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Full-Text Articles in Arts and Humanities
"She Said Plain, Burned Things": A Feminist Poetics Of The Unsayable In Twentieth Century Literary & Visual Culture, Leah Souffrant
"She Said Plain, Burned Things": A Feminist Poetics Of The Unsayable In Twentieth Century Literary & Visual Culture, Leah Souffrant
Dissertations, Theses, and Capstone Projects
This dissertation examines the way silence, blank space, and other forms of creative withholding attempt to translate the unsayable, or to convey the unsayability of language in artistic form. Through a study of the works of Sylvia Plath, Jean Rhys, Rachel Zucker, Marguerite Duras, Anne Carson, and visual images, this work observes the connection between women's writing in the 20th century and the communication of painful subject matter through attention to absence. This study attends explicitly to how formal qualities in artistic works attend to ontological concerns through an examination of the intersection of concerns with phenomenology, feminism, and formal …
Partir Marron: Un Parcours Sémantique À Travers Les Trous De La Mémoire Collective Haïtienne, Lucie Carmel Paul
Partir Marron: Un Parcours Sémantique À Travers Les Trous De La Mémoire Collective Haïtienne, Lucie Carmel Paul
Dissertations, Theses, and Capstone Projects
The word "marron " represents both a totality, and a specificity. Totalizing, the term refers to the slave who fled from the plantation, against the colonial order, that is, the fugitive slave. Specific, in the Haitian lexicography, it stands for a shifty and cunning individual, particularily a " Woule m debò "1. One has to recognize that there is a double meaning associated with the word, and at the same time, the syntagmatic locution "partir marron " reflects the individual's dependency on phenomenology. The moment of crisis is one of an explosion, through which one can only be …