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Full-Text Articles in Arts and Humanities
Butterfly Redreaming: Rethinking Free, With Zhuangzi Flying Westerly With Descartes, Lacan, Waldman…, Kyoo Lee
Butterfly Redreaming: Rethinking Free, With Zhuangzi Flying Westerly With Descartes, Lacan, Waldman…, Kyoo Lee
Publications and Research
Usually, Zhuangzi’s parable of “the butterfly dream/dreaming butterfly” is read as an enigmatic version, from “the East”, of the Cartesian skeptical challenges to “objective reality” or else the Lacanian psycho-drama of the “pure gaze” in which “he”, Zhuangzi, “is a butterfly for nobody”, who stands for “the Real”. Retooling some of the critical insights from these standard dialectical or anxiogenic approaches to this allegorical puzzle of self-identity, both of which, however, tend to leave unquestioned or else structurally overrate the binarized inner-exclusivity of typical pairs such as in/out, subject/object, illusion/reality, and all/nothing, this article proposes a relatively novel, fluid model …
In What Senses Are Free Spirits Free?, Christa Davis Acampora
In What Senses Are Free Spirits Free?, Christa Davis Acampora
Publications and Research
My broadest claim in this article is, unsurprisingly, that there are multiple senses of freedom associated with the freedom of the free spirit. These include both positive and negative senses – that is, when describing how free spirits are free, Nietzsche sometimes characterizes this as freedom to do something, and sometimes as freedom from certain kinds of constraints. In this article, I do not aim to provide an exhaustive catalogue of the different senses invoked in Nietzsche’s ‘free spirit’ texts. Instead, I wish to highlight some particular senses, including some that are less frequently discussed in the scholarly literature and …
Beholding Nietzsche: Ecce Homo, Fate, And Freedom, Christa Davis Acampora
Beholding Nietzsche: Ecce Homo, Fate, And Freedom, Christa Davis Acampora
Publications and Research
That Ecce Homo, with its subtitle "How One Becomes What One is;' is Nietzsche's self-presentation of sorts seems rather easy to conclude. But why does Nietzsche do this? What is evident? What do we really learn from the work? Is it primarily a behind-the-scenes peek at Nietzsche's thought, the ideas that truly or actually motivated him? How complete is it as an autobiography, given that it seems devoted largely to his writings? To what extent can we put much stock in the account at all given that Nietzsche would slip into madness not long after the first draft was …