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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Political Obligation, Richard Dagger, David Lefkowitz
Political Obligation, Richard Dagger, David Lefkowitz
Political Science Faculty Publications
This essay begins, therefore, with a brief history of the problem of political obligation. It then turns, in Part II, to the conceptual questions raised by political obligation, such as what it means for an obligation to be political. In Part III the focus is on the skeptics, with particular attention to the self-proclaimed philosophical anarchists, who deny that political obligations exist yet do not want to abolish the state. Part IV surveys the leading contenders among the various theories of political obligation now on offer, and Part V concludes the essay with a brief consideration of recent proposals for …
The End Of The World And Other Times In The Future, Gary Shapiro
The End Of The World And Other Times In The Future, Gary Shapiro
Philosophy Faculty Publications
In an interview with his biographer Sylvie Simmons, Leonard Cohen identifies the main interests in his work as "women, song, religion". These are not merely personal concerns for Cohen, they are dimensions of the world that he tries to understand as a poet, singer, and thinker.
Now it's something of a cliché to see the modern romantic or post-romantic singer or poet in terms of personal struggles, failures, triumphs, and reversals. Poets sometimes respond by adopting elusive, ironic, enigmatic, or parodic voices: think, in their different ways, of Bob Dylan and Anne Carson. Yet Cohen has always worn his heart …
Painting (And Photography), Gary Shapiro
Painting (And Photography), Gary Shapiro
Philosophy Faculty Publications
Two of Foucault's signature essays on painting are especially well known: the analysis of Velazquez's Las Meninas, and an essay on Rene Magritte that includes a striking account of how abstraction displaced representation in Western art. In addition, many of Foucault's texts are studded with acute descriptions of major painters from Breughel to Warhol; he gave lecture courses on quattrocento painting and Manet and published essays on several contemporary artists (Rebeyrolle, Fromanger, Michals). Since one of Foucault's major themes was the relation between visibility and discursivity, it is not surprising to find that painting is a favored site for …
States And Nomads: Hegel's World And Nietzsche Earth, Gary Shapiro
States And Nomads: Hegel's World And Nietzsche Earth, Gary Shapiro
Philosophy Faculty Publications
What is Nietzsche's concept of the earth? While "earth" is often taken in a general way to refer to embodied life, to this world rather than to an imaginary and disastrous other world, I propose that the term and concept also have a significant political dimension-a geophilosophical dimension—which is closely related to the radical immanence so central to Nietzsche's thought. I shall argue that he often and pointedly replaces the very term "world" (Welt) with "earth" (Erde) because "world" is tied too closely to ideas of unity, eternity, and transcendence. "World" is a concept with theological …
Maker's Breath: Religion, Magic, And The 'Godless' World Of Bioware's Dragon Age Ii (2011), Kristin M.S. Bezio
Maker's Breath: Religion, Magic, And The 'Godless' World Of Bioware's Dragon Age Ii (2011), Kristin M.S. Bezio
Jepson School of Leadership Studies articles, book chapters and other publications
The core conflict of BioWare’s 2011 digital role-playing game Dragon Age II places the Christianesque Chantry in opposition to both the hierarchical Qunari and the Circle of Magi. In Dragon Age II religious beliefs, particularly those of the Chantry, prove destructive; by demonstrating the chaos of religious conflict, the game guides the player to recognize the danger inherent in extremist devotion to religion, and argues that interpersonal relationships should form the basis of our ethics. In Dragon Age II, the player-character, Hawke, is evaluated by each of his (or her) non-player companions; the mechanic forms the basis for a …
Why We Still Do Not Know What A “Real” Argument Is, G. C. Goddu
Why We Still Do Not Know What A “Real” Argument Is, G. C. Goddu
Philosophy Faculty Publications
In his recent paper, “What a Real Argument is,” Ben Hamby attempts to provide an adequate theoretical account of “real” arguments. In this paper I present and evaluate both Hamby’s motivation for distinguishing “real” from non-“real” arguments and his articulation of the distinction. I argue that neither is adequate to ground a theoretically significant class of “real” arguments, for the articulation fails to pick out a stable proper subclass of all arguments that is simultaneously both theoretically relevant and a proper subclass of all arguments.