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Full-Text Articles in Arts and Humanities

Book Review Of Philip Pothen's "Nietzsche And The Fate Of Art", Murray Skees Apr 2004

Book Review Of Philip Pothen's "Nietzsche And The Fate Of Art", Murray Skees

Faculty Publications

No abstract provided.


Creative Redemption And Complete Affirmation In Nietzche's Thus Spoke Zarathustra, Matthew Homan Apr 2004

Creative Redemption And Complete Affirmation In Nietzche's Thus Spoke Zarathustra, Matthew Homan

Honors Theses

Creative Redemption and Complete Affirmation in Nietzsche's Thus Spoke Zarathustra Any reader engaged with Nietzsche's thought, as we are (or about to be), must consider his or her life in relation to one thought, Nietzsche's most abysmal thought, the greatest weight:

This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all …


The Halcyon Tone As Birdsong, Gary Shapiro Jan 2004

The Halcyon Tone As Birdsong, Gary Shapiro

Philosophy Faculty Publications

Contained in one of Nietzsche's favorite words is the name of a seabird that flits back and forth across the landscapes and seascapes of Mediterranean reality, classical myth, and Nietzsche's imagination. Lexical authorities credit Nietzsche with reintroducing the word "halcyon [halkyonisch]" into the German language. That word will recall the "halcyon days," part of the metamorphic complex in the story of Alcyone, who lost her husband Ceyx at sea but was transformed along with him into a pair of seabirds, the female having the extraordinary characteristic of building a floating nest, in which she hatched her eggs during the weeks …


Dogs, Domestication, And The Ego, Gary Shapiro Jan 2004

Dogs, Domestication, And The Ego, Gary Shapiro

Philosophy Faculty Publications

In Zarathustra's "On the Vision and the Riddle," three animals-a spider, a snake, and a dog-make significant appearances, as do three human or quasihuman figures-Zarathustra himself, the dwarf known as the Spirit of Gravity, and the shepherd who must bite off the head of the snake. Of these animals, it is the dog who receives the most extended attention. Here, in the passage that along with "The Convalescent" (with its eagle and serpent) is usually and rightly taken to be Nietzsche's most articulate and yet highly veiled approach to explaining the teaching of eternal recurrence, the riddling vision involves animals. …


(Im)Material Devils: The Question Of Responsibility In The Holocaust In Thomas Mann’S Doctor Faustus, Ann Taylor Dec 2003

(Im)Material Devils: The Question Of Responsibility In The Holocaust In Thomas Mann’S Doctor Faustus, Ann Taylor

Ann Connolly

During the 16th century, along with the rise of Lutheranism, a story arose about a man who sold his soul to the devil in exchange for knowledge and adventure beyond human limit. This story of Doctor Faustus, written by an unknown author, was simple, direct, and unquestionably moral. The devil was an actual, embodied creature, the pact explicit, and Faustus’ end, detailed and horrible. Since the original chapbook was published, multiple treatments of the same basic theme have arisen, sometimes to send the same message, sometimes to portray something quite different. Perhaps the most well-known are those by Christopher Marlowe, …