoming brow appear in posters on the walls of angsty teens, in the street art and murals of trendy and upcoming urban neighborhoods, and even in the punishingly glossy pages of every high school history textbook. More recognizable still are his ideas, which have found their way into the ears or eyes of just about everyone in the Western world, whether they know it or not. His concept of the Übermensch, or his notion that God is dead, …

Work/Death, Of Each In Their Own, Micah H. Weber

Theses and Dissertations

Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.

The Willfulness Of A Missing Frame: Ahmed Zaki And The Politics Of Visual Resistance, Miriam M. Gabriel

Dissertations, Theses, and Capstone Projects

Ahmed Zaki (1949-2005) is one of Egyptian cinema’s most prominent leading actors, with work spanning three decades of critical films that informed a generation’s visual register of masculinity. However, the beginnings of his career were marked by public skepticism around his place as a leading actor due to him being “too dark” and “too poor”; as his career continued to flourish, those very markings of racing and classing Zaki because a foundation for increasingly stamping his public image with the “authenticity” of an Egyptian citizen. At a particularly neoliberal moment in the Egyptian economy, that of the early 80s, new …

Just Say No: Authority, Disobedience, And Individuation In Some Of Sam Peckinpah’S Minor Films, Ron Felten

Theses and Dissertations

Sam Peckinpah is best known for his films The Wild Bunch (1969) and Pat Garrett and Billy the Kid (1973), and quite a bit of the existing scholarly work on Peckinpah focuses on these two films; what’s more, much of the work that does exist on his other films tends to be subjective and celebratory. The aim of this project is to critically and soberly examine Peckinpah’s relatively minor works and from particular perspectives. Specifically, this dissertation focuses on one of the major thematic threads that runs through all of the director’s films, both major and minor: how ordinary people …

“To See My Home Before I Die”: The Trip To Bountiful, Memento Mori, And The Experience Of Death, Margaret Sullivan

Journal of Religion & Film

This article analyzes the portrayal of death in Peter Masterson’s 1985 film The Trip to Bountiful. My claim is that the experience of death, in the film, functions as a tool both for the elderly main character’s increased self-understanding and for her conscious, ethical action. I enter this discussion through an examination of late deconstruction’s ethical turn and the argument that aporetic unknowing, if experienced and endured, leads to the chance for real, authentic action. I then demonstrate how the film depicts such an aporetic encounter with death, and do so, in large part, by focusing on the film’s final …

Capitalism Rejected Is Education Perfected: The Imperfect Examples Of Tarzan’S New York Adventure And Captain Fantastic, Steven E. Alford

Class, Race and Corporate Power

One of the more beguiling films of 2016 was Matt Ross’ Captain Fantastic, a tale about a father raising a brood of children in the Pacific Northwest woods, and the challenges the family faces when it emerges into “civilization” to confront a family crisis. A much earlier film, 1942’s Tarzan’s New York Adventure, shares its narrative structure: Tarzan and Jane must leave their jungle paradise and confront a threat to their family in the canyons of New York. Both films explore the problems associated with parents’ attempt at educating their children. And in both films the families’ pedagogical …

Lost In Adaptation, Caitlin S. Manocchio

Student Scholar Symposium Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen …

Memento, Andrew Kania

Andrew Kania

Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories.

This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and …

What Is Memento? Ontology And Interpretation In Mainstream Film, Andrew Kania

Andrew Kania

At the end of the flashback, quite late in Memento, when we finally get to see what Leonard remembers of the incident that led to his memory impairment, the camera pans slowly away from a close-up of Leonard's head, oozing blood onto the tiles of his bathroom floor (E, 1:19:27). Just before the flashback fades out, and we return to the present in which Leonard is recounting this memory to Natalie, the frame includes only the bathroom floor, tiled entirely in white with the exception of two black tiles in opposite corners of the screen, like dots begging to …

New Grand Narratives—The Metaphysical Worldview Of Avatar And Cloud Atlas, Josef Früchtl

Contemporary Aesthetics (Journal Archive)

Referring to the films Avatar (2009) and Cloud Atlas (2012), the author will demonstrate that a new era of metaphysical holism follows Postmodernism. These films celebrate a resurrection of the flesh with 3-D technology and a reincarnation of souls with the aesthetic technique of morphing. However apocalyptic their visions of the future might be, and however much they might seem to worship technical megalomania, they are also and again conveying a resounding ethical message and a taste of Utopia.

The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler

Cinesthesia

Much of film theory holds that film is primarily an act of communication, whose message the audience understands. While this allows us great insights into the ideological and subconscious functions of a great many films, it falls short of this success with more enigmatic films. In instances such as these, where films are not easily understood, a different paradigm is necessary. Using philosophical texts as comparative tools in film analysis provides the answer to this "blindspot" in film criticism.

The Philosophical Side Of Contemporary Art Forms, Kristina Bodetti

Dissertations, Theses, and Capstone Projects

The purpose of this project is to show that contemporary art forms, specifically popular music, film and comics/graphic novels, are capable of, and do in many cases work as philosophical pieces. I believe that an analysis of these mediums will reveal instances in which the works of art explicate established philosophical theories, expand upon them, and in some cases invent new theories.

Each new medium of art gets examined by philosophy in its turn and its merits as a unique art form are debated. From these arguments it is possible to extrapolate the ways in which these works can become …

Filming Dance: Embodied Syntax In Sasha Waltz’S ‘S’, Helen A. Fielding

Helen A Fielding

This paper brings Merleau-Ponty’s phenomenological approach to Sasha Waltz’s dance film S, which focuses on the relation between sexuality and language. Maintaining that movement in cinema takes place in the viewers and not the film, the paper considers how the visual can be deepened to include the ways we move and are moved. Saussure’s insights into language are brought to the sensible, which is here understood in terms of divergences from norms. Though film would seem to privilege vision, viewing this film helps to elucidate Merleau-Ponty’s claim that a film succeeds when it engages the viewer’s embodied understanding, and shifts …

Thinking Through Film: Doing Philosophy, Watching Movies, Damian Cox, Michael Levine

Damian Cox

An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike.

Practicing Philosophical Pluralism With `Forrest Gump' A Speech-Act Body-Mind Analysis, Robert Lorenzo Oropeza

Open Access Theses & Dissertations

This essay looks at three different types of philosophy: Pragmatism and communication, phenomenology and Zen Buddhism. I discuss these philosophies using the film, Forrest Gump as a guide to get through the convoluted ideas and make the concepts easier to understand. We first wade through the waters of analytical philosophy and the language game in communication. We discuss speaker's intention in meaning according to Paul Grice and Forrest's problems with the implicatures of language. In the second chapter I focus on the phenomenology of the characters as well as the perspective of the person viewing the film. How do we …

Cinema In The Digital Age: A Rebuttal To Lev Manovich, Barbara Cail

Philosophy

In his book The Language of New Media, Lev Manovich claims the index is an ontological condition of cinema. Manovich asserts digital cinema can never be indexical and therefore has fundamentally altered the very nature of cinema, reducing it to a form of animation. This paper offers a refutation of Manovich’s redefinition of cinema, showing that digital cinema can be indexical, but indexicality is not an ontological condition of cinema.