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Full-Text Articles in Arts and Humanities
Scientific Discipline And The Origins Of Race: A Foucaultian Reading Of The History Of Biology, Ladelle Mcwhorter
Scientific Discipline And The Origins Of Race: A Foucaultian Reading Of The History Of Biology, Ladelle Mcwhorter
Philosophy Faculty Publications
Foucault's "power-knowledge" is a controversial concept. Brought into English-speaking theoretical circles less than two decades ago, its meaning and range of applicability are still in dispute. While no one denies that some fields of social scientific knowledge (such as criminology) intersect institutionally with mechanisms of power, these intersections do not seem, to many, to constitute any essential relation of "mutual reinforcement" between knowledge and power. If, in rare cases, politics and scientific research are admitted to be mutually constitutive, the results of their mingling are typically dismissed as propaganda or pseudo-science. A few thinkers are willing to allow the entirety …
[Introduction To] Earthwards: Robert Smithson And Art After Babel, Gary Shapiro
[Introduction To] Earthwards: Robert Smithson And Art After Babel, Gary Shapiro
Bookshelf
The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer.
Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's …
Übersehen: Nietzsche And Tragic Vision, Gary Shapiro
Übersehen: Nietzsche And Tragic Vision, Gary Shapiro
Philosophy Faculty Publications
Toward the end of The Birth of Tragedy Nietzsche sketches the possibility of a rebirth of tragedy and tragic culture. At this point Nietzsche's seductive language reaches a kind of crescendo; all along he has been inviting the reader to share his sense of what ancient tragedy was, and he does this in part by implying that the question of one's tastes and sensitivities here are crucial in determining whether one is hopelessly caught in the anemic Alexandrian world of modernity (sometimes called "the culture of the opera," later to be called nihilism) or whether one is a candidate for …